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March 20, 2018
[movies] 47 Things We Learned from Nicolas Cage’s Vampire’s Kiss Commentary … Nic Cage looks back at Vampire’s Kiss. ‘The scene where Cage runs down the street after assaulting Alva in the basement had to be re-shot because he was running too fast for Bierman’s camera. Cage told the director “Well if you want me to run slow I’m going to run like this!” and that’s the run that made the cut. He caught a lot of criticism from people saying it was over the top, but Cage gives that no weight. “’Over the top’ is one of those things that doesn’t work with me because I don’t believe in such a thing. It’s just stylistic choices.” He says that Bierman caught him during his more experimental phase, something he hasn’t really explored since.’
March 15, 2018
[movies] Dr. Strangelove in Color … ‘Do I look all rancid and clotted? You look at me, Jack. Eh? Look, eh? And I drink a lot of water, you know. I’m what you might call a water man, Jack – that’s what I am. And I can swear to you, my boy, swear to you, that there’s nothing wrong with my bodily fluids. Not a thing, Jackie.’
March 9, 2018
[movies] Watching a film with mum on Mother’s Day? Don’t see these …
‘Remember when you were 14, and you were watching TV with your mum, and a sex scene unexpectedly came on, and the shame and embarrassment you both felt ended up causing all manner of long-lasting psychological scars? This film is pretty much one long sex scene, and it’s about a mother and her son, and watching it with your own mother absolutely isn’t worth the decades of therapy bills. Again, this one was actually released to coincide with Mother’s Day in the UK.’
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February 28, 2018
[books] Why We Forget Most of the Books We Read … and what we watch and listen to.
‘The lesson from his binge-watching study is that if you want to remember the things you watch and read, space them out. I used to get irritated in school when an English-class syllabus would have us read only three chapters a week, but there was a good reason for that. Memories get reinforced the more you recall them, [Jared] Horvath says. If you read a book all in one stretch—on an airplane, say—you’re just holding the story in your working memory that whole time. “You’re never actually reaccessing it,” he says.’
February 22, 2018
[tech] Go look at some Anime Floppy Disks … 
November 24, 2017
[movies] John Wick solidified Keanu Reeves as one of the greatest action stars of all time … Hard to argue with any of this article from the A.V. Club on John Wick. My favorite scene in the movie isn’t a fight. It’s the part where Viggo, the movie’s lead Russian gangster, has to tell his son just how badly he’d fucked up. Viggo’s boy, Iosef, has broken into the home of a “fucking nobody.” He’s killed the man’s dog, stolen his car, and left him unconscious. Viggo, played by the late Swedish actor Michael Nyqvist, doesn’t mind any of this. He just minds that Iosef did all this to the wrong guy.
Carefully and patiently, Viggo tells Iosef that he and his associates used to call John Wick, that nobody, baba yaga—the bogeyman. And then he continues, “John wasn’t exactly the bogeyman.” Dramatic pause. “He was the one you send to kill the fucking bogeyman.” A moment later, as that sinks in: “I once saw him kill three men in a bar with a pencil. A fucking. Pencil.”
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November 23, 2017
[movies] Coppola’s ‘Conversation’ – prophetic snapshot of ’70s S.F. … a look back at the movie The Conversation. ‘For all the other actors’ abundant talent, the movie lived or died on Hackman’s performance. Hackman, a sharp dresser and an extrovert, did not easily sink into the role of Harry. “It was a hard part for Gene to play because it demanded such containment,” Murch recalled. “The character is such a tightly wound person, and that is not at all who Gene is. He was operating outside his comfort zone. But now he says it is one of his favorite performances.” Coppola was immediately impressed by [Harrison] Ford, whose role as a henchman for Duvall was initially quite small. “It was clear Harrison was super bright and able to make much more of the character than was there. He knew how to use clothing and props. He was always thinking,” Coppola says in his DVD commentary.’
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November 3, 2017
[movies] 42 Facts Every “Ghost World” Fan Should Know … ’18. The studio wanted someone like Russell Crowe or Harrison Ford to play Seymour. 19. They also considered Nathan Lane for the role. 20. But Zwigoff always knew he wanted to cast Steve Buscemi in that role. “I had to call him and threaten to hang myself if he wouldn’t take the part,” he said.’
November 2, 2017
[kubrick] Danny Lloyd – the kid in The Shining: ‘I was promised that tricycle after filming but it never came’ … Whatever happened to the child who played Danny Torrance in the The Shining? Kubrick and his team protected him from the scary stuff, Lloyd says. In one scene, where Wendy runs screaming through the hotel with Danny in her arms, Duvall carried a lifesize doll. “I specifically remember I was banned from the set for the entire time Scatman Crothers was being axed,” he says laughing. There is something nice and Tom Hanks-y about his measured tone and efforts not to say anything mean or controversial.
I read that he accidentally walked in on Jack Nicholson filming “Here’s Johnny!” (voted the scariest scene movie history a few years ago). Is that true? “Yes, but not the actual ‘Here’s Johnny’ bit. Jack was out in the hallway with the axe. He was having fun and goofing off. I think it was a plastic axe he had. Both my parents were there and we were laughing. That wasn’t scary.”
October 11, 2017
[tv] Your New TV Ruins Movies … ‘Filmmakers were not content to make movies with video cameras until those cameras could shoot 24p, because video, with its many-frames-per-second, looks like reality, like the evening news, like a live broadcast or a daytime soap opera; whereas 24p film, by showing us less, looks somehow larger than life, like a dream, like a story being told rather than an event being documented. This seemingly technical issue turns out to have an enormous emotional effect on the viewer. These days, any TV you are likely to buy, will, by default, have technology enabled that completely changes the emotional quality of the movies you watch. This is a cinematic disaster.’ [via Feeling Listless]
October 10, 2017
[docu] Louis Theroux Explains the Staged Realities of ‘My Scientology Movie’ … interesting Q&A interview … ‘You get that feeling—which is some of my favorite material in documentaries in general—that the wheels have come off. Someone says, “Fuck you,” the set wobbles, and the mic drops down. You hear them on the mic: “I’m fucking done with this shit. Go join the cult of Louis Theroux if you want to.” There’s an electricity to that kind of material, where it’s slightly going awry. When [Rathbun] is like, “Your questions are fucking insipid and repetitive. Ask me a real question,” he’s basically saying, “You’re a bullshit journalist, and I’m sick of you.” That crackles with the quality of real life.’
October 9, 2017
[alien] 32 Things We Learned From the ‘Alien’ Commentary … some notes from an audio commentary on Alien … “He’s a Replicant, basically,” says Scott about Ash. Yes, we get it, Ridley. Decker is a Replicant. Ash is a Replicant. We’re all Replicants. You happy? He does point out Ash’s quick, little jog in place might be a clue to him being a robot, that maybe all robots get stiff and need to keep their joints active. Someone go see if Harrison Ford ever does that in Blade Runner.
October 5, 2017
[movies] Risky Business Dance with “Realistic” Audio … What might Tom Cruise dancing in Risky Business sound like with no music? …
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October 4, 2017
[movies] This Future Looks Familiar: Watching Blade Runner in 2017 … a nicely written fresh view on Blade Runner … There are cops, and there are little people.
There is a whole class of slaves. It is illegal for them to escape slavery. The cops are supposed to murder the slaves if they escape, because there is a risk that they will start to think they’re people. But the cops know that the slaves are not people, so it’s okay to murder them. The greatest danger, the thing the cops are supposed to prevent, is that the slaves will try to assimilate into the society that relies on their labor.
Assimilation is designed to be impossible. There are tests. Impossible tests with impossible questions and impossible answers. The tests measure empathy. It is not about having enough empathy, but about having empathy for the correct things…
September 27, 2017
[movies] Hayley Campbell on Brian De Palma’s Blow Out … ‘It’s about about a tortured man torturing himself in only the way an obsessive creative whose art lies in the miniscule can: over and over, not until it has no meaning, but until it grows and has so much meaning that it consumes him.’
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September 15, 2017
[tv] Love On A Real Train … A look at the similarities between Mr Robot and Risky Business … ‘[Jonathan Bernstein] described De Mornay as a “frosty Hitchcockian blonde” whose chilliness is mirrored by the icy blasts of TD synth there and elsewhere on the soundtrack. In its way, Risky Business is a quintessential ’80s movie — it’s a twist on a mismatched-buddy caper, it prizes ruthless capitalistic innovation, absent parents fuel its plot engine, and it contains Curtis Armstrong — and if you swap in J.D. for Booger, you could say all of those things about Mr. Robot. There is a system to be gamed, so to speak, in both: Princeton admissions (and pimp vig); data storage. There is a battle against monopolistic power and influence that aspires to those things even as it turns them against themselves.’
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September 14, 2017
[books] Longtime Stephen King fans criticize new IT adaptation for not being bad … ‘While audiences and critics alike have praised 2017’s IT for its smart casting and big budget scares, the response from classic King fans has been scathingly negative. “Couldn’t it have been a cheap, PG rated primetime miniseries?” tweeted @AnnieWilkes45. Others criticized the popular new film for not including any demonic laundry machines, giant rubber bats, possessed big rig trucks, man ponytails, or Gary Busey.’
September 12, 2017
[movies] Kevin Church: 69 things I love about RoboCop, presented in no order … It’s hard to argue with any of these… ‘Ray Fucking Wise. How does he not have five retroactive Oscars for this movie alone?’
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September 7, 2017
[Herzog] Celebrate Werner Herzog’s 75th Birthday with These Peak Herzog Moments … ‘I don’t see [the jungle] so much erotic. I see it more full of obscenity. It’s just – Nature here is vile and base. I wouldn’t see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away. Of course, there’s a lot of misery. But it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don’t think they sing. They just screech in pain.’
September 4, 2017
[king] ‘It was wonderfully scary’: Tim Curry, Rob Reiner and Kathy Bates on the joy of adapting Stephen King … TIM CURRY: I read It when I got the role and I thought it was wonderfully scary, because clowns are scary. It’s the exaggeration. Pennywise always understood what each character was scared of, and provided it. And I could see what fun it would be to be that scary. They came up with such a great makeup. There’s the classic scene where little Georgie floats his paper boat down the gutter and puts his hand down to try and get it back, and is grabbed by Pennywise, who says: “Down here we float …” The boy playing Georgie [Tony Dakota] yanked his hand away and said, “You’re scaring me!” I said, “I’m sorry, I’m supposed to.”
August 29, 2017
[movies] Photos from the Blade Runner Model Shop … go look at this amazing gallery of photos taken during the production of Blade Runner … 
August 23, 2017
[movies] Defending Indiana Jones, Archaeologist … a spirited attempt to save the reputation of the great archaeologist and adventurer … ‘Jones is the last great monster of the treasure-hunting age of archaeology. To judge him by modern standards is to indulge the same comforting temporal parochialism that leads us to dismiss post-Roman Europe as a “Dark Age.” Jones may be a lousy archaeologist as we understand the field today. But is he a lousy archaeologist in context?’
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August 17, 2017
[movies] A Guide to Properly Hating Old Movies … A useful essay template for hating old Movies … ‘There are films you read about your entire life, and then there are films like [CLASSIC MOVIE TITLE]. I’m not quite sure how I avoided seeing [CLASSIC MOVIE TITLE] for so long. Maybe I had always been subconsciously turned off by the film’s negative approach to [SOCIAL ISSUE]; why waste your time on a half-baked attempt at representation when modern movies like [MODERN MOVIE] are better worth our consideration?’
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July 12, 2017
[movies] To the Wonder: The Lyrical Appeal and Influence of Richard Donner’s ‘Superman’ … a look at the lasting appeal of the original Superman movie … ‘On Superman, Donner had a clear vision, almost of three movies in one, with distinct styles, linked by the thread of the Kal-El/Clark Kent/Superman journey—a “lasso of truth” to use the parlance of uber-fan Patty Jenkins’s Wonder Woman. Krypton would be avant-garde, strange, heightened; Smallville, Norman Rockwell by way of Terrence Malick—high school touchdowns, wide open vistas, a yearning for home and honesty; and Metropolis–bustling, wise-cracking, a cartoon New York, alive to possibility. All grounded by what Donner termed “verisimilitude”: absolute truth and belief in the scenario and character on screen—no mugging to camera.’
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July 5, 2017
[alien] A Profane Abomination … a list of designs H.R. Giger was hired to produce for the movie Alien … ‘THE ALIEN, THIRD (MATURE) PHASE. Having left its victim, the Alien promptly grows to man-size, whereupon it is terrifically dangerous. It is very mobile, strong, and capable of tearing a man to pieces. It feeds on human flesh. This creature should be a profane abomination. Our producers have suggested that something resembling an over-sized, deformed baby might be sufficiently loathsome…’
June 16, 2017
[food] David Lynch cooks Quinoa … ‘Quinoa is something that I like to have for dinner every chance I get. Start with a pan. And this pan is unbelievable – it’s super heavy and lined with copper. It’s such a good pan. I’m going to go over now and fill this pan at the sink with some fresh water…’
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May 17, 2017
[movies] Crime in Counterpoint: Michael Mann on his Restored Masterpiece Heat …
‘I’ve got a theory, which probably holds no water whatsoever, about why there’s so much genre content in media — meaning police stories, crime stories, so much of that. It’s because of the nature of the medium. Detectives detecting do what writers and directors do in the inverse: We have an idea for a character, and our character has origins that we invent. Those origins become an engine that causes him to do certain activities and express himself and have different attitudes based on who the character is. And then those activities have consequences and leave behind certain effects. But a detective works all the way at the other end. He sees the remains of a crime — the leavings. He starts to work backwards to what happened. What was the activity? And if this was the activity, what could I discover about the motivations of the person whose identity I do not know? And how can those motivations allow me to predict his future activity, so that I can intercept him and find out who he is?’
May 10, 2017
[life] Britain’s ‘moral values’ based on Star Wars, Breakfast Club and The Godfather … ‘Tom Logan, from Hatfield, said: “Star Wars taught me about the importance of freedom, democracy and courage in the face of tyranny. And about the importance of using your miraculous gifts to benefit the entire galaxy.” Jane Thompson, from Stevenage, added: “Breakfast Club taught me that we are all insecure but that through dialogue we can find our common humanity. It also taught me that teachers are the worst people in the world.”’
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May 2, 2017
[kubrick] Forever and Ever and Ever: Uncanny Doubles in ‘The Shining’ … A look at how Kubrick heightened a sense of the Uncanny in the Shining … ‘Robert Kolker writes that the film also features many instances of symmetrical framing. He notes that each side of the frame is doubled and perfectly composed, and therefore any horrific event happening within the frame seems even more out of place and strange. The symmetrical shots are almost too perfect, which can be uncanny and off-putting in itself. Kolker cites the red bathroom as an example of a symmetrically framed scene, with its rows of white urinals and sinks lining either side of the wall and the long mirrors running along the wall. The bathroom is symmetrical, yet Jack and Grady discuss violent, murderous plans in the middle of the room, throwing the symmetry off balance and into uncanny space.’
March 22, 2017
[movies] The Purity of John Wick … a look at what make John Wick so good … ‘John Wick is the purest and most joyful action movie I’ve ever seen. And given its full embrace of the genre, it may very well be one of the purest movies, full stop.’
February 9, 2017
[movies] Gene Hackman: 10 essential films … ‘Less well known than The Conversation, but just as impressive, Night Moves is one of the great thrillers of the 1970s. It’s a detective story in which Hackman plays Harry Moseby, a football player turned private eye who gets caught in the middle of dubious activities in the Florida Keys. He’s on his very best form, the tough humour hiding a deep sensitivity about his decaying marriage and his own personal failures, and he relishes the literate, witty dialogue provided by Alan Sharp and the chance to play opposite the splendid Jennifer Warren, an actor with whom he has great chemistry.’
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February 7, 2017
[movies] The Other Kane … the fascinating story of the other actor who (briefly) played Kane in Alien before John Hurt … ‘In the beginning, the actor portraying Kane was Shakespearean stage veteran, Jon Finch. The story of Finch’s departure is somewhat muddled. Most sources agree that Finch left the film due to a diabetic attack, which is denied by Finch himself. Some say that Finch’s illness revealed itself before the cameras, another says it took place in a plasterer’s chair. Some say he filmed for weeks, some say he filmed for days, and some say he filmed for merely one shot.’
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January 30, 2017
[comics] Steranko’s Outland … go and look at scans from Jim Steranko’s stunning comic adaptation of the 1981 Sci-fi movie Outland … 
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January 9, 2017
[weird] The movie that doesn’t exist and the Redditors who think it does … Do you remember a movie from early Nineties called Shazaam? … It wasn’t until last year that things took a dramatic turn.
On 11 August 2015, the popular gonzo news site VICE published a story about a conspiracy theory surrounding the children’s storybook characters the Berenstain Bears. The theory went like this: many people remember that the bears’ name was spelt “Berenstein” – with an “e” – but pictures and old copies proved it was always spelt with an “a”. The fact that so many people had the same false memory was seen as concrete proof of the supernatural.
“Berenstein” truthers believe in something called the “Mandela Effect”: a theory that a large group of people with the same false memory used to live in a parallel universe (the name comes from those who fervently believe that Nelson Mandela died while in prison). VICE’s article about the theory was shared widely, leading thousands of people to r/MandelaEffect, a subreddit for those with false memories to share their experiences.
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December 31, 2016
[movies] The Poseidon Adventure Is Still One of the Most Insane Disaster Movies Ever Made … Gizmodo remembers The Poseidon Adventure … ‘Then there’s Gene Hackman, who had won his first Oscar a year prior, for 1971’s The French Connection. Here, he channels some of that Popeye Doyle snarl into his portrayal of Rev. Frank Scott, a take-action man of God who favors turtlenecks rather than clerical collars.Why would a newly minted Best Actor sign on for a ridiculous action movie? What other movie would let him use a giant fake Christmas tree as an escape ladder, engage in multiple screaming matches with Mike Rogo (Ernest Borgnine), dramatically curse God, and ultimately sacrifice himself to save a group of passengers who otherwise would’ve been literally dead in the water?’
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November 15, 2016
[movies] Nicolas Cage’s 50 Best Movies, Ranked By Greatness … ‘Bringing out the Dead: Martin Scorcese directs Cage in a film written by Paul Schrader. Yes, it’s really good.’
September 21, 2016
[movies] Where Will Snowden Rank Among Oliver Stone’s 10 Biopics? … an attempt at ranking Oliver Stone’s biopics … ‘JFK is in some ways a ridiculous film. It’s also one of the greatest films of all time. Stone puts the audience through over three hours of near-constant information overload, accented by a variety of film stocks and shooting styles, all leading the viewer to feel, by the end, that they see conspiracy everywhere they look. Stone doesn’t just tell the story of Garrison’s life. He immerses us in Garrison’s headspace until we can’t help thinking the way he thinks, and see the world the way he sees it. It’s an incredible cinematic feat…’
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September 6, 2016
[movies] 10 great British rural horror films … interesting list of British horror films to watch … ‘Witchfinder General is a doom-laden film. Many of its characters are either left dead or end up in a terrible state, while Michael Reeves, its brilliant young director, died shortly after the film’s release while still in his 20s. Yet it’s also an extraordinarily beautiful film that makes great use of extensive location shooting in the east of England. Here it is not the landscape itself that is the source of unease but rather the savagery of the people who occupy it. This juxtaposition of an indifferent nature with appalling human behaviour recurs in other British rural horrors, but it is never done quite so effectively.’
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July 20, 2016
[movies] Cageomasochism: Loving to Hate Nicolas Cage … How to understand Nicolas Cage’s roller-coaster career… ‘The larger, more glaring problem for me is this insane idea that in recent years Cage has been doing nothing but cash grabs. If you think Nicolas Cage views any of his roles as an easy way to earn a quick buck, you’ve never actually watched this man act. The late Roger Ebert was a big fan of Cage and once described him by saying, “He’s daring and fearless in his choice of roles, and unafraid to crawl out on a limb, saw it off and remain suspended in air. No one else can project inner trembling so effectively…he always seems so earnest.” I think this is the best description of Cage I’ve ever heard and that last snippet I’m especially fond of.’
June 24, 2016
[space] The sounds of starships … Metafilter on using the ambient engine sounds of fictional spaceships as white noise … ‘The background engine noises of iconic science fiction spaceships can be remarkably soothing. That is why Spike Snell created 12-hour sound loops…’
June 13, 2016
[hetzog] Lo And Behold: Reveries Of The Connected World Trailer … the official trailer for Werner Herzog’s film about the Internet … ‘Have the monks stopped meditating? They all seem to be tweeting.’ [via Kottke]
June 10, 2016
[anime] How Akira sent shockwaves through pop culture and changed it … ‘Akira sailed in on a river of blood and cartoon nudity. It looked different to previous anime features, as Otomo took Hollywood films like Bonnie & Clyde as inspiration. The result was a visual paroxysm: the final product pried open audience’s eyes by using a record 327 colours, 50 of which were created specifically for the production. (Akira Red is a thing, apparently.)’
May 23, 2016
[movies] Some thoughts on Blade Runner … by Nathan Jurgenson … ‘Bladerunner is also very much like the cyborg genre in other ways, for example, in its approach to sex and gender. Deckard (a cop who is finishing off the genocide of a group of sentient slave laborers who attempted to cast away their chains) becomes attracted to the Rachael replicant precisely because she is confused and vulnerable. For both Pris and Rachael, and also Samantha in Her and Ava in Ex Machina, the men in these movies are sexually attracted not to wires and circuits but childlike vulnerability. Pris and Ava are in on it, manipulating men by pretending to be childlike fantasy objects. Samantha and Rachael instead merely reflect that same desire in those making and watching the films. Deckard makes this most explicit when he has Rachael in his apartment and starts kissing her. She tries to escape, but Deckard doesn’t let her. She says no, and he says her no is really a yes, and repeats this until she complies. Deckard is attracted to telling her how to say yes, how to desire, to make decisions for her, and ultimately be her savior. Like most cyborg movies, the cyborg is a fembot, and the movies ultimately say more about sex than technology.’
May 18, 2016
[movies] Behind the Scenes of Alien … amazing gallery of photos and designs from the production of Alien … 
May 9, 2016
[movies] The Time they used a Whippet Dog as a Xenomorph … fascinating behind-the-scenes look at a failed special effect experiment for Alien³ … 
April 26, 2016
[movies] An electrician remembers: I worked with Jack Nicholson and Stanley Kubrick … ‘It was a small crew and he used us for bit parts. Because they rarely shoot leading artists when you can’t see their face, he said to me: “You look like Jack – put on the jeans and boots.” In the film, when a semi-conscious Jack is dragged into the food store, those are my legs on screen. He asked me to be the guy in a bear suit with his arse hanging out and his head in a man’s lap at the end. But I said: “No, mate, I ain’t having that.” Could you imagine? Everyone at home saying: “That’s Bobby Tanswell.” Nope, sorry.’
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