[comics] I have read the worst comic I have ever read … Brian Hibbs On Justice League: The Rise Of Arsenal #3 … ‘Page 9: Since he can’t fuck, he decides to go beat up guys. “I need a release.” and “For me, they serve their purpose” he thinks, as he sticks knives in faceless people’s arms. Page 10: full-page splash of Roy standing over a bunch of unconscious guys. “Much better” says the caption as Roy makes an O-face.
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28 May 2010
[comics] Cartoonist Daniel Clowes celebrates Oakland with “Wilson” … an interview promoting his latest comic book … ‘Clowes, an illustrator for the “New Yorker,” is traditional in other ways, too. At a time when print is down and young cartoonists are turning to the Web, Clowes still draws everything by hand – “I’ll never type in a url to look at comics,” he says…’
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13 May 2010
[comics] Christ, It Works for Everything … ‘It was recently theorized that all New Yorker cartoons could be captioned
with “Christ, what an asshole” without compromising their comedic value. I discovered this is true of virtually all comics, old and new…’
[comics] Chris Ware’s Rejected Fortune Cover … ‘He accepted the job because it would be like doing the 1929 issue of the magazine, and he filled the image with tons of satirical imagery, like the U.S. Treasuring being raided by Wall Street, China dumping money into the ocean, homes being flooded, homes being foreclosed, and CEOs dancing a jig while society devolves into chaos.’
[comics] The Unpublished Moore … a comprehensive list of the the Alan Moore’s whims, unfinished scripts and lost work … ‘Cerebus #301 Status: Unpublished. I believe a full script exists for this one (which involved Cerebus being summoned during a seance in the modern day), but it was intended to be a Moore/Bisette/Veitch project, and is unlikely to appear now due to ill-will among the creators.’
[comics] Watching the Watchman – St Albans comics legend Dave Gibbons interviewed … ‘I bumped into a friend of mine called Mick McMahon, who lived in Colney Heath, at the station at St Albans and he had this artwork under his arm. It turned out to be the first Judge Dredd job, and he said it was this new comic being done at IPC called 2000AD…’
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13 April 2010
[comics] Alan Moore – The Spanish Impersonation … ‘When I was young I travelled to Andorra and bought a radio cassette player. However, I usually travel to fourth dimension.’
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8 April 2010
[comics] Brendan McCarthy discusses Spiderman: Fever … ‘When you write and draw it yourself, you can keep changing or finessing right up to the last moment. You can radically alter what you’ve written or drawn. You can spontaneously do what the moment dictates. It’s exciting and I really like it, but it’s a very intense way of working. Finding the story and making sure it doesn’t follow obvious routes was the challenge. All writers know about that glorious moment when the characters start to ‘talk back’ to you. That’s the point when you absolutely know what they would or wouldn’t say or do.’
[tags: Comics][permalink][Comments Off on John Hicklenton: ‘MS, you have a week to live…’]
14 March 2010
[comics] Wally Wood Should Have Beaten Them All … overview of the comics career of artist Wally Wood … ‘Wood was a tremendously ambitious journeyman. He had a genius and a love for a medium that, until recently, ground down its abundant geniuses, celebrating creation while pointedly not rewarding the creator.’
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He was the existential loner outcast from society who sought solace by riding the waves (the Silver Surfer). He was the military industrial complex (Nick Fury). He was the hippies who rejected the Cold War consensus, and wanted to create their own counterculture (the Forever People). He was the artist who tried to escape his degrading background (Mister Miracle). He was feminism (Big Barda). He was Nixon and the religious right (Darkseid and Glorious Godfrey).
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[tags: Batman, Comics, Funny][permalink][Comments Off on “Max, what do you want for dinner?” “JUSTICE!”]
8 March 2010
[comics] Wilson … Tom Spurgeon produces the first review of Wilson – Dan Clowes latest comic … ‘It’s Clowes being Clowes, and Wilson all by itself makes 2010 a pretty good year for comics no matter what happens from here on out.’
[comics] The 6 Most Realistic Moments In “Kick-Ass” … ‘Completing the Hit Girl Realisim Trifecta, there’s the scene where she–again, a tiny child–accurately shoots a pistol in each hand, scoring headshots on a roomful of bad guys. Issues of recoil are, of course, negated by the littlegirlium factor…’
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25 February 2010
[comics] Happy 10th Blogiversary Neilalien! … as far as I know Neilalien’s blog and Doctor Strange / Steve Ditko fan site was the first comic blog. Amazingly, after ten years he still seems to handroll his own blog pages, which proves he’s either old school or an alien – I can’t make up my mind which… Congratulations Neil!
[comics] Jack Kirby’s Visual Interpretations of God … ‘I always found it interesting that of the very few pieces of his own work that Jack Kirby displayed in his home, three of them were his visual interpretations of God.’
[comics] Kevin O’Neill Interview [Part One | Part Two | Part Three | Part Four | Part Five] … huge interview covering O’Neill’s 40 year career in comics … ‘What Robocop did by beating Judge Dredd to the screen was it stole the best of Judge Dredd, and when they made the Dredd movie, they were then worried about being compared with Robocop! So they took out all the black humor and all the satire, and their emasculated movie was almost a Judge Dredd movie, but not quite. Robocop was a more energetic movie. We did hear there were piles of 2000 ADs in the production offices. That does kind of show, doesn’t it?’ [via Metafilter]
[comics] Paradax: the TV show … according to internet rumours Brendan McCarthy is in Hollywood pitching Paradax as a animated TV Show … ‘Bad Boy Superhero: Smallville meets Entourage’
Grant Morrison on Brave and the Bold #102: One of my all-time favourite Batman panels was written by Haney and drawn by Jim Aparo and shows Batman strolling down the sunlit streets of Gotham, checking out the mini-skirted girls and accompanied by the line to end all lines: ‘Yes, Batman digs this day!’
[moore] A YouTuber Sums Up Alan Moore: ‘Sheesh. I keep trying to read his stuff, but I swear Moore is like the messiah of all who would get beat up in middle school. Thus he is against confident sexy women who flirt, confident athletic men who are badass and don’t need permission to kiss a woman, anyone who can fight or kill, anyone who knows they look good…. He is for anyone who can play the tuba, is gay, has bad hair, has a bad complexion, has frizzy hair, is socialist… it gets old.’
[comics] High Fever: An interview with Brendan McCarthy … ‘Having done Shade and now Spider-Man and Dr. Strange — all that I’d like to do next is The Creeper! (I have to admit, Hawk and Dove never really did it for me.)’
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30 January 2010
[comics] V for Vendetta in Kinetic Typography … ‘Verily, this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honor to meet you and you may call me V.’ (more…)
[comics[ Walking Dead gets TV Pilot … ‘[Robert Kirkman and Charlie Adlard] follow in the footsteps of the master, George Romero, to do something horror often does very well, comment on human nature and society by pushing both to the edge, while also drawing you in to a fascinating, often terrifying tale of survival.’
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22 January 2010
[comics] CR Holiday Interview Series Wrap-Up … great selection of interviews on comics from the Comics Reporter … ‘It was my great pleasure the last three weeks to interview some but certainly not all of my most valued writing-about-comics colleagues about some but certainly not all of the great books, series and single issues of the last 10 years…’
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9 January 2010
[comics] Load Runner #3 … scans of the Galaxy’s greatest British computer comic from 1983. Containing such gems as the adventures of Andy Royd and the specifications for the Mattel Aquarius.
[comics] Grant Goggans On 2000 AD … ‘Andy Diggle famously described 2000 AD, at its best, as delivering you shot glasses of rocket fuel. You may not like every episode of every tale, but all five episodes each week should try and knock you on your backside with excellent characters in fast-moving, over-the-top stories. Nothing else in comics can give you that thrill, and it’s the highwire, anything-goes weekly nature that makes reading 2000 AD so fun.’
[moore] Comics Won’t Save You, but Dodgem Logic Might … an Alan Moore interview in Wired … ‘I think the comics medium could play a big part in addressing our problems. It’s such a wonderful medium. You can talk about anything, and talk about it in a very powerful and informative way. I’d like to see comics become a medium in which new ideas could be expressed in new, compelling forms, but I don’t really see that coming from the industry’
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22 December 2009
[comics] Mike Sterling On Watchmen: ‘…there’s a part of me that wishes the Watchmen film had been an enormous hit, enough so that a sequel would have been inevitable, and that even possibly new comic book follow-ups and tie-ins would have been published. Because really, the fanguish that would have caused would have been epically awesome.’
[comics] Dave Sim Goes Partially Print On Demand; Industry To Follow? … this makes a lot of sense for Sim – and it fits in with his past as a champion of self-publishing … ‘The important thing to take away from this is that POD is now being used for comics as a way to keep backlist available, without having to print thousands and thousands of comics at a time that may take years to sell through. That’s about the best use of POD I can think of, actually, following up a high-quality print run with digital copies for latecomers.’
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[comics] The Comics Reporter’s Holiday Shopping Guide ’09 … great selection of comic gifts to buy this year … On A Drifting Life: ‘Very few if any reviews of this massive autobiographical work from the great Yoshihiro Tatsumi note how completely mad it is on a certain level to follow a young man around as he reads and draws comics over the space of several decades. This book more than has the courage of that particular conviction, and I’ve never seen any artist invoke the relationship-warping monomania of creativity as well as Tatsumi does here.’
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