September 28, 2017
[books] Stephen King, The Art of Fiction
… an excellent, wide ranging interview …
No, Cujo was a standard novel in chapters when it was created. But I can remember thinking that I wanted the book to feel like a brick that was heaved through your window at you. I’ve always thought that the sort of book that I do—and I’ve got enough ego to think that every novelist should do this—should be a kind of personal assault. It ought to be somebody lunging right across the table and grabbing you and messing you up. It should get in your face. It should upset you, disturb you. And not just because you get grossed out. I mean, if I get a letter from somebody saying, I couldn’t eat my dinner, my attitude is, Terrific!
September 14, 2017
[books] Longtime Stephen King fans criticize new IT adaptation for not being bad
… ‘While audiences and critics alike have praised 2017’s IT for its smart casting and big budget scares, the response from classic King fans has been scathingly negative. “Couldn’t it have been a cheap, PG rated primetime miniseries?” tweeted @AnnieWilkes45. Others criticized the popular new film for not including any demonic laundry machines, giant rubber bats, possessed big rig trucks, man ponytails, or Gary Busey.’
September 4, 2017
[king] ‘It was wonderfully scary’: Tim Curry, Rob Reiner and Kathy Bates on the joy of adapting Stephen King
TIM CURRY: I read It when I got the role and I thought it was wonderfully scary, because clowns are scary. It’s the exaggeration. Pennywise always understood what each character was scared of, and provided it. And I could see what fun it would be to be that scary. They came up with such a great makeup. There’s the classic scene where little Georgie floats his paper boat down the gutter and puts his hand down to try and get it back, and is grabbed by Pennywise, who says: “Down here we float …” The boy playing Georgie [Tony Dakota] yanked his hand away and said, “You’re scaring me!” I said, “I’m sorry, I’m supposed to.”
April 3, 2017
[politics] Stephen King on Donald Trump: ‘How do such men rise? First as a joke’
… King analyses Trump with fictional characters …
These stories were written years ago, but Stillson and Rennie bear enough of a resemblance to the current resident of the White House for me to flatter myself I have a country-fair understanding of how such men rise: first as a joke, then as a viable alternative to the status quo, and finally as elected officials who are headstrong, self-centered and inexperienced. Such men do not succeed to high office often, but when they do, the times are always troubled, the candidates in question charismatic, their proposed solutions to complex problems simple, straightforward and impractical. The baggage that should weigh these hucksters down becomes magically light, lifting them over the competition like Carl Fredricksen in the Pixar film Up. Trump’s negatives didn’t drag him down; on the contrary, they helped get him elected.
September 1, 2015
[books] Can a Novelist Be Too Productive?
… Stephen King discusses prolific and unprolific writers … ‘As a young man, my head was like a crowded movie theater where someone has just yelled “Fire!” and everyone scrambles for the exits at once. I had a thousand ideas but only 10 fingers and one typewriter. There were days — I’m not kidding about this, or exaggerating — when I thought all the clamoring voices in my mind would drive me insane. Back then, in my 20s and early 30s, I thought often of the John Keats poem that begins, “When I have fears that I may cease to be / Before my pen has glean’d my teeming brain …” I imagine it was that way with Frederick Schiller Faust, better known as Max Brand (and best known as the creator of Dr. Kildare). He wrote at least 450 novels, a feat rendered more remarkable by his ill health and premature death at the age of 51. Alexandre Dumas wrote “The Count of Monte Cristo” and “The Three Musketeers” — and some 250 other novels. And there’s Isaac Asimov, who sold his first short story at 19, hammered out more than 500 books, and revolutionized science fiction.’
November 15, 2011
[books] Errol Morris Interviews Stephen King
… on his new book about time travel, J.F.K. and Lee Harvey Oswald …
Oswald just happened to be at the right place at the right time. He and his wife were effectively done, and she was living with Mrs. Paine out in Irving. He used to come on the weekends, but that week, he came on Thursday — the night before the assassination. And it seems pretty clear from his actions and from the things he said that he had decided to do this, but that he could be persuaded to change his mind. He and Marina went to bed that night and in bed, he asked her, “Is there a chance that we can get back together?” And she was very cold to him. She said, “No, I don’t think that’s ever going to happen, Lee.” And in the morning, he left his wedding ring and he left all the money in his pockets in a teacup in the kitchen for her. And that was it. There is this chain of ifs, but really, it’s as simple as that. He wanted to shoot somebody. He wanted to be somebody famous. It’s all there. The pieces all click together pretty nicely.
August 14, 2000
[interview] The New York Times profiles/interviews Stephen King
. ‘If there is a single trait common to most of King’s writing, it is the reader’s feeling that the author is playing God. He can and will make really bad things happen to his beloved creations. He will then watch them confront this evil, occasionally offering aid. Finally, after they’ve been scared witless and have proved themselves worthy, they are welcomed back into His warm embrace, humble and grateful.’