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September 7, 2005
[music] A Lost Pop Symphony — long overview of the history of Brian Wilson’s Smile Album … ‘A contract signed with Warner Brothers in 1970 following the group’s departure from Capitol even included a clause that promised a finished Smile by 1973. When it failed to appear, the group was fined $50,000. Wilson had by then renounced the work as “inappropriate music” and derailed any attempt to revive it.’ [via Robot Wisdom]
July 11, 2005
[moore] Old Gangsters Never Die — another song from Alan Moore produced around the same time as the The March of the Sinister Ducks.
July 4, 2005
[live8] The Music’s Over, the Message Lingers On — nice summary of the Live 8 concert in London … ‘At midday the approach to the park was a familiar pre-rock concert landscape of men weeing under trees, jocular police and a revivalist with a megaphone: “I used to be a sinner like you, now I’m a winner.”‘
June 24, 2005
[music] When Noel Gallagher met David Walliams … On Liam and Peter Kay: ‘Liam hasn’t got a sense of humour, fucking full stop. Like with Peter Kay. If you’re a northern guy about our age, all the reference points are spot on – you can’t not like him. We were on the tour bus one night and somebody put a Peter Kay DVD on and I thought: “This is going to be a fucking disaster.” There’s a few Mancs in our crew and everyone was laughing their heads off. And Liam’s just sat there going: “He’s a fucking fat cunt, fucking shit, fucking fat idiot.” So he gets up to go to the bog and someone goes: “Why doesn’t he like Peter Kay?” Because he’d been to the NME Awards when Liam won a trophy for being hero of the year – and Liam wouldn’t go up and fucking collect it. He had on this big white fur coat. So Peter Kay brought his trophy over to him and went “Ere you are lad”. And as he walks off, he goes: “Me mam’s been looking for that coat.” Fucking uproar! I was laughing like fuck.’
May 24, 2005
[comics] Jamie Hewlett’s Common People Comic — Pulp’s song converted into a comic … ‘I think all pop hits should have comic adaptations; in an ideal world I would have a copy of Rob Liefeld’s Shake Ya Tailfeather: The Graphic Novel in a frame on my wall.’
May 19, 2005
[directions] The Way To Amarillo‘Catch flight from London Heathrow to Dallas Fort Worth Airport. Hire car at Dallas Fort Worth Airport.’
April 24, 2005
[advert] Singing in the Rain Remix — MP3 remix using the music from the VW advert.
March 24, 2005
[funny] Cillit Bang Remix‘Limescale. Rust. Ground-in Dirt.’ [Related: Another Remix]
February 6, 2005
[comics] The Sinister Ducks — a flash animation of the song by Alan Moore … ‘What are they doing at night in the park? Ducks, Ducks! Quack, Quack! Quack, Quack! Think of them waddling about in the dark. Ducks, Ducks! Quack, Quack! Quack, Quack! Sneering and whispering and stealing your cars, Reading pornography, smoking cigars. Ducks, Ducks! Quack, Quack! Quack, Quack!’ [Previously: March of the Sinister Ducks – MP3 Download]
February 1, 2005
[advert] Blingin’ in the Rain — the Guardian covers Volkswagen’s remix of Gene Kelly in Singing in the Rain … ‘The 60-second advert was filmed on the same set at Shepperton Studios where the 60s musical Oliver was filmed and recreates the early part of the sequence showing Kelly singing and dancing in the rain but then breaks into the 21st century with a club mix of the song. The dancers wore prosthetic face masks and wigs and were filmed many times to replicate as closely as possible the moves that Kelly made and his face has been digitally added to the film.’ [Previously: Singing in the Rain – the Original Updated]
December 17, 2004
[xmas] The Beatles Christmas Records — MP3’s of recordings the Beatles made for their official fan-club between 1963 and 1969. From a description of the 1969 recording: ‘Yoko makes an appearance as John’s interviewer, and the two sing a duet reminiscent of the “All in the Family” theme before finally predicting the 70s will be “peaceful,” and full of people “flying around.” McCartney sings a pleasant ditty.’
September 24, 2004
[music] Review of Smile — Brian Wilson’s long-lost Beach Boys Album finally released … ‘The news that Wilson and his backing band (based around American 1960s revivalists the Wondermints) were going to completely re-record and release Smile, after touring a completed version of it, was enough to cause an outbreak of mild hysteria. One Sunday supplement urgently sought the government’s opinion. Even they may have been surprised to get an answer not from the arts minister, but from defence secretary Geoff Hoon. Luckily, the past 18 months have been exceptionally quiet for the British armed forces, giving Hoon plenty of time to ponder the influence of the Beach Boys’ mid-1960s work on current alt-rock. He certainly seems well informed – “It’s such a good time for its re-release,” he told the Observer; “the indie bands my son listens to are building on Wilson’s ideas” – which will doubtless come as some comfort to the 8,900 British troops stationed in Iraq.’
July 20, 2004
[comics] The Fink Brothers – Mutants in Mega City One — a MP3 curiosity from the 80’s – Suggs and Carl from Madness perform a song about Judge Dredd and Mega City One as “The Fink Brothers”. Probably of interest to aging fans of 2000AD only … ‘From Justice Hall to Zappa Block, We patrol the streets around the clock! Judge, Judge, Judge, Judge, Judge, Judge, Judge, Judge Dredd! My God, my brain’s exploding!’
June 12, 2004
[mp3] We’re Stuck with MP3 — why the standard music compression format isn’t going to be replaced anytime soon… ‘The newer audio formats, including Ogg Vorbis, seem to have at least two things going for them compared with MP3: smaller files and less expense. But because any change would require conversion of billions of files – a royal pain in the butt – it just won’t happen.’ [via 2lmc]
March 13, 2004
[music] They Shoot, He Scores — great interview with film composer Ennio Morricone. On Creativity: ‘I simply want to carry on expressing my ideas. Other people see the moment of creativity as magical, but it is not. That’s just a romantic notion. For me, it’s simply, “I have to get from A to B. How am I going to achieve this?” You have to be like the painter who knows his brush strokes. In the end it comes down to technique and experience. Sometimes a small idea will come without warning, but after that, I insist once more upon craft. If you know how to do your job, you will get a result. It’s very simple.’
February 13, 2004
[music] One Hundred Albums You Should Remove from Your Collection Immediately‘The Police – Synchronicity — That this album is considered a classic is quite a feat for a collection of songs that Keith Richards deemed suitable for a dentist’s waiting room. Certainly, no album dealing with topics such as stalking, psychological abuse, betrayal and silent desperation has ever sounded so homogenized or made less thought-provoking pronouncements. To enjoy Synchronicity is to consider one’s self to be socially enlightened without having to dredge up any real empathy.’
January 21, 2004
[comics] Sinister Ducks – March of the Sinister Ducks (MP3 File Download) — a song by Alan Moore and his band The Sinister Ducks from 1983 … ‘What are they doing at night in the park? Ducks, Ducks! Quack, Quack! Quack, Quack! Think of them waddling about in the dark. Ducks, Ducks! Quack, Quack! Quack, Quack! Sneering and whispering and stealing your cars, Reading pornography, smoking cigars. Ducks, Ducks! Quack, Quack! Quack, Quack!’ [via Scaryduck and Neil Gaiman]
January 18, 2004
[mp3] UK song-swappers ‘could be sued’‘Speaking at a London conference about music and technology, Mr Yeates said any legal crackdown would be “proportional”. Talks were taking place with internet service providers across Europe to streamline a process for identifying those who distribute the most songs, he said. The move comes despite healthy album sales for the UK industry. Album sales in the UK rose by 7.6% in 2003 to a record high, fuelled by falling CD prices.’
May 28, 2003
[gm] Grant Morrison wonders if Justin Timberlake is a Mutant: ‘Definitely a pure mutation – and he’s trying to push his powers in a more evil direction. I think they inject all of those Disney kids, like Britney, with something when they’re young. One minute, they’re singing about mice, and the next, they’re riding motorcycles and fisting each other.’
February 10, 2003
[music] Bjork Video Gallery — all of Bjork’s videos in Quicktime … [via Metafilter]

big time sensuality -- bjork in nyc on a flatbed truck
‘I don’t know my future after this weekend and I don’t want to.’

January 28, 2003
[mp3] Hating Hilary — profile of Hilary Rosen the frontwoman for the RIAA

‘Commercially speaking, it’s hard to argue that peer-to-peer music-sharing doesn’t have the same effect as walking out of Virgin Megastore with the latest Coldplay CD under your jacket. But by moralizing the issue – here and in a series of ads featuring artists like Stevie Wonder and Britney Spears – Rosen and her colleagues have failed to grasp the fact that they’ve already lost. File-sharing has become part of pop culture; witness the Intel ad that shows a scruffy guy happily burning tunes onto a CD-R. To some extent, at least, the record companies have themselves to blame. Whereas blank CDs sell for pennies at the nearest CVS, the price of new releases continues to creep up in most stores, to the point where movies can be cheaper to own. Rosen, 44, seems to have planted herself squarely in the path of inevitable technological change.’

December 7, 2002
[music] Drunken, disorderly and now a Toothless Rock Star — profile of Liam Gallagher … ‘Since the group’s first public manoeuvres in 1993, Liam has made a habit of suddenly bailing out of his band’s commitments, picking sufficiently serious fights with his elder brother to threaten their always-rickety alliance, and managing to offend even the most untouchable invitees at awards ceremonies and fashion shows. Liam is, let us not forget, the man who marked Oasis’s 1996 receipt of Q magazine’s “Best Act In The World Today” trophy by threatening to smash up a Park Lane ballroom and flicking his cigarette ash on Mick Jagger’s head.’
November 26, 2002
[distraction] Billy Joel’s We Didn’t Start the Fire in Flash … [Related: The History Behind Billy Joel’s Song]

‘Harry Truman, Doris Day, Red China, Johnny Ray, South Pacific, Walter Winchell, Joe DiMaggio, Joe McCarthy, Richard Nixon, Studebaker, Television, North Korea, South Korea, Marilyn Monroe, Rosenbergs, H Bomb, Sugar Ray, Panmunjom, Brando, The King And I, and The Catcher In The Rye, Eisenhower, Vaccine, England’s got a new queen, Maciano, Liberace, Santayana goodbye, Joseph Stalin, Malenkov, Nasser and Prokofiev, Rockefeller, Campanella, Communist Bloc, Roy Cohn, Juan Peron, Toscanini, Dancron, Dien Bien Phu Falls, Rock Around the Clock, Einstein, James Dean, Brooklyn’s got a winning team, Davy Crockett, Peter Pan, Elvis Presley, Disneyland, Bardot, Budapest, Alabama, Khrushchev, Princess Grace, Peyton Place, Trouble in the Suez, Little Rock, Pasternak, Mickey Mantle, Kerouac, Sputnik, Chou En-Lai, Bridge On The River Kwai, Lebanon, Charles de Gaulle, California baseball, Starkwether, Homicide, Children of Thalidomide, Buddy Holly, Ben Hur, Space Monkey, Mafia, Hula Hoops, Castro, Edsel is a no-go, U2, Syngman Rhee, payola and Kennedy, Chubby Checker, Psycho, Belgians in the Congo, Hemingway, Eichman, Stranger in a Strange Land, Dylan, Berlin, Bay of Pigs invasion, Lawrence of Arabia, British Beatlemania, Ole Miss, John Glenn, Liston beats Patterson, Pope Paul, Malcolm X, British Politician sex, J.F.K. blown away, Birth control, Ho Chi Minh, Richard Nixon back again, Moonshot, Woodstock, Watergate, punk rock, Begin, Reagan, Palestine, Terror on the airline, Ayatollah’s in Iran, Russians in Afghanistan, Wheel of Fortune, Sally Ride, heavy metal, suicide, Foreign debts, homeless Vets, AIDS, Crack, Bernie Goetz, Hypodermics on the shores, China’s under martial law, Rock and Roller cola wars…’

[music] ‘We’ve had it large’ — New Order discuss their career and the new box-set they are bringing out for Christmas … ‘Sumner’s eyes light up. “What do you collect?” “Cars,” says Hooky. “Model cars.” Sumner arches an eyebrow. “Oh.” “Well, I like collecting,” continues Hooky, furiously scratching his stubble. “I collect everything.” “Then we’re different,” notes Sumner. “I like to get a skip and throw everything away. A clean slate, that’s what I like.” In the future, when looking to remake The Last of the Summer Wine, the BBC should consider New Order as ripping new cast members.’
November 3, 2002
[books] Why He Died Before He Got Old — Pete Townshend reviews Kurt Cobain’s Journals … ‘The entries are not uninteresting. It is simply that they are devastatingly hard to contemplate. They actually hurt. These are the scribblings of a once beautiful, angry, petulant, spoiled, drug-addled middle-class white boy from a divorced family who just happened, with the help of two of his slightly more stable peers, to make an album hailed as one of the best rock records ever. I sometimes get letters from people who write and draw like Cobain. I put them in a file marked ‘Loonies’, just in case they try to sue me in the future for stealing their ideas.’
October 19, 2002
[music] A troubled hero for our times? — profile of Kurt Cobain. ‘… his formative tastes took in soft-rock bands such as Journey and Foreigner …’
October 6, 2002
[sunday] Weekend Reading …
  • You Shone Like the Sun — backgrounder and brief interview with Syd Barrett‘Then, a sound in the hall. Has he come in from the back garden? Perhaps it needs mowing, like the front lawn – although, judging by the mound of weeds by the path, he’s been tidying the beds today. I knock again, and hear three heavy steps. The door flies open and he’s standing there. He’s stark naked except for a small, tight pair of bright-blue Y-fronts; bouncing, like the books say he always did, on the balls of his feet. He bars the doorway with one hand on the jamb, the other on the catch. His resemblance to Aleister Crowley in his Cefalu period is uncanny; his stare about as welcoming…’ [Related: Metafilter Thread]
  • Hoax! [Part 1 | Part 2] — Jon Ronson meets America’s Anthrax Hoaxers … ‘Terry first realised that he was in very big trouble when no less a figure than the US Attorney General, John Ashcroft, made a speech about him in a press conference to the world on October 18. Ashcroft announced that the FBI had “arrested Terry Olson for committing a serious crime in connection with terrorist hoaxes”. “What did they charge you with?” I asked him. “Weapons of mass destruction,” he said. “Life imprisonment.” “You must have said to them that Nesquik and sugar aren’t weapons of mass destruction,” I said.’

September 16, 2002
[distraction] Well worth the download: Eminem vs. The Smiths. [via peterjakehall.com]
August 31, 2002
[underworld] Look Deeper … ‘It was just silly crap but it hit the spot.’
August 26, 2002
[music] Hit Charade — the problem with the music industry … ‘Since 1980, the mainstream music industry has only consolidated: Five companies control CD sales, MTV owns a multi-channel music-TV franchise, and a single company, Clear Channel, dominates both the concert business and Top 40 and rock radio. Ironically, if unsurprisingly, the biz has suffered from its near-monopolistic control. Short-sighted labels and tightly programmed radio have bolstered the success of certain styles and performers but prevented anything fresh from breaking through.’ [via Sore Eyes]
August 11, 2002
[food] Grease is the Word — Nigel Slater makes Elvis Presley’s Fried-Peanut-Butter-and-Banana Sandwich … ‘I have known about this sandwich for years but felt that, along with deep-fried Mars bars, monkey brains and fugu fish, this was territory that I did not wish to explore. The fact that the peanut butter was sometimes mixed with strawberry jam, and that the whole heart-stopping snack was then fried in butter, put the seal on it. Still, what the hell. It can’t kill me. So here I am, standing in the kitchen, debating whether this legendary recipe really is the crack cocaine of the sandwich world, and whether I am going to get out of this alive. I so want to just say no, but I like bananas, have a sneaky fondness for white sliced bread, and absolutely adore peanut butter.’
July 24, 2002
[comics] Interesting selection of MP3’s from musical collaborations between Alan Moore and Tim Perkins … [via Bugpowder]
June 30, 2002
[current playlist] What I was listening to late last night, courtesy of BlogAmp [via not.so.soft]

Beastie Boys – Sure Shot, Oasis – Stop Crying Your Heart Out, Jeff Buckley – Last Goodbye, Prodigy – Out Of Space, Depeche Mode – Never Let Me Down Again, General Public – Tenderness, The Verve – Lucky Man, Samantha Mumba – Body 2 Body, Nelly Furtado – Turn off the Lights, A.O.S. – History (Repeats Itself), Oasis – Stop Crying Your Heart Out, Sophie Ellis Bextor – Murder On The Dancefloor, Oasis – My Big Mouth, Serge Gainsbourg – Bonnie and Clyde, Bryan Ferry – Crazy Love, New Order – True Faith, Ride – Taste, Mint Royale – From Rusholme With Love, The House Of Love – Crush Me, All Saints – Black Coffee, The Monkees – Porpoise Song, Oasis – Whatever.

June 29, 2002
[tech] Microsoft Palladium — Start Here:

  • The Big Secret — Steven Levy takes a look behind the scenes at the Palladium Project … ‘Palladium is being offered to the studios and record labels as a way to distribute music and film with “digital rights management” (DRM). This could allow users to exercise “fair use” (like making personal copies of a CD) and publishers could at least start releasing works that cut a compromise between free and locked-down. But a more interesting possibility is that Palladium could help introduce DRM to business and just plain people. “It’s a funny thing,” says Bill Gates. “We came at this thinking about music, but then we realized that e-mail and documents were far more interesting domains.” For instance, Palladium might allow you to send out e-mail so that no one (or only certain people) can copy it or forward it to others. Or you could create Word documents that could be read only in the next week. In all cases, it would be the user, not Microsoft, who sets these policies.’
  • I Told You So — Bob Cringely on Palladium … ‘It may actually make the Internet somewhat safer. But the real purpose of this stuff, I fear, is to take technology owned by nobody (TCP/IP) and replace it with technology owned by Redmond. That’s taking the Internet and turning it into MSN. Oh, and we’ll all have to buy new computers. This is diabolical. If Microsoft is successful, Palladium will give Bill Gates a piece of every transaction of any type while at the same time marginalizing the work of any competitor who doesn’t choose to be Palladium-compliant. So much for Linux and Open Source, but it goes even further than that. So much for Apple and the Macintosh. It’s a militarized network architecture only Dick Cheney could love. ‘
  • Palladium Frequently Asked Questions … On MP3’s: ‘With existing MP3s, you may be all right for some time. But in future, TCPA / Palladium will make it easier to sell music, movies, books and other content packaged so that people can play them on their PCs but not copy them. You might be allowed to lend your copy of some digital music to a friend, but then your own backup copy won’t be playable until your friend gives you the main copy back. Quite possibly you will not be able to lend music at all. (It looks likely that the music publisher will be able to make the rules – and to change them at will by remote control.)’

June 17, 2002
[music] Mad For It — interview with Liam Gallagher …

‘…’I’d like to be in a big house in the south of France,’ he decides, staring wistfully up at the stairs that lead towards the pub’s exit, ‘with a deckchair. And the deckchair is outside and I’m in the deckchair just chilling right out. Forever.’ He says he’s looking forward to being 60 in that deckchair in the south of France. Age is not a fear for him. If he’s in that chair outside that house, he says, he won’t even mind going bald. ‘I’ll moan about it, but I won’t be getting a wig. I will not be getting an Elton John. I’ll just get a skinhead and have it large with a goatee, get meself a part in EastEnders where I can shag the barmaid.”

[Related: Vaughan likes Stop Crying Your Heart Out]
May 27, 2002
[film] Biggie and Tupac — review of Nick Broomfield’s new Documentary … ‘If James Ellroy wrote a novel about gangster rap, it would be a lot like Biggie and Tupac, teeming with chancers and casualties and underpinned by the threat of death. “You knocking like you scared,” chuckles the bodyguard who opens his door to let Broomfield in. And yet his timid knocking pays dividends.’
May 26, 2002
[blogs] Pat Kane.com — the Scottish journalist and musician has a weblog … ‘pop, politics, technoculture…& scotland’
February 15, 2002
[music] Looking for a new England — interview with Billy Bragg … ‘…you say Orwell came up with a list of things he thought were English. What would your list be? “Well, it’s dictated by my cultural background. So Bobby Moore winning the World Cup. It doesn’t mean the same to everyone, I’m aware of that. Chalk horses made in the Bronze Age; Marmite. It’s personal. Englishness is like a mantelpiece that you put things on. We all have that mantelpiece, it’s what you put on that mantelpiece in your soul.”‘
February 7, 2002
[tv] Rock the vote — the Guardian’s Political Editor meets Will and Gareth from Pop Idol‘Gareth is 17 and was in his second year, doing his A-levels in Bradford when the Pop Idol opportunity interrupted. He has a painful stammer which he masters with difficulty and the help of his voice coach, Mike, who now travels with him. Gareth ought to be the underdog, except the bookies have him as the favourite to win – out of the original 10,000 wannabes who entered the competition last autumn. Meaning to be helpful, I tell him that Winston Churchill had a lisp and Nye Bevan a stammer. But he appears to have heard of neither of these recording artists. And why should he, I suppose. They are both very dead.’
February 2, 2002
[music] The unsinkable Ian Brown‘He orders lunch carefully – no cheese, no pork, no wine (he hasn’t touched alcohol for years: “I can’t get with the taste of liquor”) – and lights a cigarette. “There were about three weeks in 1989 when everyone loved us and no one slagged us,” he recalls with a smile. “I wasn’t on stage to be worshipped or for people to look up to me. I was with the crowd. We started out to finish groups like U2 – that was what it was all about. And they’re still the biggest band in the world, so we failed. We didn’t really do anything, people wore flares for a year or two, d’you know what I mean?” he laughs. “That’s all we did.”‘ [Related: Tanya Headon on Fools Gold / Stone Roses]
January 21, 2002
[tv] Go on, Take a Pop — interview with Pop Idol’s Simon Cowell … ‘He seems much more vulnerable than when we first met. I tell him that he surprised me when he said not much in life has made him happy. “I am quite miserable because I’m never satisfied with what I’ve got. You’re always looking for that next high, and that is what I would define as happiness. I go through mood swings and the highs don’t last very long.” He says he gets bored and dissatisfied easily – with women, with work, with life.’
January 11, 2002
[reviews] There were a few interesting articles in today’s Guardian…

  • You can’t diddle with the truth — another interview with Ridley Scott on his film Black Hawk Down. ‘The teams on the ground get lost under fire in Mogadishu’s narrow streets, as directions are relayed to them by the helicopters. “The Black Hawks are orbiting in a pattern, clockwise or anti-clockwise, and they can’t diverge from this or they will fly into each other.” This, in his view, “was the real juice of the film”, the place where plot enacted theme – theme being the complexities of intervention in a country like Somalia. “It was like a three-layer chess game.”‘
  • So lonely I could cry — Cameron Crowe writes about his film Vanilla Sky‘Within weeks of finishing this screenplay, there we were on Times Square, an early Sunday morning in November. Tom Cruise as David Aames was racing through the most famous geography on the globe. Utterly alone. Watching the shot as it happened on a video monitor, the whole world of Vanilla Sky was still ahead of us. Lonely. Scary. Promising. Inevitable.’
  • Interview with Adam Ant‘Anyone over 30 belongs to me. Bisexual, male, female, gay, whatever.’
  • Ageless, peerless, Douglas — update on Kirk Douglas‘I see Kirk Douglas still isn’t dead. Remarkably, he’s preparing his next movie, Smack in the Puss, a family affair starring his son Michael, with whom his relationship has always been fiercely competitive, and the next sprig on the dynastic tree, grandson Cameron. The man will never stop, it seems. These days, at 86, bowed and speech-impaired by strokes, and having collapsed again recently on the golf course, he still radiates that fanatical, spartacist determination to live life right into the last ditch, or at least the last water hazard.’

[thanks to whoever left their entire copy of the Guardian on the tube for me today]
November 2, 2001
[paul is dead] The Fool on the Hill … Did Paul McCartney expose himself on the Magical Mystery Tour film? ‘The zoom view clearly shows the left coat tail billowing up. There does seem to be a fairly clear image of his penis extending out from under it and pointing to his right at a slightly upward angle. The coloring really adds to the impression: the shaft is darker toned than the head which would be consistent with the coloring of the shaft and head (glans) of a penis. (Yes, unlike most British men, Paul is circumsized.)’ [Related: Paul is Dead, link via Robot Wisdom]
August 14, 2001
[random] Pass Notes covers The Girl from Ipanema‘It seems the widow of Antonio Carlos Jobim is still disgruntled about her husband leching after the foxy Brazilian lovely. The heirs to the songwriters’ fortunes say the gently swaying, golden Heloisa has no right to call her shop The Girl from Ipanema.’
August 13, 2001
[music] Northern Rock — Miranda Sawyer profiles and interviews New Order. ‘…everything collapsed. New Order came out owing £600,000. Then, in the midst of the carnage, someone found a piece of paper signed by the Factory directors that read: “The musicians own the music and we own nothing.” Which meant that the bands could sign huge publishing deals for all the tunes they’d already written, as well as recording contracts for future music. London records stepped in to claim New Order, “like the cavalry”, says Sumner. Chaos all round. The piece of paper effectively whisked Factory’s only assets away from the hands of the debtees. Sumner remembers going up in front of the liquidators. “They just couldn’t believe this piece of paper existed. But it did. No contract, just this bit of paper. They tried to make out that we’d written it a couple of days earlier, but honest to God we didn’t. But,” he grins, “if it hadn’t existed, we would have written it…”‘
August 3, 2001
[mp3] Top 10 Bootleg Napster MP3’s. Eminenya is well worth downloading … ‘The lush celtic strings of Sail Away clash with the vocal from the Real Slim Shady, speeded up by a factor of about three. A nightmare within a dream.’ [via Popbitch]
August 1, 2001
[pop] Make your mind up, M’lud — Amusing article about the the court battle between Bobby G from Bucks Fizz and David Van Day from Dollar over who has rights to the name Bucks Fizz. ‘If all this sounds like a particularly bitter lover’s tiff, it is because the two men are former friends and colleagues. Van Day was one of the best-known bubblegum pop stars of the early 80s in his own right as one half of Dollar, an equally peroxide-heavy act which had 14 hits including Oh L’Amour and Mirror Mirror between 1978 and 1983. “We were fifth in a recent TV programme on the world’s top 10 duos,” he says. “Underneath us were people like Ike and Tina Turner.” ‘
July 13, 2001
[distractions] Enjoy… Micro Jet Racers [via Dutchbint] and a cover of Voodoo Ray by a Brass Band on filepile.org [thanks to Oh!SkyLab, original Voodoo Ray].
June 23, 2001
[music] Michael Daddino blogs 24 hours of MTV‘R&B videos just delight in nice interiors, don’t they?’
May 12, 2001
[distractions] Comedy MP3… Craig David Vs Bagpuss. [via NTK]