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29 December 2017
[comics] H.P. Moorecraft: On the Ending of Providence … Deep, spolier-filled dive into the conclusion of Moore and Jacen Burrows’s Providence and it’s relevance to the end of Moore’s career as a comic-book writer … ‘This celebration of artistic adaptation turns Providence into a commentary on Moore’s career. Moore is Providence’s version of Lovecraft, an author whose gifts and importance lies-at least partially-in the elaboration of previously established fictional worlds. Perhaps the connections between Moore and Prospero that opened this essay make the same point; after all, Shakespeare was himself a super-adaptoid, plundering plots, ideas, and language from Boccaccio and Plutarch, from both dead writers and his contemporaries. And throughout his career, Moore’s ability to borrow from-and, further, to channel-the voices of his literary inspirations have been uncanny. Near the beginning of his career is his remarkable version of Walt Kelly’s Pogo “swamp-speak” in the Swamp Thing story “Pog”; more recent is Moore’s Finnegans Wake-inspired portrait of Lucia Joyce in Jerusalem. And in between, Moore has written himself into literary history through allusion, pastiche, postmodern appropriation, parody, and his willingness to play, innovatively, in other authors’ sandboxes.’
6 December 2017
[comics] Comics USA: Alan Moore Visits New York in 1984 … Scans from Escape Magazine of an article written by Moore after a visit to America in 1984. (Repost – Scans back online.) ’24th August, Thursday – My Taxi to Heathrow arrives driven by comics’s answer to Robert de Niro, Jamie Delano, who combines scripting ‘Nightraven’ and ‘Captain Britain’ with taxi work. Phyllis and the children Amber and Leah make a brave attempt at concealing the turbulent emotions aroused in them by my departure, but I can tell they are secretly heartbroken. My flight is a seven hour sneak preview of purgatory. I read Alexei Sayle’s ‘Train to Hell’ from cover to cover. I’m sitting in the central aisle and I can’t see out of the window. What’s the point of flying if you can’t see how many thousands of feet you’ve got to fall shrieking to your death?’
22 November 2017
[comics] Why I won’t be buying Doomsday Clock … Why Lew Stringer Won’t Buy Doomsday Clock. ‘Thing is, Watchmen was created as a complete story and achieved that superbly. It’s an intelligent, well structured graphic novel (or fat comic if you prefer) set on an alternate Earth where a godlike being named Dr.Manhattan changed the course of history. (Perhaps you’ve seen the film.The comic is far superior.) In three decades it has never needed a sequel. It certainly was never intended to tie in with the DC Universe and have guest appearances from Superman, Batman, and other members of the Justice League. Yet that’s exactly what DC are doing. It’s like some movie company suddenly deciding that Citizen Kane would be improved with a sequel featuring Ant and Dec.’
24 October 2017
[comics] The Alan Moore 2016 Christmas Interviews – Part IV… includes Alan’s walking tour of the Boroughs in Northampton and some thoughts on translating his work into other languages … ‘Turn around, and head back down George’s Row and the south flank of All Saints until you have reached the front of the church, the pillared portico where Audrey Vernon’s parents sat all night after her recital of ‘Whispering Grass’. Across the road you will see the mouth of Gold Street, with the jewellers to the left where Ann Timson saw off three sledge-hammer wielding robbers with her handbag a few years ago. I’m sure this incident is available on Youtube, and is always good for an admiring laugh.’
25 September 2017
[moore] Some Random Thoughts on Alan Moore … by Len Wein … ‘I wish I could remember at this late date exactly what it was that prompted me to call Alan when I was looking for a new writer to take over Swamp Thing. I know I had been a fan of Alan’s work on 2000 A.D. and so he seemed an interesting choice as writer, assuming, of course, he was available and so inclined. I got his phone number somehow, made the international phone call, and Alan answered on the third ring. I introduced myself, told Alan I had an offer to make him, and he hung up on me. When I called back, assuming the connection had been broken accidentally, I introduced myself again. Alan’s reply: “No, who is this really?”’
10 August 2017
[funny] “I am tired of Earth. These people. I am tired of being caught in the tangle of their lives…” 
9 August 2017
[moore] Alan Moore Interviewed by Greg Wilson & Kermit Leveridge … a wide-ranging discussion on counterculture … ‘Back in 1976, something like that, I was down visiting my late friend and mentor Steve Moore on the top of Shooter’s Hill and Steve, who was much more connected with the London fantasy and comics scene than I was, he’d got this new trilogy of books that he’d come across that I might be interested in, which was ‘The Illuminatus! Trilogy’ by Wilson and Shea. I devoured them and I was absolutely blown away; I thought, “This is great!” All of these frankly ridiculous, paranoid conspiracy stories that are so popular amongst the right and the left wing – that it’s making it all, instead of being a debilitating illness, which is the way people like David Icke have tended to make this field of inquiry – they made it into this brilliant intellectual game and made it really enlightening. It was almost like an Anarchist primer – an Occult/Anarchist primer!’
26 July 2017
[moore] “I did it thirty-five minutes ago.” 
13 July 2017
[moore] Alan Moore’s list of must-see and not-see TV (from 2004) … ‘I did look forward to my weekly dose of stabbing and sodomy.’
9 June 2017
[comics] The Alan Moore 2016 Christmas Interviews – Part 1 … from Pádraig Ó Méalóid and the TRVSAMSG on Facebook … ‘Advertising itself is the most blatant form of bad magic being practiced in the world today. Its practice progresses in leaps and bounds, even without the personally-targeted advertising which the internet allows, while our human neurology and our capacity to deal with these techniques progresses at a much more leisurely crawl. I was taking recently with the highly respected magician Lionel Snell, who was pointing out that rational statements, if anything, tend to lose power with repetition, simply because we become used to them and they seem commonplace or boring. Magical incantations, however, many of them in languages that the practitioner does not even understand, will actually gain power from repetition. Clearly, under the rubric of magical incantation we should include the slogan, be it for commercial advertising or for political purposes. The slogans ‘Brexit Means Brexit’ or ‘Let’s Make America Great Again’, while they mean precisely nothing, if repeated enough times with steadily increasing volume will come to seem like profound eternal truths.’
5 June 2017
[comics] Comics Recommended by Alan Moore … great page of recommendations (sadly the orginal is a 404 but archived) … On Marshal Law: ‘If Watchmen did in any way kill off the superhero – which is a dubious proposition – then Marshal Law has taken it further with this wonderful act of necrophilia, where it has degraded the corpse in a really amusing way.’
24 May 2017
[moore] Alan Moore on Science, Imagination, Language and Spirits of Place … ‘If by coming to know more about the historical or mythological aspects of the places in which we live we make those places more meaningful, to us at least, then I suggest that this will lead to experiencing ourselves as more meaningful in our new, illuminated context. The big difference between ‘meaning’ and ‘a spirit’ is that where meaning is concerned, we have to do all the necessary hard work in order to invest that place or that person or that object with meaning, whereas spirits just sort of turn up, don’t they? I believe that our world is gloriously haunted with meaning; that it’s we ourselves that are doing the haunting; and that we should be doing more of it, or doing it more strenuously.’
6 April 2017
[moore] Howard Philip Lovecraft – Utopia/Valhalla #1, April 1970 … As Providence #12 arrives – here’s Alan Moore on H.P. Lovecraft from 47 years ago … ‘Then apparently, another race drifted in from space. The star-headed CTHULHU, who came to Earth and waged war for a time on the Old Ones. But peace was made, and the children of Cthulhu were allowed to live in their frozen city at antarctica with their servants, the proto-plasmic Shoggoths. Eventually, they were defeated, and either imprisoned or banished by the elder-gods,. The basic theme for the Cthulhu mythology, is that it occurs when a mortal breaks the restraints placed upon him, upon which, the Old ones can operate both freely and terribly.’
13 March 2017
[books] A Glorious Mythology of Loss: Alan Moore’s “Jerusalem” … The L.A. Review of Books on Moore’s recent novel … ‘In the novel’s final pages, Moore reveals the magnitude of what he has set out to accomplish – his novel is a metatextual ritual that aspires to overturn the fundamental economic mythology built into the social fabric of late capitalism – yet the author displays a wistful humility concerning his project’s ultimate efficacy.’
19 January 2017
[moore] “The interior of the human head is infinite”: A Conversation with Alan Moore … Extras from another interview with Alan Moore … ‘ Our leaders are like surfers who are on top of an enormous wave. They are hanging on with their toes as tightly as they can. They are in a state of complete terror and yet, to the people down on the beach, they might even look like they are controlling the wave. That they were guiding or leading the wave. No, I think that the state of our modern leaders is that, like all of us, they are caught in this current of history. They are trying to make it seem as if they are leading the way, but they are being borne along it like all of us are.’
17 January 2017
[moore] Alan Moore’s Most Controversial Comic Book Stories … Unsurprisingly, this is a long list! … ‘“Saga of the Swamp Thing” was, like pretty much all of DC Comics’ output at the time, approved by the Comics Code Authority. However, that changed with “Saga of the Swamp Thing” #29 (by Alan Moore, Stephen Bissette and John Totleben). The issue included zombies, which were still a “no no” according to the Comics Code, but it also had Abby having sex with her husband, Matt Cable, who was possessed by her uncle Anton Arcane. It was likely way too disturbing for the Comics Code, so DC released the issue without Comics Code approval. Since they knew Moore was going to keep doing these types of stories, DC decided to stop submitting the book for Code approval and then with “Swamp Thing” #31 they began to label the book as “Sophisticated Suspense.”’
19 December 2016
[moore] The 21st Century Hasn’t Started Yet: An Interview With Alan Moore … a recent interview in full from the Irish Times … ‘So, with the film work, I am trying to have that same sense of inventive fun in the film medium, and with the case of Jerusalem, trying to bring that to the novel. Yes, I have said that one of the great beauties of comics is that anyone with a pencil and paper can make a comic strip, however, I’d have to say that while that is still true, unadorned English prose seems to be more miraculous still, in that there are no pictures. 26 characters and a peppering of punctuation, and from that you can do anything, you can describe anything in the conceivable universe.’
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14 November 2016
[comics] Midlands metaphysics … The Financial Times reviews Alan Moore’s Jerusalem … ‘Unquestionably Jerusalem is Moore’s most ambitious statement yet – his War and Peace, his Ulysses. The prose scintillates throughout, a traffic jam of hooting dialect and vernacular trundling nose-to-tail with pantechnicons of pop culture allusion. Exploring a single town’s psychogeography with a passionate forensic intensity, Moore makes the parochial universal, the mundane sublime and the temporal never-ending.’
1 November 2016
[moore] A Working Class Mythology: Alan Moore's Jerusalem Reviewed … ‘Actually, I think there’s every chance that for future generations Moore will be remembered primarily as the author of Jerusalem; as a genuine working-class genius and world-class writer who just happened to get his start in comics because there were no other avenues open to him.’
20 October 2016
[moore] Alan Moore’s Script for Batman: The Killing Joke … posted complete on Tumblr … ‘WELL, I’VE CHECKED THE LANDING GEAR, FASTENED MY SEATBELT, SWALLOWED MY CIGAR IN A SINGLE GULP AND GROUND MY SCOTCH AND SODA OUT IN THE ASTRAY PROVIDED, SO I SUPPOSE WE’RE ALL SET FOR TAKE OFF. BEFORE WE GO SCREECHING OFF INTO THOSE ANGRY CREATIVE SKIES FROM WHICH WE MAY BOTH WELL RETURN AS BLACKENED CINDERS, I SUPPOSE A FEW PRELIMINARY NOTES ARE IN ORDER, SO SIT BACK WHILE I RUN THROUGH THEM WITH ACCOMPANYING HAND MOVEMENTS FROM OUT CHARMING STEWARDESS IN THE CENTRE AISLE.’
11 October 2016
[comics] DC in the 80s: An Interview with Rick Veitch … Mark Belkin interviews Rick Veitch about his truncated run on Swamp Thing … ‘So, based on Alan’s scripts, I became more interested in Swamp Thing and regular comic books as well. There was a great potential future for the art form in Alan’s breakthrough and I wanted to learn as much as I could from it. Steve started to draw Anatomy Lesson, but was running up against the deadline and I helped him out with that first issue. I did about a third of the Anatomy Lesson. And then each subsequent issue Steve would call me in when he needed me to help. Then later, when DC needed someone to do a fill in issue to give Steve a breather, I was one of the guys they would call. My involvement was really a secondary career, I had a really great thing going at Marvel, writing and drawing a creator owned series at Epic. So I didn’t think of it as my money-making career, I really wanted to learn more about this… magic… Alan was conjuring.’
5 October 2016
[moore] The Alan Moore Jerusalem tapes, #7: the lost language of Northampton … AM on language and consciousness … ‘It’s this whole thing of perception, and our perception is made of words. Language precedes consciousness, we are told, and also you can see it even in the present day. Say, for example, before we had the word ‘paedophile’. Or before we had that word in common clearly understood usage. Isn’t it funny how all the paedophiles appeared after that word? You’ll sometimes talk to old people, and they’ll say, ‘well, we never had those paedophiles when I was a girl or I was a boy’, and I’m ‘yeah you did, you just didn’t have a word for it’. So it was worse then, because you couldn’t even conceive of them.’
23 September 2016
[moore] If you read only one Alan Moore Jerusalem interview, make it this one … extensive must-read profile/interview with Moore on Jerusalem and Northampton … It’s a strange experience, walking the streets with this bearded compendium of knowledge. Every corner provokes a reminiscence, such as the graffiti which he recognises as the work of Bill Drummond of art-pop group the KLF, who came round to his house to show him the film of them burning a million pounds. Do they regret it now, I ask?
“It’s not so much that they regret it, but I think it haunts them. I heard a brilliant definition of haunting: ‘That which haunts us is that which we do not or do not completely understand.’ And I thought, that makes sense. Often we don’t understand our own actions. And certainly, if we’d gone to the Isle of Jura and burned a million quid, we would have a lot of questions!”
9 September 2016
[comics] A Party in a Lunatic Asylum … Alan Moore Profiled in the New Yorker … ‘He found a seat on a low wall overlooking the River Nene, which plies its milky, reluctant course through the town’s suburbs. The last time Moore had walked this way, the underpass had been littered with hypodermic needles. Today there was nothing but a square of soggy cardboard, apparently used as someone’s groundsheet, and the jacket of the golfing guide “Putting: The Game Within the Game.” Abutting the wall was a jumble of stones-the remains of the world’s first powered cotton-spinning mill with an inanimate energy source, and thus, arguably, the birthplace of the Industrial Revolution. We were therefore sitting, Moore explained, at the source of the Anthropocene, the geological epoch defined by man’s influence on the environment. It was also the birthplace of capitalism, by Moore’s account. “Adam Smith either visited the place or heard about it,” he said, of the mill, speculating that this might have led the thinker to develop his famous “invisible hand” theory of laissez-faire economics. “Jerusalem” is full of such local arcana; it also demonstrates Moore’s tendency to see deep congruities everywhere’
1 September 2016
[moore] Alan Moore and literature’s fascination with the fourth dimension … a look at Alan Moore’s conception of time in Jerusalem and earlier comics … ‘In Jerusalem, Moore makes these mysterious topographies known. Here, the fourth dimension is both temporal and spatial-as much a way of seeing as a thing unseen. Moore’s fourth dimension is both conceptual (i.e., a collapse of temporal moments, like Vonnegut’s “beads on a string” or Dr. Manhattan’s “intricately structured jewel”) as well as a material plane, called Mansoul, invisible to the naked eye, home to all manner of mystical and supernatural creatures. It’s very much the stuff of escapist high fantasy, like a 4-D Narnia. The extra-dimensional level of Jerusalem is place of “twisting crystals” and “ghost-seams” and afterlife academies, where characters use the made-up word “wiz” as linguistic copula that refers to something happening across the caved-in tenses of past, present and future. Back on the solid, three-dimensional footing of Earth, an eccentric artist called Alma Warren attempts to represent this mystical, magical realm, informed by recollections from her brother, who was transported there as a child.’
28 July 2016
[comics] Comics Not Just For Kids Anymore, Reports 85,000th Mainstream News Story … BANG! POW! ZAP! … ‘The incredibly perceptive and original article also specifically mentioned the work of writer Alan Moore, an obscure reference point that has only been used in every single article like this ever written.’
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26 July 2016
[moore] Creating Jerusalem: Alan Moore on the most important book he has written … Moore interviewed about his new novel called Jerusalem… ‘When we talk about history we talk about the history of church of state and maybe a dozen families. What about the rest of us? Weren’t we doing anything while all that was going on, or were we minor players in their drama? This is insisting that everybody has their own drama and mythology and story, and it is also insisting that if eternalism is a real thing that changes everything. It makes everywhere the eternal city, it makes everywhere Jerusalem and perhaps particularly the poorest meanest basest places.’
21 July 2016
[comics] Ask the Artist Interview with Providence’s Jacen Burrows … discussing Providence and collaborating with Alan Moore … ‘I think Alan might even have said that one of the issues (#7 perhaps) was the longest he’d written for a single issue but I may be remembering that wrong. I’ve said before that Providence was like doing a graduate thesis, with all of the reading, research and actual drawing work. It has certainly been the hardest and longest project I’ve ever attempted. But I wanted to do it right and be as true to his vision as possible. I’ve tried to do every camera angle as described, every expression, every location. If he put it in the script, I tried to put it on the page.’
7 July 2016
[comics] Interview With Providence Letterer Kurt Hathaway … a great interview and especially fascinating on the details around the lettering of Robert Black’s Commonplace book at the back of the comic … ‘Once I heard I had to do it by hand, it made sense to keep it typeset, and simply print it out at roughly twice the printed size, plop some tracing paper over it-and hand-letter on the tracing paper with the typeset text visible underneath. In this way, my hand-lettering would fill the same space as the typeset version-just in my handwriting. So it still came in at 14 pages. When I’m done-it takes me about 3 weeks to do the backmatter material-I scan it, fix any mistakes in Photoshop and make sure that Avatar gets it in enough time to work their graphic magic.’
14 June 2016
[comics] Providence Ghoul Photoshoot Interview with Susanna Peretz… Peretz is the creator of the Ghoul masks used in a photo in Providence #7 … ‘The products and materials alone came to around two thousand pounds [nearly $3,000 U.S.]. On top of that you have to consider two months work to produce the pieces, studio costs, assistant’s fees, actor’s fees, location hire, camera, lighting… It all adds up but it is this attention to detail and realism that sets Alan’s work apart.’
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6 June 2016
[comics] A New Theory on Providence’s Ending … where is Alan Moore heading with Providence? … ‘The monsters do not need to be made real. The monsters of Providence ARE real already. What they actually want is nearly the opposite. The Apocalypse sought by the monsters is similar to the one Moore initially seemed to be setting up in Promethea. The monsters are preparing to REMOVE themselves from reality, where they are (despite their best efforts) mortal and vulnerable, instead ascending to the immortal state of dreams and fictions.’
19 May 2016
[books] H. P. Lovecraft in 1919 … What was H. P. Lovecraft up to in 1919? … ‘Much of what we know of Lovecraft for this year comes from his amateur publications and his few surviving letters-only a handful have survived from this period-but it was a quietly formative year in his life. The discovery of Lord Dunsany gave shape to his experiments in fiction, and he began to find his own voice and preferred style, while the hospitalization of his mother gave him an unexpected freedom, living alone for the first time.’
28 April 2016
[comics] The 13 Most Interesting Time Travel Stories in Comics … a varied collection of comics to track down … ‘Three years before they would create 1986’s Watchmen, Alan Moore and Dave Gibbons were honing their comic-creating skills by producing short stories for 2000 A.D. magazine. In one of the magazine’s recurring features called Time Twisters, they published a five-page story called Chronocops! that is considered one of Moore’s best early works, and one that would hint at the complex narrative skills he would demonstrate later in his career…’
7 April 2016
[moore] Other Moore’s Laws … What if Alan Moore, Roger Moore and Michael Moore had their own laws? 
23 March 2016
[moore] What Next For Providence? … Where is Alan Moore heading with Providence? … ‘Issues #5 and #6 are almost a two part story, where Black visits a city which is a major nexus of Lovecraft’s work, and intersects with several different stories, and many characters who act towards Black in an openly malevolent manner. I predict that #11 and #12 will be set in Providence, RI, and will feature Black’s inevitable doom after similarly intersecting with multiple stories and characters. “The Haunter of the Dark” has to appear. The Case of Charles Dexter Ward seems extremely likely’
9 March 2016
[comics] From the Bayou to London: A Conversation with Artist John Totleben … interview with the legendary comic artist … ‘I think younger readers probably have already been exposed to those influences in other comics, so when they look at Miracleman it probably doesn’t seem like a bigger deal back in 1988 or whatever. They don’t get the full effect of that. It’s kind of similar to rock music where someone listens to Jimi Hendrix nowadays; they may not get the full effect of the intensity he really got across back then because all those influences have been absorbed into the culture of rock guitar techniques and so on. The full effect just can’t be felt. That’s what’s it’s like with Miracleman. You had to have been there.’
9 February 2016
[comics] ‘Has The Human Centipede Taught Us Nothing?’ Alan Moore Answers Questions About Cinema Purgatorio For Bleeding Cool … a Q&A regarding the new black and white anthology comic Moore is launching on Kickstarter … ‘ I’m aware that a large majority of the current comic book audience are pathologically averse to anthologies, and you can certainly see their point. After all, when has anything memorable in the comic book medium ever emerged from an anthology? Except, obviously, Action Comics. Oh, and Detective Comics. And Sensation Comics and All Star and Adventure Comics. And Will Eisner’s work. And Jack Cole’s. And Mad and the entire E.C. line. And Amazing Adult Fantasy. And Tales of Suspense. And Strange Tales. And Journey into Mystery. And Creepy, and Eerie. And Zap. And the rest of the Undergrounds. And Comics Arcade. And 2000AD. And Warrior. And Viz. And almost all English and European comics. And almost all American comics, even single-character titles, until the 1960s. But other than that, what has the comic book anthology, or the Roman Empire for that matter, ever done for us?’
23 November 2015
[moore] Alan Moore has wrote his first tweet on Twitter… ‘This is Life Eternal, right here. Be fulfilled, be happy, be kind, be in love, and never do anything that you can’t live with forever.’ 
13 November 2015
[alanmoore] Alan Moore donates £10,000 to help friend bring his African wife to the UK … File under: Greatest Living Englishman … ‘Since Moore’s donation was made public, Cousins’s case has spread across the web, with a series of small donations made to a crowdfunding page set up by his son. “If it’s a good enough argument for Alan Moore, it’s good enough for me,” wrote one anonymous donor on the page.’
22 October 2015
[comics] Moorecraftian Timeline … a timeline for the H.P. Lovecraft inspired comics from Alan Moore and Jaycen Burrows … ‘1914-1918 – World War I, known to the Parish of Saint Jude in Salem, Massachusetts as “The Great Dry Cull.”’
22 September 2015
[comics] Annotations for Providence #4 … annotations for Alan Moore and Jaycen Burrows Providence #4 comic.
17 August 2015
[comics] Did Watchmen Steal From The Outer Limits, Or From Jack Kirby? … a look at the influences on the ending of Watchmen … ‘While I agree that the ending is one of Watchmen‘s weakest points, it’s not because I think it wasn’t original enough. We are, after all, talking about a story filled with thinly disguised reworkings of old Charlton characters (not to mention that Swamp Thing – the Len Wein-created character that he and Alan Moore first worked together on – is awfully similar to ’40s characters It and The Heap). The problem with the ending is how naive it is to think that a single large attack could result in lasting world peace…’
14 August 2015
[moore] Alan Moore’s Speech at Austerity and Advice Conference in Hull … a bit of history, Northampton, politics and austerity from a recent speech by Alan Moore … ‘Imagine if Jeremy Corbyn looked liked this… I think we’d all be a little bit more anxious wouldn’t we?’
31 May 2015
[comics] Annotations for Providence #1 … notes on Alan Moore and Jaycen Burrow’s latest comic … ‘Page 17, Panel 3: “The Repairer of Reputations” in The King in Yellow is set in an alternate future New York in the 1920s, which featured legalized suicide chambers and a concluded European war with an American victory; this further reinforces the layered fictionality of Providence, where the reality of the comic book is not our reality, nor even Lovecraft’s.’
10 May 2015
[weirdscience] Radio 4 in Four: Robin Ince explores hollow earth… go listen to this clip of Robin Ince on Hollow Earth theory (guest-starring Alan Moore).
6 May 2015
[comics] Facts in the Case of Alan Moore’s Providence … annotations for Alan Moore and Jaycen Burrows not yet released Providence comic.
18 April 2015
[comics] Crossed+ 100 Annotations … work-in-progress collection of annotations for Alan Moore and Gabriel Andrade’s Crossed+ 100 series of comics.
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