June 16, 2020
[alien] The Horrifying Adventures of Xeno-Morph …
June 15, 2020
[movies] My favourite film aged 12: Aliens … I think we can all agree that Aliens is a great film whatever age you are. ‘Rewatching it over the years I’ve only come to appreciate Aliens more. It remains a masterclass in building tension: we don’t actually see an alien until the hour mark, and when we finally do it’s in a bewildering frenzy of bodycam panic. The scene with Ripley and Newt (the girl Ripley finds living feral on a base long since overrun by aliens) trapped in a laboratory with a scuttling face-hugger is still a bum-clenching ordeal. Paul Reiser’s smarmy, flop-sweat-slick company man, Burke, has become ever more punchable with every passing year. And Ripley overcoming her prejudices to accept the android Bishop as a friend is more touching now than it ever was.’
June 2, 2020
[movies] How We Made: Airplane! … The Zucker Brothers and Robert Hays on making Airplane! ‘The film is not about a particular time. It’s a satire on a style of acting and that makes it timeless. Robert Stack, who played Captain Rex Kramer, used to say: “I get it – we’re the joke!”’
June 1, 2020
[movies] The Rolling Stone Interview: Stanley Kubrick in 1987 … Interviewed by Tim Cahill – a two-hour recording of the interview is on YouTube.
Cahill: People always look at directors, and you in particular, in the context of a body of work. I couldn’t help but notice some resonance with Paths of Glory at the end of Full Metal Jacket: a woman surrounded by enemy soldiers, the odd, ambiguous gesture that ties these people together…
Kubrick: That resonance is an accident. The scene comes straight out of Gustav Hasford’s book.
Cahill: So your purpose wasn’t to poke the viewer in the ribs, point out certain similarities…
Kubrick: Oh, God, no. I’m trying to be true to the material. You know, there’s another extraordinary accident. Cowboy is dying, and in the background there’s something that looks very much like the monolith in 2001. And it just happened to be there.
May 20, 2020
[movies] Michael Mann’s Quarantine Diary: What’s Next for Directors? … Director Michael Mann on his L.A. quarantine. ‘No matter how things go back together, life is not going to be the same. When was the last time the entire globe was living spontaneously? Where everybody was conscious of the circumstances affecting everybody on the planet, more or less at the same time? The answer is never. The closest you get is 1968, with the massive upheavals going on — whether they were in Prague, or Mexico City, Chicago at the Democratic Convention, Paris in May and June, London on October 27 outside the U.S. Embassy — because of global politics, the youth revolution, the anti-war movement. There was a sense of unified awareness. The difference right now is that it’s all happening in real time. It’s like a science-fiction movie, you know, where there’s a threat to the Planet Vega! You get to Planet Vega, and everybody there is all tuned in to the same channel simultaneously. Well, that’s us now; we’re all on the same channel simultaneously.’
May 4, 2020
[movies] Mother of all sci-fi: which is the best Alien movie? … There is only one answer to this question. :) ‘I’m placing Jean-Pierre Jeunet’s Alien Resurrection (1997) next. It’s a flawed movie in terms of its inception (would a clone Ripley retain the personality and memories of her “parent”?) but Sigourney Weaver delivers an eye-poppingly nutty performance as the part-human, part xenomorph Ripley 8, and there are some enjoyably sickly moments to compete with anything in the previous three movies. The scene when Ripley meets earlier failed versions of herself that have been pickled for posterity, and Brad Dourif’s fondness for the murderous extra-terrestrials, even as he is about to become a vehicle for their reproduction process, particularly stick in the memory.’
May 1, 2020
[movies] I’m Taking Six Months to Rewatch ‘Heat,’ the Holy Grail of Guy Movies … ‘Aside from the sheer force of the marquee names, you’ve got an impressive and often surprising ensemble of committed weirdos — Val Kilmer, Tom Sizemore, Jon Voight and even Hank Azaria, plus cult favorites Danny Trejo, Henry Rollins and Tom Noonan. The film elevates the classic cop-and-robbers dynamic into rich and atmospheric opera, achieving the polished legitimacy of “serious” art. There’s pulse-pounding action, but also great attention paid to how men abandon or fail the women in their lives because of an obsessive approach to work and personal masculine ethic. It’s based on a real-life burglar and detective; its mood is immersive, lush, almost dreamy. Heat captures the city of Los Angeles in unforgettable frames, for an epic runtime of 170 minutes.’
April 27, 2020
[lockdown] Saint Ripley by Genevieve Kent-Bethley. ‘Listen to me, if we break quarantine, we could all die.’
March 26, 2020
[movies] I’ve never seen… The Shining … On watching the Shining the first time. ‘It was bad. Good, in a “cinematic appreciation” way, but bad in a sitting at home alone during a nationwide quarantine way. No one had mentioned the music to me before; the score undulating from fluttering strings to thundering synths and that shrill whistle tone making those long tracking shots especially heart-palpitating. In fact, Kubrick’s penchant for lengthy, silent takes makes perfect sense now, elongating observation into its own sense of anticipatory fear. And this gels so well with the evolution of Nicholson’s face throughout; morphing from smug and clean-shaven to craggy and wide-eyed, broken only by his terrifying rictus grin – a perfect foil to Shelley Duvall’s incredulity.’
February 26, 2020
[movies] How Bong Joon Ho Built the Houses in Parasite … Fascinating, spoiler filled look at the construction of the sets for Parasite. “The trash can cost like $2,300! It was German,” says Bong. “Me and my crew members were like, What the fuck? What kind of idiot would buy a trash can that’s going to smell anyway?” Still, they picked that trash can not only for its brand value, but because it was telegenic: Bong wanted one with a cinematic lid. “When you step on it to open it, it would open really smoothly, and then when you released your foot, it would quietly close like some sort of computer graphic,” he says.’
February 25, 2020
[movies] Cultural Details You Missed in “Parasite” … Interesting, but spoiler filled. ‘I’m sure most picked up on how food showed the Kims’ class progression, starting with a bag of white bread. Then the Drivers’ Cafeteria (기사식당), which I personally like. They’re cheap but good buffets. Then they’re eating proper rice, egg, and kimchi at home. Then grilling L.A. Beef Galbi at home. When the family is sitting around and drinking the first time in the film, they’re sharing a bag of chips opened like a bowl as “anju” (pub grub). They’re also drinking FiLite, which is the cheapest malt beverage on the market. It’s nasty. When we return to that same get together as the Kims are moving up in income, everyone but the mom has switched to Sapporo, which is considered an expensive import.’
February 24, 2020
[movies] 10 great Lovecraftian horror films … The Thing: ‘In Carpenter’s film, what they encounter when investigating the wreck of a Norwegian exploration base is an otherworldly creature that can assimilate and take the form of any other living organism. The effects, done by pioneer special effects artist Rob Bottin, play a huge part in getting the audience to experience the same abject horror of seeing creatures that defy natural laws, that shouldn’t exist in a physical space. The creature, although seen, is not a single thing; it mutates and adapts. It, and its intentions, are unknowable.’
February 2, 2020
January 27, 2020
[movies] Studio Notes to a Test Screening of Blade Runner, January 21, 1981 … ‘This movie gets worse every screening.’
January 23, 2020
[movies] 10 great stressful films … ‘Funny Games: Sadistic in its simplicity, Michael Haneke’s razor-edged slice of cinematic brutalism follows a nice, middle-class German family out to their lakeside summer cottage, then watches with clinical detachment as they’re tied up, tortured and massacred by a pair of nice, middle-class young men. Nowhere near as violent as its reputation suggests, Haneke’s film has much loftier ideals than simple shock, asking its audience some of the very same questions posed in our intro above – why do we, as viewers, subject ourselves to this horror? What do we expect to gain from it? And are we truly passive in our response, or is the film giving us something we’re actively asking for? Filmed in agonising long takes and never shying away from the physical and emotional consequences of abuse, Funny Games is a profoundly moral, darkly comic endurance test.’
January 6, 2020
[movies] “The monster is always to blame—what a convenient stereotype. Everything’s the monster’s fault” [via] …
December 18, 2019
[movies] My Painful Quest to Find the Worst Christmas Movie Ever Made … A Gonzoesque search of terrible Christmas movies. ‘I figured this attitude would inform the rest of the movie: It would examine the materialism that’s taken over Christmas, and tell the viewer they should instead focus on doing good in the world, as God would want. But no. The rest of the movie is actually a series of monologues in which Cameron justifies the excesses of the festive season by explaining to the brother-in-law that every single aspect of Christmas is super godly, actually. This includes a theory that Christmas trees have a biblical basis because there were trees in the Garden of Eden, and the cross Jesus was crucified on was also made from a tree.’ (on viewing Kirk Cameron’s Saving Christmas)
November 25, 2019
[movies] Every Joke from ‘Airplane!’ Ranked … ‘McCroskey, on phone to wife: “I want the kids in bed by nine, the dog fed, the yard watered, and the gate locked. And get a note to the milkman… no more cheese!”’
October 28, 2019
[anime] The best 25(-ish) anime of all time … Mefi lists Glass Reflection’s Top 25-ish Recommended Anime.
October 25, 2019
[comics] Untold Constantine Tales … Steve Bissette on one of the inspirations for John Constantine. ‘We’ve always talked about the Police and Sting‘s role in Quadrophenia, the movie (1979), but it was indeed Sting‘s ominous presence and role in Richard Loncraine‘s theatrical film adaptation of Dennis Potter‘s Brimstone & Treacle (1982) that fueled those fires back in 1983-84 for us.’
October 2, 2019
[kubrick] ‘2001: A Space Odyssey’: Kubrick’s Pioneering Achievement As One of the Most Significant Films Ever Made… Huge page of digital artifacts from Kubrick’s 2001: A Space Odyssey. ‘Dear Mr Clarke: It’s a very interesting coincidence that our mutual friend Caras mentioned you in a conversation we were having about a Questar telescope. I had been a great admirer of your books for quite a time and had always wanted to discuss with you the possibility of doing the proverbial “really good” science-fiction movie…’
August 30, 2019
[anime] Go look: We Ranked Anime’s Top 10 Static Shots of Power Lines With Cicada Noises … ‘One Punch Man – That classic beautiful low angle shot of power lines on a hot summer day. The cluttered crisscross of the lines juxtaposed by the openness of the sky makes this one of the best power line shots ever.’
August 23, 2019
[king] The best Stephen King movies … ranked! … ‘Carrie (1976) -It didn’t take long for Hollywood to realise the prolific King was the equivalent of discovering a new oil field when it came to horror movies: his debut novel was in cinemas within two years of publication. Brian De Palma turned King’s tale of horrendous high-school bullying and psychokinetic wrath into something like a high-school heist movie, with mean girl Nancy Allen patiently plotting disproportionate revenge against Sissy Spacek’s browbeaten, willowy wallflower. Despite the 2013 remake, De Palma’s bloody blowout remains the definitive version.’
August 9, 2019
[movies] Nicolas Cage on Acting, Philosophy and Searching for the Holy Grail … Long, readable Nick Cage Interview. ‘I put this line in “Mandy”: “The psychotic drowns where the mystic swims.” You either have the proclivity to open up your imagination or you don’t. If you have that propensity and are on camera about to do a scene, what would make you believe in what you’re about to do? Say you’re playing a demon biker with an ancient spirit. What power objects could you find that might trick your imagination? Would you find an antique from an ancient pyramid? Maybe a little sarcophagus that’s a greenish color and looks like King Tut? Would you sew that into your jacket and know that it’s right next to you when the director says “action”? Could you open yourself to that power?’
July 2, 2019
[books] Occult Connections: The Strange Case of Ian Fleming, World War II, and Aleister Crowley … A fascinating conspiracy theory that reads like a chapter of Moore and O’Neill’s The League of Extraordinary Gentlemen. ‘[Rudolf] Hess took off in an airplane at 17:45 on May 10, 1941. His intended target was the Duke of Hamilton, whom Hess incorrectly believed was opposed to British involvement in the war. Captured by a Home Guard unit near Eaglesham, Hess was soon made a prisoner of war and was interrogated for further information about his failed mission. At this point, Lieutenant Commander Fleming and the spymaster Maxwell Knight, who is reportedly the inspiration for M in Fleming’s later novels, supposedly concocted a plan that would involve Crowley as an interrogator. Fleming and Knight believed that Crowley could easily exploit Hess’s interest in the occult for Great Britain’s advantage. The plan is believed to have been scrapped by higher ups, but that doesn’t mean that Crowley and Hess did not cross paths. Rumor has it that Crowley, who was known for cooking his guests spicy curries laced with drugs, was the cook responsible for Hess’s many food complaints while under captivity in Scotland.’
June 28, 2019
[shining] Screenwriter Todd Alcott’s Analysis of the Shining Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7
…this is why, I think, Jack is shown writing when he really should be murdering — because Kubrick had an idea for a great scene, one of the greatest in horror-movie history, where Wendy finds Jack’s “work” and discovers that it’s complete gibberish. Actually, it’s worse than complete gibberish, because complete gibberish could still be published. Rather, it’s the work of an obsessive-compulsive maniac. (Nicholson, who had just won an Oscar for playing crazy in One Flew Over the Cuckoo’s Nest, would later go on to play an OCD guy in As Good As It Gets.) This is brilliant stuff, and, again, dramatizes the essentially psychological nature of the horror in The Shining — the really scary stuff is going on in Jack’s mind, not in the corridors of the Overlook.
(One of my favorite factoids regarding the movie is that Kubrick didn’t just have a ream of “All work and no play makes Jack a dull boy” typed up, no — he had reams and reams typed up, in different languages, one for every major territory the movie would play in — Spanish, Italian, French, German, etc., all with a regional phrase specific to the territory. Production Assistant on a Kubrick movie must have been the worst job available in show business.)
May 23, 2019
[movies] Burning desire: John Wick and the undying appeal of the revenge thriller … ‘Though John Wick primarily attracts audiences for its simplicity of gun-fu action ecstasy, the film-makers clearly have more universal existential ideas on their mind. Sure, John Wick as played by Keanu Reeves is an ex-assassin left broken by his wife’s death and only capable of exorcising his pain through mass murder and vengeance. But he’s also an individual trapped in the system that created him, desperate to live freely and “retired” on his own terms, without the need to kill again.’
May 7, 2019
[alien] Alien 40th Anniversary Short Films … Six official short films celebrating Alien’s 40th anniversary.
April 3, 2019
[movies] The ultimate guide to analog control panels in sci-fi movies … A look at of the retro-tech in classic science-fiction movies. ‘Of all our control panel selections, Alien might have the most functional looking one. That’s because the production designer, Ron Cobb, constantly worked from the idea that everything should have a legitimate purpose. Cobb went as far as making legitimate real world safety signs for fixtures and airlocks.’
March 19, 2019
[alien] Ridley Scott’s Masterpiece ‘Alien’: Nothing Is as Terrifying as the Fear of the Unknown … Interesting collection of digital artefacts from the horror movie Alien including the screenplay. ‘The visuals are fascinating, but they alone would not have resulted in a brilliant horror flick had the pacing been any different. Scott deliberately let the story unfold slowly, gradually, respecting Hitchcock’s regard for the crucial importance of suspense. It is the waiting that’s killing us, it’s the feeling of being isolated and helpless that overwhelms us, it’s the silence and uneventfulness that bring about the feeling of upcoming horror, it’s this patience and restraint that makes the elements of pure terror so damn effective.’
March 12, 2019
[movies] Why is pop culture obsessed with battles between good and evil? … An interesting look at why modern stories tend to be narratives about Good Guys vs. Bad Guys. ‘It’s no coincidence that good guy/bad guy movies, comic books and games have large, impassioned and volatile fandoms – even the word ‘fandom’ suggests the idea of a nation, or kingdom. What’s more, the moral physics of these stories about superheroes fighting the good fight, or battling to save the world, does not commend genuine empowerment. The one thing the good guys teach us is that people on the other team aren’t like us. In fact, they’re so bad, and the stakes are so high, that we have to forgive every transgression by our own team in order to win.’
February 28, 2019
[comics] Star Wars in 2000AD [Part 1 | Part 2] … Nostalgic look back at the influence of Star Wars on 2000AD. ‘The first mention of the movie appears in the letters page in prog 8 (16 Apr 1977). This would have been my first exposure to the title “Star Wars” — but I don’t remember it. Fun fact: prog 8 was the first issue to print readers’ letters.’
February 26, 2019
[movies] An Oral History of ‘Office Space’ … Amusing look at the making of Mike Judge’s classic office comedy.
Gilbert: I went out and found 20 printers that were all the same, because we’re smashing it, right? I took them all apart myself to make them all weaker, so when they hit them with baseball bats, it would come apart. Every take where we broke one and we got more parts, we kept throwing those broken parts onto the inside of the printer.
Livingston: I just walk around in the background with a baseball bat. I wanted it to be the idea that I was blooding these guys a little bit—this was their initiation into this kind of thing. The two of them, all the stuff they did was hilarious.
Naidu: The idea that it takes on the element of a full-on gangster beatdown was very clear to me. I used what little tae kwon do training I had left over and everything I remember from every gangster movie I had. I’d give it a massive hammer kick. That comes from Master Kim when I was 12. Make sure the leg comes above the head.
February 20, 2019
[movies] Office Space at 20: how the comedy spoke to an anxious workplace … Looking back at Mike Judge’s office comedy. ‘The aggressive regular-guy-ness of Livingston empowers anyone sharing his middle-income lot – not well-off enough to enjoy being rich; not poor enough to have the hardship to account for his misery – to access him as a surrogate, making his strike against the coffee-slurping overlords into a slacker wish-fulfillment fantasy. His version of getting unplugged from the matrix comes when a hypnotherapist drops dead in the middle of their session, which leaves Peter in a state of new enlightenment. It means all he must do to change direction is simply decide to do so. He starts coming to work in flannel shirts and jeans, ignoring the memos telling him things he already knows, and eventually skipping out entirely to embrace absenteeism as a philosophy.’
February 5, 2019
[movies] Mann – Magic Act … a tribute compilation to the movies of Michael Mann.
January 23, 2019
[movies] 20 Creepiest Movie Nuns … ‘Killer Nun (1978) – Say what you will about “Killer Nun,” it certainly lives up to its title. Following the removal of a pesky brain tumor, Sister Gertrude begins exhibiting signs of odd behavior, including anonymous sex with strangers, fits of psychotic rage, and an obsession with the torture of martyred saints. Things take a turn for the worse when she’s accused of throwing a geriatric patient off the roof of a hospital. Swedish bombshell Anita Ekberg gives the deranged title character her all, particularly in the scene where she crushes an old woman’s dentures under her foot while yelling “Disgusting!” over and over again.’
December 30, 2018
[comics] Alan Moore film aims to ‘dispel Northampton’s anonymity’… BBC News on Alan Moore and Mitch Jenkins new film “The Show”. ‘I hope to rescue Northampton with a strenuous application of imaginations…’
December 24, 2018
[movies] 25 Horror Christmas Movies Ranked From Worst To Best According To Rotten Tomatoes … ‘Silent Night, Deadly Night (1984) – Tells the tale of Billy Chapmen, orphaned at 5 after witnessing the murder of his parents at the hands of a Santa suit-clad madman on Christmas Eve. Now 18 and out of the brutal grip of orphanage nuns, Billy is forced to confront his greatest fear, sending him on a rampage, leaving a crimson trail in the snow behind him.’ [via Feeling Listless]
December 20, 2018
[movies] Batman Returns, The World’s Greatest Holiday Movie … Amusing list of thoughts on Batman Returns. ‘Oh, Penguin. How preposterous that this gross man with disgusting eating habits, tiny hands, awful hair, repugnant behavior, and no prior political experience could be considered a viable candidate! Oh, wait. Oh GOD.’
December 11, 2018
November 22, 2018
[watchmen] The Watchmen movie proves you can be faithful to a comic and still miss its whole damn point … The Onion AV Club on the Watchmen movie. ‘From another perspective, the Watchmen movie is also a total debacle, one that fundamentally misunderstands the entire point of the book. To Moore, heroes are either ineffectual and useless, or they’re fearsome fanatics out to destroy lives. The impulses that produces these heroes are bad impulses. They’re about domination. There’s nothing cool about them. And yet Snyder can’t help but make everything look as cool as it possibly can.’
October 4, 2018
[movies] Introducing the Horror Oscars: The 40 Best Scary Movies Since ‘Halloween’ … Great list of the horror movies since 1979 onwards. ‘1980 – The Shining: Slowly but surely in the 1980s, consensus started to shift—the box office grew steadily, the critical reputation was bolstered, and within a decade, The Shining was an American classic. Why? Like Alien, it is technically magnificent and eerily tense, like waiting for an ocean of blood to pour from an elevator shaft. The Krzysztof Penderecki score is deeply unnerving. Shelley Duvall, with her long face, eight-ball eyes, and pallid complexion, is the most vulnerable subject of spousal torture ever put on screen. There are moments of shock, psychological torture, and bloodcurdling terror. (RIP, Scatman Crothers.) It’s so mystifying and intoxicating, that it has become the subject of wildly imaginative conspiracy theorizing.’
September 21, 2018
[comics] From Bond to ITV’s Strangers: why is everyone ‘fridging’? … A Look at why the “Women in Refrigerators” trope went mainstream. ‘WiR has been prevalent in superhero narratives since The Amazing Spider-Man comic shockingly killed off Gwen Stacy in 1973, inaugurating an era of darker stories in which actions had serious consequences (although these consequences were disproportionately suffered by women). Since comics writer Gail Simone gave the trend its name in 1999, publishing a list of “superheroines who have been either depowered, raped, or cut up and stuck in the refrigerator”, the term “fridging” has been used mostly about superhero storytelling. But it has seeped into mainstream pop culture too, particularly in the past decade as comic-book adaptations have dominated blockbuster cinema.’
August 14, 2018
[movies] I watched Nicolas Cage movies for 14 hours straight, and I’m sold … Some thoughts on Nic Cage from a journalist who attends a 7 movie Cage marathon. ‘It is during the fourth feature – the 1989 black comedy Vampire’s Kiss – that all hell breaks loose. Vampire’s Kiss is the movie you recommend if Cage’s greatness is ever called into question. His performance as a maniacal literary agent perfectly encapsulates why David Lynch described him as “the jazz musician of American acting”. Or, less charitably, why Sean Penn once famously called Cage “no longer an actor” and “more like a performer”. You could deride Cage for over-acting, as many have, or you could say his performance in Vampire’s Kiss is so exquisitely eccentric – so wild and restless and imaginative – it virtually defies description. I’ll have a crack anyway: it’s German expressionism meets Monty Python absurdism meets contemporary dance. The legendary alphabet scene generates a response so loud and enthusiastic I can feel my seat shaking.’
August 13, 2018
[movies] Stephen King’s Son Believes He Solved a 44-Year-Old Murder Mystery By Watching Jaws … Joe Hill on Jaw’s connections with a murder from 1974. ’54 minutes in, he leapt out of his seat, his arms prickled with goosebumps and his heart pounding, at a scene that startled him for the first time despite the many times he had watched the movie. It wasn’t your typical jump-scare, no image of a hungry Great White Shark attacking a beachgoer. Instead, it was a scene in which a crowd boards a ferry on the Fourth of July, a seemingly innocuous moment in Steven Spielberg’s iconic masterpiece. In the shot, a female extra wearing a blue bandana over her auburn hair caught Hill’s attention. She was “almost a twin of the figure” in a forensic recreation image he recently saw of the Lady of the Dunes, the still-unidentified murder victim discovered in Provincetown in 1974—the very same year Jaws was filmed on nearby Martha’s Vineyard.’
July 31, 2018
[comics] Go Look: Stanley Kubrick by Katsuhiro Otomo.
July 13, 2018
[movies] The meaning of the ending of 2001 according to Stanley Kubrick … Two Kubrick interviews where he explains 2001: A Space Odyssey collected together.
The idea was supposed to be that he is taken in by god-like entities, creatures of pure energy and intelligence with no shape or form. They put him in what I suppose you could describe as a human zoo to study him, and his whole life passes from that point on in that room. And he has no sense of time. It just seems to happen as it does in the film.
They choose this room, which is a very inaccurate replica of French architecture (deliberately so, inaccurate) because one was suggesting that they had some idea of something that he might think was pretty, but wasn’t quite sure. Just as we’re not quite sure what do in zoos with animals to try to give them what we think is their natural environment.
Anyway, when they get finished with him, as happens in so many myths of all cultures in the world, he is transformed into some kind of super being and sent back to Earth, transformed and made into some sort of superman.
July 12, 2018
[movies] My Incredible, Agonising Quest to Find the Worst Movie on Netflix … ‘But my quest hit a snag. Though there were many truly awful sounding movies listed, every single thing I looked up seemed to have been removed from Netflix. InAPPropriate Comedy, a sketch comedy show directed by the Shamwow Guy that was widely accused of being racist? Gone. Avalanche Sharks, a horror film about, well, what it sounds like it’s about? Also gone. I was beginning to worry that, due to the constant reduction in the number of movies on Netflix, all the real garbage had been purged.’
July 10, 2018
[movies] Doctors Diagnose The Injuries In Home Alone … Doctors give their opinions on the injuries the criminals in Home Alone would have received if the movie was set in the real world.
June 29, 2018
[people] Inside Trials of Johnny Depp: Lawsuits, Drinking, Marriage Gone Wrong … Unputdownable profile of Johnny Depp. ‘We move to the dining room for a three-course meal of pad thai, duck and gingerbread with berries. Depp sits at the head of the table and motions toward some rolling papers and two equal piles of tobacco and hash, and asks if I mind. I don’t. He pauses for a second. “Well, let’s drink some wine first.” This goes on for 72 hours.’