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November 13, 2020
[moore] La Frontera (2011) by Alan Moore and Melinda Gebbie … A charming, little-seen short story from Moore and Gebbie originally published in Spain.

La Frontera

October 22, 2020
[books] Alan Moore’s Book Recommendations … A wide-ranging book list compiled from a number of interviews over the years.
October 12, 2020
[moore] Alan Moore Rare Interview: “Superhero Movies Have Blighted Culture” … A standard-issue Alan Moore interview but good to hear his updates on what he’s currently working on and how he and Melinda Gebbie are dealing with lockdown in Northampton. ‘I’ve only retired from comics. I’m finishing off a book of magic now. It’s been stalled for a while but I’m also working on an opera about John Dee with [musician] Howard Gray. I’ve got some short stories coming out. And I’ve also been thinking a lot about what we want to do after The Show feature film. We hope that it’s enjoyable as a thing in itself, but to some degree it could be seen as an incredibly elaborate pilot episode, we think there’s quite an interesting story that we could develop out of it as a TV series, which would imaginatively be called The Show.’
October 8, 2020
[moore] First Look Trailer for The Show … A trailer for the upcoming film from Alan Moore and Mitch Jenkins.

October 7, 2020
[moore] “Providence Was Really Exhausting. Finishing It Felt Like Finishing College”: An Interview With Jacen Burrows … Long discussion with Jacen Burrows on his career at Avatar and collaborations with Alan Moore and Garth Ennis. ‘I didn’t know a tremendous amount about Lovecraft himself until we did Providence. There was stuff I’d stumbled across during research and stuff I learned from Alan. As you know, he writes massive scripts with a lot of extra information for context and he’d often pull stuff from some of the many research books he’d read and put it in the script so I could be fully informed about why we were taking things in certain directions during the production. It was quite helpful and rare, honestly, to have that much insight. The deeper thinking behind the scripted actions instead of just stage directions, you know? A lot of people find those Moore scripts challenging because of the density but I really liked it, even if it was a ton of work to get it all on the page.’
September 23, 2020
[dredd] The Megazine That Never Was … The story of an unlaunched Judge Dredd comic from 1984. ‘Sadly, unlike the other stories from the Fortnightly dummy issue, Alan Moore and Mike Collins’ Badlander is a title that never saw publication. Marking the iconic Moore’s only work within the Judge Dredd universe, the strip was to tell the truth about what really happens to the Judges when they decide to go on “the Long Walk” — a piece of Dredd mythology where, instead of retiring, veteran Judges set off to provide justice and law in the radioactive wastelands of the Cursed Earth.’
September 22, 2020
[comics] Their Other Last Hurrah – Cinema Purgatorio … A Comics Journal review of Moore and O’Neill’s Cinema Purgatorio. ‘When the terrified gangsters speak about being hounded by that thing in their past that wouldn’t let them go why am I thinking about A Small Killing? And at this point I realize the problem isn’t the work; it’s me. Here I am, in front of this dedicated, fascinating, funny and (in many ways) educational series and all I can think about is intertextuality. Seeking the digs at Grant Morrison and wondering if the bearded madman portrayal of Howard Hughes reminds me a bit too much of Alan Moore himself. This kind of exercise can often be a time waster. A replacement for a deeper engagement with the work (mea culpa by the way). Doing it while reading a finishing work by two grand masters is the definition of not seeing the forest for the trees. You can also read the book on its own terms and just see two utter greatest playing their game, heaving a ball, no limits allowed.’
September 8, 2020
[moore] Drawing Up Sides … Alan Moore Interview from 1984. ‘Politics is about trying to reduce human behaviour to something that can be understood, predicted and written about in The Daily Mail or The Sunday Mirror. It’s an attempt to apply a cold remote theory to something warm and vital, and in my book anybody who does that is a twat. Except when they do it through force of arms: then they’re a bastard!’
August 26, 2020
[moore] Correspondence From Hell … The complete text to an epic late ’90s fax interview between Alan Moore and Dave Sim on just about everything. ‘Moore: The middle eighties was when comic books finally got laid. Media attention. Frank Miller in Rolling Stone, MTV. Maus cops the Pulitzer. Watchmen on University reading lists. The style and music press raving about Love & Rockets. Fuck, man, we had the “Cerebus-the-Aardvark Party” running in British elections in ’88. Reason tottered on its throne. Everybody was on Top of the Pops. We got everything we ever asked for, just as one often finds in real life or the better fairy stories, and just like in real life or the better fairy stories it turned out to be shit. For a few years there, everything we touched turned to gold, and now what the fuck are we going to do with all this gold? All this shit?. With honest and sincere effort, we made comics what we wanted them to be: as popular as any other 20th-century medium. As respected as any other 20th-century medium. What on earth were we thinking?’
July 3, 2020
[comics] Alan Moore’s Supermen…

June 11, 2020
[bignumbers] The Meaning of Big Numbers … Some interesting analysis of Big Numbers plot and what it might have meant. ‘If there’s mathematical order in the apparently chaos of these divinely beautiful fractal images, and we buy the theory that there must then be mathematical order and divine beauty to life, too, just an order too grand for us to comprehend (sure enough, the chaotic soup of unconnected human interactions in this story seem to end up giving the good people what they want, and punishing the bad people)… then perhaps letting a numerical system take over our life isn’t so different to our present existence. Perhaps there’s a divine beauty in that that’s beyond our comprehension, too. Perhaps the story is an optimistic one.’
June 9, 2020
[comics] Alan Moore’s Big Numbers Outline Chart… The script outline for AM’s unfinished comic Big Numbers typed out and handily converted to an HTML page with annotations.

Big Numbers Outline Chart

May 22, 2020
[moore] This Is For When… Alan Moore’s poem for the 1981 Bauhaus album Masks. ‘This is for all the mathematicians who got mixed up in the dream gang.’

This is for When...

May 14, 2020
[comics] An Interview with Rick Veitch… Dicussing his run on Swamp Thing. ‘My involvement was really a secondary career, I had a really great thing going at Marvel, writing and drawing a creator owned series at Epic. So I didn’t think of it as my money-making career, I really wanted to learn more about this… magic… Alan was conjuring. In the process I got to know the editor, Karen Berger, so it seemed natural that when Steve and John left, that I would become the regular penciller on the book.’
April 7, 2020
[comics] Tom King’s 12 Comics to Read While You’re Sheltered in Place … interesting list of comics.‘DC Universe: The Stories of Alan Moore – Alan Moore is the master of modern comics and this is my favorite work of his. It collects the one-shots and short stories he did for DC in the ‘80s, including his work on Superman, which in my opinion are the best superhero comics of all time. Writers and artists have been mining these few comics for inspiration for decades and will continue to do so for decades more. Many of the secrets of modern comics are found in these pages. Please don’t tell.’
April 3, 2020
[comics] 5 Tips for would-be comics writers from Alan Moore‘This is by no means the most glamorous profession. Don’t say that I didn’t warn you.’
March 4, 2020
[lmg] Twenty Years of LinkMachineGo – “I DID IT!”

[quote] LMG is 20 years old: The Inevitable Alan Moore Quote … ‘Anything of any value in our lives, whether that be a career, a work of art, a relationship, will always start with such a leap. And in order to be able to make it, you have to put aside the fear of failing and the DESIRE of SUCCEEDING. You have to do these things completely purely, without fear, without desire. Because things that we do without lust of result are the purest actions that we shall ever take.’
February 19, 2020
[comics] The horror comic that wasn’t: Alan Moore and Bryan Talbot’s Nightjar … Pages from one of Moore’s lost comics.

January 14, 2020
[moore] A Handwritten Alan Moore Interview from 1987‘Q: If Jim Shooter and Dick Giordano wrestled, who would win? Alan: The mud.’
January 4, 2020
[comics] The Tempest by Alan Moore and Kevin O’Neill – it’s been a blast … Reviewing the final major comics work from Moore and O’Neill. ‘Power is often a sham in The Tempest, and many of its superheroes are amateur copies of American originals, who themselves are built on a lie; those behind the scenes are not to be trusted. Moore and O’Neill, of course, are also using the creations of others. But they make something new from them. For all the silliness, there’s a reverence here, and a giddiness to these grumpy old men that spills from The Tempest’s pages in joyful hat-tips and preposterous set pieces. As a reader, you feel like a visitor at a party with a bewildering guest list, two hosts who won’t shut up and a new wonder around every corner.’
November 12, 2019
[comics] And I’ll Look Down and Whisper… “OK Boomer”

And I'll Whisper Down... OK Boomer.

October 25, 2019
[comics] Untold Constantine Tales … Steve Bissette on one of the inspirations for John Constantine. ‘We’ve always talked about the Police and Sting‘s role in Quadrophenia, the movie (1979), but it was indeed Sting‘s ominous presence and role in Richard Loncraine‘s theatrical film adaptation of Dennis Potter‘s Brimstone & Treacle (1982) that fueled those fires back in 1983-84 for us.’
October 7, 2019
[comics] Alan Moore Episode / Neil Gaiman Episode … Alan Moore and Neil Gaiman have both been on BBC Radio 6 Music show Paperback Writers recently.
September 16, 2019
[comics] Tales Of The Black Freighter: Marooned – Reconstructed … Watchmen’s EC comic-within-a-comic recreated using existing panels and word balloons.

Panels from Watchmen's Marooned comic-within-comic

September 2, 2019
[comics] We Almost Got an Alan Moore/Kevin O’Neill Bizarro Comic? … Details on one of AM’s unstarted projects. ‘Me and Kevin O’Neill would really love to do a Bizarro mini-series, examining this whole Bizarro world. I mean, it’s square. How do the physics work on a world like that? What about the people who live on the corners? If you look at the pictures of the Bizarro world, there are continents that fold around the corners, so presumably you must have people living at right angles to each other. I just want to see Kevin draw it. I’m sure he’d be up to it.’
August 28, 2019
[comics] Dr Manhattan – Don’t blame me. I voted for chaos with Ed Miliband. (Hat Tip: @MartinBelam)

August 20, 2019
[comics] Watchmen, t-SNE sorted … Every panel in Watchmen sorted by similarity using a machine learning algorithm by Pete Ashton.

August 7, 2019
[comics] The League Of Extraordinary Gentlemen: The Tempest … Deep Dive review of LoEG: The Tempest from the Comics Journal. ‘Moore is uniquely qualified to write a story about the role of stories at the end of narrative. He’s of the first generation of graphic novelists: people who saw the endless serialization of superhero comics and realized they were not as satisfying as an actual work of literature due to the lack of endings. He then worked, really hard, in the pages of Swamp Thing, to have enough characterization and thematic heft that story arcs could end in a satisfying way. He wrote “The Killing Joke” with enough self-seriousness it can be read as a final Batman story. He wrote “Whatever Happened To The Man Of Tomorrow” after being enlisted to conclude decades worth of Superman stories, a universe of self-referentiality, and made something touching using decades of material containing wild tonal variation built around a core of self-referentiality never intended to cohere as a singular work. That was over thirty years ago, and since then, his own narrative has been taken away from him, in multiple ways. Literally, stories he’s written have been taken away from him, work he created with the intention that it would belong to him has had its meaning compromised by a corporation’s seeing greater potential for profit in franchised garbage than it does in work of literary merit.’
July 11, 2019
[comics] The real reason Big Numbers #3 was never published … Reddit on Alan Moore and Bill Sienkiewicz’s Big Numbers. ‘…The question came up, “Why didn’t they release issue 3 if the art was done?” The answer was always, “Why put out issue 3 if the series would never be finished?”‘
June 26, 2019
[comics] The story of Mad Love’s AARGH! (Artists Against Rampant Government Homophobia) anthology comic‘Alan Moore half-jokingly told a college classroom in Northampton that because he “had access to a lot of famous comic book people [he] could . . . morally blackmail most of them” into contributing something to an anthology. The artists and writers who contributed were myriad, including, Neil Gaiman, Frank Miller, Art Spiegelman, Harvey Pekar, Howard Cruse, Dave Sim, Robert Crumb, Mark Buckingham, Dave McKean, David Lloyd, Dave Gibbons, and many, many more. The pieces range from comic strips to bizarre dreams illustrated, from poetry to rhyming couplets of verse mimicking the cautionary tales for children popular in the late 19th century, and countless more forms of art and prose.’
May 17, 2019
[comics] 5 Modern Day Treasures That Got Saved In The Craziest Ways … Amongst other things this article looks at how Moore and Sienkiewicz’s unpublished Big Numbers #3 found it’s way to the Internet. ‘Padraig O Mealoid saw an item on eBay that claimed to include not just Big Numbers #1 and #2, but also a “rare unpublished xerox” of #3 for the low, low price of $49.99. As it turned out, a friend of the seller had worked with Moore on the series, and had been smart enough to hang onto his preview copy of the third chapter. And since there was no legal way for anyone to own a copy anymore, they did the ’90s equivalent of putting it on a torrenting site — they xeroxed a bunch of copies and passed them out to diehard fans, one of whom eventually put his copy up on eBay.’
May 10, 2019
[comics] No, I’m not counting that appearance in Super Friends … Mike Sterling looks back at the shock of the JLA’s appearance in Swamp Thing #24. ‘Alan Moore had already been reexamining (or “deconstructing,” if you will) the superhero genre over in England with his reintroduction of original Captain Marvel 1950s knock-off Marvelman. What was once bright and cheery with that character is now menacing and mired in modern day government conspiracies and violence. But the JLA’s appearance in Swamp Thing set the tone for nearly all future appearances of superheroes in this series. They’re never just “as-is,” it’s always in the context of “what’s wrong with this,” or “here’s what’s really odd about them,” or “did you ever realize this?” They’re all recontextualized in the comic’s tone, designed to make you see them differently, to reconsider them, to be kept off-balance by them.’
March 15, 2019
[comics] Bill Sienkiewicz’s Unpublished Cover to Big Numbers #6

March 13, 2019
[comics] The Really, Really Missing Alan Moore … Lance Parkin’s listing of Alan Moore’s unstarted and unfinished projects. ‘There are two missing novels. The first is Yuggoth Cultures, a Lovecraft-inspired piece. The second is A Grammar, a psychogeographical work about a path between Northampton and the Welsh border, or a train track between the East Coast and Cardiff, depending which interview you read.’
February 21, 2019
[comics] The UKCAC ’86 Portfolio [Page 1 | Page 2 | Page 3 | Page 4 | Page 5 | Page 6 | Page 7 | Page 8 | Page 9 | Page 10 | Page 11 | Page 12] … A great collection of sketches produced at a UK Comic Convention in 1986. Sketches from Alan Moore, Dave Gibbons, Frank Miller, Bill Sienkiewicz, Kevin O’Neill and many more…

January 7, 2019
[moore] Alan Moore Interview from June 1988 … A scan of an interview from the British fanzine FA. Moore is interviewed by Martin Skidmore. It’s contains some interesting comments on how he feels about Killing Joke just after it’s release and also why he stopped doing conventions and his dsyfunctional relationship with fandom at the time. ‘It’s a forty-page Batman story, a forty-page Joker story, that I wrote two or three years ago, around the time I was writing the first couple of issues of Watchmen. Sometimes stories work, sometimes they’re good, sometimes they’re not so good. You can put a lot of effort into a thing and it just doesn’t work sometimes. You can’t write perfect stories every time. With that particular one, I worked at it as hard as I could, there was something at the end of it that seemed a bit heavy, a bit depressing, but at the same time there were some bits of it I really did like. In terms of Batman stories it wasn’t as good as the story I wrote about Clayface. It wasn’t as good as the story I did with Batman in Swamp Thing. My feeling on it is that if you came across that in a normal, floppy, forty-page DC Batman Annual, I’m sure it’d seem okay.’
December 30, 2018
[comics] Alan Moore film aims to ‘dispel Northampton’s anonymity’… BBC News on Alan Moore and Mitch Jenkins new film “The Show”. ‘I hope to rescue Northampton with a strenuous application of imaginations…’
December 5, 2018
[comics] Weird Window #1 and Weird Window #2 … Two issues of fanzine containing Alan Moore’s earliest published work – includes a poem, stories and illustrations from AM amongst others.

November 16, 2018
[comics] Blinded By The Hype: An Affectionate Character Assassination [Part 1 | Part 2] … Alan Moore on Stan Lee in 1983- Alan’s postion on Lee has hardened over the years but this is still a fascinating read. ‘I’ve often noticed that the most sparkling examples of the industry at the peak of it’s form seem to have an ultimately deleterious effect upon the medium as a whole. As a for instance, the original E.C. Mad comic, undeniably brilliant in it’s own right, has doomed us to a situation where any new humour magazine that appears is almost forced by law to have a title associated with mental illness (Cracked, Sick, Crazy, Frantic, panic, Madhouse, etc. etc.) and features a pale imitation of Mad’s stock in trade genre parodies without reflecting any of the wonderful drive and imagination of the original. The same is true for Stan Lee.’
October 10, 2018
[comics] How to Read Alan Moore’s Providence… a useful trail of H.P. Lovecraft’s stories onto Moore & Burrows Providence.
October 2, 2018
[moore] The Cardinal and the Corpse … Go watch this little-seen 1992 docudrama by Iain Sinclair & Chris Petit. Alan Moore appears as himself along with Derek Raymond, Michael Moorcock, Tony Lambrianou amongst others.

August 15, 2018
[tv] Alan Moore on Patrick McGoohan’s “The Prisoner” Part 1 | Part 2 … Moore also discusses Twin Peaks in this focussed interview. ‘In my opinion, and possibly in Patrick McGoohan’s, the trick is to recall that your prison and its bars — at least the mental ones — are entirely of your own manufacture. Free the mind and, as they say, the body may well follow. Seen in this light, The Prisoner becomes a big and mouth-watering cake of a production, with succulent sultanas of plot and speculation, a frosting of cryptic mystery, and an enormous rasp-file at the centre of it.’
August 3, 2018
[comics] The 10 Best Alan Moore Comics of All Time … A good attempt at picking a list of Alan Moore’s best work. ‘There’s a contingent of Moore fans who prefer to view him as a purveyor of dour, gothy culture. But that’s a limited perspective. For starters, Moore made his bread in a daily comic about a magic cat. That was his go-to; that’s how he began the business. Honestly, once you start reading all of Moore, it’s amazing how often the goofy and absurd shows up in his work. Outside of the serious books, Moore is surprisingly funny. Put simply, D.R. & Quinch is his guilty pleasure, and The Bojeffries Saga is his account of childhood.’
July 3, 2018
[comics] The ‘Lost’ Alan Moore interview … a little-known pre-Watchmen interview from 1985. ‘My basic theory is that I’ve got a single world that I’m writing about in three dimensions. I want to get that over to the artist, but I don’t want to imprison the artist. Especially since it’s quite likely that he’s got a better visual imagination than I have. I try to give them as much detail as they possibly need, but also explain in the script that if there’s a panel that they want to change or if they think they have a better idea, they should follow it up. The script’s not, engraved in stone. I want to give them maximum freedom and, with the amount of detail, maximum support as well. WATCHMEN, in particular, has been really, really thick, like I’ve said. I’m capable of spending two or three typed pages just on one panel, especially if I’m talking about the lighting, and the camera angles, and the positioning of the figures, the atmosphere, the expressions on their faces… when you try to describe reality, there’s quite a lot to talk about.’
June 28, 2018
[comics] When Alan Moore wrote football comics… Scans of a comic Alan Moore wrote for a 1982 World Cup souvenir from Marvel UK.

June 1, 2018
[comics] From Hell: Eddie Campbell explains why he’s coloring graphic novel … Includes some examples of coloured pages and talk about the possibility of a new appendix from Alan Moore. ‘The thing with the color is, it gives me another layer of expression to lay over everything. Of all the layers of expression that are already in From Hell, it gives me another layer of suggestion. I can make things more suggestive than you can in black and white. In black and white I do it with the cross-hatching. The cross-hatching is still there, but now I can take it and make it gray, put a dark gray over a light gray, or vice versa. There are all these subtleties and differences, there’s a million choices for everything I’m looking at. For somebody who’s already familiar with it, it’ll be like for seeing it for the first time.’
May 22, 2018
[comics] Go Look at Alan Moore’s Only Judge Dredd Script … Turned down by Alan Grant but later published in The Extraordinary Works of Alan Moore.

12. Smallish panel. Close-up of Judge Curtis’ boots. They are about eight inches above the ground and kicking wildly. Maybe we can see a hint of a tentacle, wrapped around his leg just below the knee…
BOX: …HE DOESN’T MAKE IT!
CURTIS: EEEEEYAARRRGHH…
SOUND F.X.: SNAPP!!
(Possibly the “SNAPP” could be arranged to fit across the scream, cutting it off sharply.)

May 14, 2018
[weird] Meeting Their Makers: The Strange Phenomenon of Fictional Characters Turning Up in Real Life … with stories from Alan Moore, William Gibson, Dave McKean and Doug Moench. ‘Authors have reported seeing their fictional creations act in this independent manner not only in their minds, but also ‘in real life’ – especially in the worlds of science fiction and comic books. Alan Moore himself has mentioned in an interview that he once saw one of his creations, the mage John Constantine (from the Hellblazer series), in a sandwich bar in London. “All of a sudden, up the stairs came John Constantine,” Moore revealed. “He looked exactly like John Constantine. He looked at me, stared me straight in the eyes, smiled, nodded almost conspiratorially, and then just walked off around the corner to the other part of the snack bar.” Moore contemplated whether he should go around the corner and double-check if it really was his own character that had walked into the bar, or whether he should just finish his sandwich and leave…’
April 10, 2018
[watchmen] Ten Things A Diehard Alan Moore Fan Learned From the New Annotated Watchmen‘Kevin O’Neill Art Inspired the Alien Design: This one was pointed out to me my fellow Moore fan, Flavio Pessanha. In the annotations for 8.11.3, Klinger quotes Moore’s script stating that the alien should resemble the progeny of a squid and “a Kevin O’Neill” drawing. Presumably, this might be from O’Neill’s demonic aliens in Nemesis the Warlock, which first appeared in 1980.’