December 29, 2021
November 12, 2021
[moore] ‘There is nothing in celebrity that I want’ … Recent interview with Alan Moore focusing on Northampton. ‘“You have to understand,” he says “that I have a probably psychotic belief that I am the town of Northampton. This has been ever since I noticed that Richard the Lionheart granted the town its charter on November 18, my birthday. So I am the town of Northampton, its living embodiment.”’
October 28, 2021
[books] How to Get Your Mind Blown by H.P. Lovecraft and Alan Moore in 7 Epic Steps … ‘If you get this far and you still haven’t had enough, go even deeper down the rabbit hole. (This is where I’m currently at) Read S.T. Joshi’s biography of Lovecraft, I Am Providence. It’s over 1600 pages long. It’s IN-DEPTH. Realize that you didn’t actually know anything about the life and works of Lovecraft. Read each Lovecraft story again as you go through the biography and now you will understand the context of each story as you fully digest them. Then read the Moore books again. Get lost in the abyss. It was never a rabbit hole, it was a portal through time and space where your mind and reality melt and warp.’
September 27, 2021
[moore] How Alan Moore ripped James Bond to shreds … A deep dive into Alan Moore’s loathing for James Bond. ‘I admire how completely Moore vivisects the iconography of 007. The Craig films tend to get discussed as darker or more humane variations on the James Bond theme, but he’s still a guy who saves the world, leaving a trail of weird foreigners and attractive corpses behind him. I’ve noticed a general growing tendency in film criticism to give every reboot several benefits of doubt, with a baked-in assumption that any three-decade-later legacy sequel or recast reboot is obviously expressing something thoughtful about a franchise’s troubled legacy. With Jimmy, Moore seems to say: Cut the crap. This stuff is rotten, and making it look young and cool again won’t make it any less rotten.’
September 15, 2021
[comics] Jonathan Ross in conversation with Alan Moore … a long forgotten interview from 2002.
MOORE: Swamp Thing is probably more of a template for the Vertigo books than Watchmen was, but with Swamp Thing, you’ve got all these stories which are really horrible, really grim and really depressing… but then you’ll have these little stories like the Swamp Sex Issue, a love poem more or less.
ROSS: Yeah, some of them were quite light.
MOORE: In a way it’s crueler, if you give people a love poem they’ll numb out and switch off… it keeps the horror fresh if you…
ROSS: …give a little taste of sorbet in between the death and desolation.
MOORE: You feel the pain much greater…
July 27, 2021
[music] How we made Beat Dis by Bomb the Bass … Tim Simenon: ‘I grabbed a smiley face image from Alan Moore’s Watchmen for the sleeve and it transformed into this symbol for acid house which threw me off as it was never my intention. I would always struggle when people said: “You’re acid house.” Bomb the Bass was a lot of different things thrown together at once – there didn’t seem to be a name for that.’
July 1, 2021
[comics] Tom Frame Interviews Alan Moore … from issue 4 of Deadline, February 1989. Tom was famous for lettering and colouring something in almost every issue of 2000AD for many years.
June 28, 2021
[moore] The Craft: An Interview with Alan Moore by Daniel Whiston … Long interview on writing, comics, magic and much more from 2008. ‘There does come this point when characters start talking to you. They’ll start telling you what they want to do, you’ll know what they would say and what they wouldn’t say. I mean when I started writing Watchmen , I’d got no idea that Rorschach was gonna be dead by the end of it, it was just by about issue three I started to know the character and I thought: “he’s got a death wish”… he’s so self-destructive, he’s clearly… he wants out. There’s no way that he’s gonna live through this, he wouldn’t be able to live with any sort of moral compromises, so he’ll have to die. But it was the character himself who told me that, after two or three issues. I’d got no idea when I started it.’
May 4, 2021
[books] ‘I’m bursting with fiction’: Alan Moore announces five-volume fantasy epic … Alan Moore comments on his new series of books. ‘Speaking about his book deal, Moore said that he was at a moment in his career when he was “bursting with fiction, bursting with prose”.’
April 29, 2021
[books] Illuminations, Long London 1: books are coming… More details revealed about Alan Moore’s new books to be published by Bloomsbury. ‘Illuminations is an astonishing, rich and broad collection of short stories, each featuring some kind of illumination or realization. From ghosts and otherworldly creatures to the four horsemen of the apocalypse to the Boltzmann brains fashioning the universe at the big bang, Alan Moore’s Illuminations is a series of beguiling and elegantly crafted tales that reveal the full power of imagination and magic.’
March 23, 2021
[moore] 32 Short Lucubrations … John Coulthart shares some memories and thoughts about Alan Moore.
March 9, 2021
[moore] The Bookseller teases Illuminations and Long London – new books from Alan Moore … ‘Wills recently signed the bearded comics legend Alan Moore, writer of Watchmen, V for Vendetta and From Hell, among other landmark works. Moore has never had an agent, and given his famous public disagreements with filmmakers on how they have adapted his stories, perhaps he should have. At any rate, Moore has written some prose works—a collection of short stories and Long London, a series of speculative novels—which at this writing Wills is auctioning in the UK.’
February 1, 2021
[tv] Adam Curtis Explains It All … Adam Curtis has a new series of film coming out and the New Yorker has a preview/interview with Curtis. It has comments from “a former comic-book writer” called Alan from Northampton for those that are interested. :) ‘[Alan] Moore told me that he felt “quite neurologically fizzy” after each film. At the end of the binge-watch, he sent Curtis a postcard, comparing his work to “the kind of dream where we become aware that we are dreaming and can thus attain agency over the torrent of nonsense.”’
January 25, 2021
[moore] Brian Bolland’s Final Word on the Killing Joke (Maybe) … ‘Finally in London the finished script arrived. I was somewhat disappointed. As an artist you want to draw iconic moments. Pay homage in some way to the character of old. Where was Dick Sprang’s giant typewriter? I was worried by the three bug-eyed dwarves. I thought It perhaps offensive to persons of limited height. I thought setting part of the story in a funfair was a bit obvious. And – I was upset by the harm that came to Barbara and concerned by the implied nudity. As the artist I’ve never considered it my place to tell a writer what to write, especially a writer (and friend) who I admired as much as Alan. As an artist, if a scene has to be violent, I will make it so. Also I would never have chosen to suggest an origin story of the Joker. There were moments in the story, though, that I thought might be iconic and sections that were well up to Alan’s best.’
December 25, 2020
[xmas] ‘That’s not a star. That’s an aeroplane’ — Maxwell the Magic Cat, December 1981.
December 16, 2020
[comics] Alan Moore’s unpublished Gen13 script… Go read two pages from an unfinished Gen 13 script from Alan Moore.
November 13, 2020
[moore] La Frontera (2011) by Alan Moore and Melinda Gebbie … A charming, little-seen short story from Moore and Gebbie originally published in Spain.
October 22, 2020
[books] Alan Moore’s Book Recommendations … A wide-ranging book list compiled from a number of interviews over the years.
October 12, 2020
[moore] Alan Moore Rare Interview: “Superhero Movies Have Blighted Culture” … A standard-issue Alan Moore interview but good to hear his updates on what he’s currently working on and how he and Melinda Gebbie are dealing with lockdown in Northampton. ‘I’ve only retired from comics. I’m finishing off a book of magic now. It’s been stalled for a while but I’m also working on an opera about John Dee with [musician] Howard Gray. I’ve got some short stories coming out. And I’ve also been thinking a lot about what we want to do after The Show feature film. We hope that it’s enjoyable as a thing in itself, but to some degree it could be seen as an incredibly elaborate pilot episode, we think there’s quite an interesting story that we could develop out of it as a TV series, which would imaginatively be called The Show.’
October 8, 2020
October 7, 2020
[moore] “Providence Was Really Exhausting. Finishing It Felt Like Finishing College”: An Interview With Jacen Burrows … Long discussion with Jacen Burrows on his career at Avatar and collaborations with Alan Moore and Garth Ennis. ‘I didn’t know a tremendous amount about Lovecraft himself until we did Providence. There was stuff I’d stumbled across during research and stuff I learned from Alan. As you know, he writes massive scripts with a lot of extra information for context and he’d often pull stuff from some of the many research books he’d read and put it in the script so I could be fully informed about why we were taking things in certain directions during the production. It was quite helpful and rare, honestly, to have that much insight. The deeper thinking behind the scripted actions instead of just stage directions, you know? A lot of people find those Moore scripts challenging because of the density but I really liked it, even if it was a ton of work to get it all on the page.’
September 23, 2020
[dredd] The Megazine That Never Was … The story of an unlaunched Judge Dredd comic from 1984. ‘Sadly, unlike the other stories from the Fortnightly dummy issue, Alan Moore and Mike Collins’ Badlander is a title that never saw publication. Marking the iconic Moore’s only work within the Judge Dredd universe, the strip was to tell the truth about what really happens to the Judges when they decide to go on “the Long Walk” — a piece of Dredd mythology where, instead of retiring, veteran Judges set off to provide justice and law in the radioactive wastelands of the Cursed Earth.’
September 22, 2020
[comics] Their Other Last Hurrah – Cinema Purgatorio … A Comics Journal review of Moore and O’Neill’s Cinema Purgatorio. ‘When the terrified gangsters speak about being hounded by that thing in their past that wouldn’t let them go why am I thinking about A Small Killing? And at this point I realize the problem isn’t the work; it’s me. Here I am, in front of this dedicated, fascinating, funny and (in many ways) educational series and all I can think about is intertextuality. Seeking the digs at Grant Morrison and wondering if the bearded madman portrayal of Howard Hughes reminds me a bit too much of Alan Moore himself. This kind of exercise can often be a time waster. A replacement for a deeper engagement with the work (mea culpa by the way). Doing it while reading a finishing work by two grand masters is the definition of not seeing the forest for the trees. You can also read the book on its own terms and just see two utter greatest playing their game, heaving a ball, no limits allowed.’
September 8, 2020
[moore] Drawing Up Sides … Alan Moore Interview from 1984. ‘Politics is about trying to reduce human behaviour to something that can be understood, predicted and written about in The Daily Mail or The Sunday Mirror. It’s an attempt to apply a cold remote theory to something warm and vital, and in my book anybody who does that is a twat. Except when they do it through force of arms: then they’re a bastard!’
August 26, 2020
[moore] Correspondence From Hell … The complete text to an epic late ’90s fax interview between Alan Moore and Dave Sim on just about everything. ‘Moore: The middle eighties was when comic books finally got laid. Media attention. Frank Miller in Rolling Stone, MTV. Maus cops the Pulitzer. Watchmen on University reading lists. The style and music press raving about Love & Rockets. Fuck, man, we had the “Cerebus-the-Aardvark Party” running in British elections in ’88. Reason tottered on its throne. Everybody was on Top of the Pops. We got everything we ever asked for, just as one often finds in real life or the better fairy stories, and just like in real life or the better fairy stories it turned out to be shit. For a few years there, everything we touched turned to gold, and now what the fuck are we going to do with all this gold? All this shit?. With honest and sincere effort, we made comics what we wanted them to be: as popular as any other 20th-century medium. As respected as any other 20th-century medium. What on earth were we thinking?’
July 3, 2020
[comics] Alan Moore’s Supermen…
June 11, 2020
[bignumbers] The Meaning of Big Numbers … Some interesting analysis of Big Numbers plot and what it might have meant. ‘If there’s mathematical order in the apparently chaos of these divinely beautiful fractal images, and we buy the theory that there must then be mathematical order and divine beauty to life, too, just an order too grand for us to comprehend (sure enough, the chaotic soup of unconnected human interactions in this story seem to end up giving the good people what they want, and punishing the bad people)… then perhaps letting a numerical system take over our life isn’t so different to our present existence. Perhaps there’s a divine beauty in that that’s beyond our comprehension, too. Perhaps the story is an optimistic one.’
June 9, 2020
[comics] Alan Moore’s Big Numbers Outline Chart… The script outline for AM’s unfinished comic Big Numbers typed out and handily converted to an HTML page with annotations.
May 22, 2020
[moore] This Is For When… Alan Moore’s poem for the 1981 Bauhaus album Masks. ‘This is for all the mathematicians who got mixed up in the dream gang.’
May 14, 2020
[comics] An Interview with Rick Veitch… Dicussing his run on Swamp Thing. ‘My involvement was really a secondary career, I had a really great thing going at Marvel, writing and drawing a creator owned series at Epic. So I didn’t think of it as my money-making career, I really wanted to learn more about this… magic… Alan was conjuring. In the process I got to know the editor, Karen Berger, so it seemed natural that when Steve and John left, that I would become the regular penciller on the book.’
April 7, 2020
[comics] Tom King’s 12 Comics to Read While You’re Sheltered in Place … interesting list of comics.‘DC Universe: The Stories of Alan Moore – Alan Moore is the master of modern comics and this is my favorite work of his. It collects the one-shots and short stories he did for DC in the ‘80s, including his work on Superman, which in my opinion are the best superhero comics of all time. Writers and artists have been mining these few comics for inspiration for decades and will continue to do so for decades more. Many of the secrets of modern comics are found in these pages. Please don’t tell.’
April 3, 2020
[comics] 5 Tips for would-be comics writers from Alan Moore … ‘This is by no means the most glamorous profession. Don’t say that I didn’t warn you.’
March 4, 2020
[lmg] Twenty Years of LinkMachineGo – “I DID IT!”
[quote] LMG is 20 years old: The Inevitable Alan Moore Quote … ‘Anything of any value in our lives, whether that be a career, a work of art, a relationship, will always start with such a leap. And in order to be able to make it, you have to put aside the fear of failing and the DESIRE of SUCCEEDING. You have to do these things completely purely, without fear, without desire. Because things that we do without lust of result are the purest actions that we shall ever take.’
February 19, 2020
[comics] The horror comic that wasn’t: Alan Moore and Bryan Talbot’s Nightjar … Pages from one of Moore’s lost comics.
January 14, 2020
[moore] A Handwritten Alan Moore Interview from 1987 … ‘Q: If Jim Shooter and Dick Giordano wrestled, who would win? Alan: The mud.’
January 4, 2020
[comics] The Tempest by Alan Moore and Kevin O’Neill – it’s been a blast … Reviewing the final major comics work from Moore and O’Neill. ‘Power is often a sham in The Tempest, and many of its superheroes are amateur copies of American originals, who themselves are built on a lie; those behind the scenes are not to be trusted. Moore and O’Neill, of course, are also using the creations of others. But they make something new from them. For all the silliness, there’s a reverence here, and a giddiness to these grumpy old men that spills from The Tempest’s pages in joyful hat-tips and preposterous set pieces. As a reader, you feel like a visitor at a party with a bewildering guest list, two hosts who won’t shut up and a new wonder around every corner.’
November 12, 2019
[comics] And I’ll Look Down and Whisper… “OK Boomer” …
October 25, 2019
[comics] Untold Constantine Tales … Steve Bissette on one of the inspirations for John Constantine. ‘We’ve always talked about the Police and Sting‘s role in Quadrophenia, the movie (1979), but it was indeed Sting‘s ominous presence and role in Richard Loncraine‘s theatrical film adaptation of Dennis Potter‘s Brimstone & Treacle (1982) that fueled those fires back in 1983-84 for us.’
October 7, 2019
September 16, 2019
[comics] Tales Of The Black Freighter: Marooned – Reconstructed … Watchmen’s EC comic-within-a-comic recreated using existing panels and word balloons.
September 2, 2019
[comics] We Almost Got an Alan Moore/Kevin O’Neill Bizarro Comic? … Details on one of AM’s unstarted projects. ‘Me and Kevin O’Neill would really love to do a Bizarro mini-series, examining this whole Bizarro world. I mean, it’s square. How do the physics work on a world like that? What about the people who live on the corners? If you look at the pictures of the Bizarro world, there are continents that fold around the corners, so presumably you must have people living at right angles to each other. I just want to see Kevin draw it. I’m sure he’d be up to it.’
August 28, 2019
[comics] Dr Manhattan – Don’t blame me. I voted for chaos with Ed Miliband. (Hat Tip: @MartinBelam)
August 20, 2019
August 7, 2019
[comics] The League Of Extraordinary Gentlemen: The Tempest … Deep Dive review of LoEG: The Tempest from the Comics Journal. ‘Moore is uniquely qualified to write a story about the role of stories at the end of narrative. He’s of the first generation of graphic novelists: people who saw the endless serialization of superhero comics and realized they were not as satisfying as an actual work of literature due to the lack of endings. He then worked, really hard, in the pages of Swamp Thing, to have enough characterization and thematic heft that story arcs could end in a satisfying way. He wrote “The Killing Joke” with enough self-seriousness it can be read as a final Batman story. He wrote “Whatever Happened To The Man Of Tomorrow” after being enlisted to conclude decades worth of Superman stories, a universe of self-referentiality, and made something touching using decades of material containing wild tonal variation built around a core of self-referentiality never intended to cohere as a singular work. That was over thirty years ago, and since then, his own narrative has been taken away from him, in multiple ways. Literally, stories he’s written have been taken away from him, work he created with the intention that it would belong to him has had its meaning compromised by a corporation’s seeing greater potential for profit in franchised garbage than it does in work of literary merit.’
July 11, 2019
[comics] The real reason Big Numbers #3 was never published … Reddit on Alan Moore and Bill Sienkiewicz’s Big Numbers. ‘…The question came up, “Why didn’t they release issue 3 if the art was done?” The answer was always, “Why put out issue 3 if the series would never be finished?”‘
June 26, 2019
[comics] The story of Mad Love’s AARGH! (Artists Against Rampant Government Homophobia) anthology comic … ‘Alan Moore half-jokingly told a college classroom in Northampton that because he “had access to a lot of famous comic book people [he] could . . . morally blackmail most of them” into contributing something to an anthology. The artists and writers who contributed were myriad, including, Neil Gaiman, Frank Miller, Art Spiegelman, Harvey Pekar, Howard Cruse, Dave Sim, Robert Crumb, Mark Buckingham, Dave McKean, David Lloyd, Dave Gibbons, and many, many more. The pieces range from comic strips to bizarre dreams illustrated, from poetry to rhyming couplets of verse mimicking the cautionary tales for children popular in the late 19th century, and countless more forms of art and prose.’
May 17, 2019
[comics] 5 Modern Day Treasures That Got Saved In The Craziest Ways … Amongst other things this article looks at how Moore and Sienkiewicz’s unpublished Big Numbers #3 found it’s way to the Internet. ‘Padraig O Mealoid saw an item on eBay that claimed to include not just Big Numbers #1 and #2, but also a “rare unpublished xerox” of #3 for the low, low price of $49.99. As it turned out, a friend of the seller had worked with Moore on the series, and had been smart enough to hang onto his preview copy of the third chapter. And since there was no legal way for anyone to own a copy anymore, they did the ’90s equivalent of putting it on a torrenting site — they xeroxed a bunch of copies and passed them out to diehard fans, one of whom eventually put his copy up on eBay.’
May 10, 2019
[comics] No, I’m not counting that appearance in Super Friends … Mike Sterling looks back at the shock of the JLA’s appearance in Swamp Thing #24. ‘Alan Moore had already been reexamining (or “deconstructing,” if you will) the superhero genre over in England with his reintroduction of original Captain Marvel 1950s knock-off Marvelman. What was once bright and cheery with that character is now menacing and mired in modern day government conspiracies and violence. But the JLA’s appearance in Swamp Thing set the tone for nearly all future appearances of superheroes in this series. They’re never just “as-is,” it’s always in the context of “what’s wrong with this,” or “here’s what’s really odd about them,” or “did you ever realize this?” They’re all recontextualized in the comic’s tone, designed to make you see them differently, to reconsider them, to be kept off-balance by them.’
March 15, 2019