June 2, 2001
[comics] Preview Picks for June 2001 — nice overview of what comics are released this month.
June 1, 2001
[comics] Back Cover to Cerebus #185Jeff Smith, Vijaya Smith and Dave Sim on a beach in Puerto Rico. ‘The Donkey. The Lima Bean. And Mrs. Lima Bean. In San Juan, Puerto Rico. On the beach. On a very nice day. “Ho Ho” says the Lima Bean, “The Donkey is JEALOUS for there is no fine looking Mrs. Donkey for him.” The Donkey is smiling. Lima Beans never learn.’ [Related: Dear Jeff Smith]
May 29, 2001
[comics] BBC News on India’s comic cricketers. ‘The books – which are on sale at the price of 50 rupees ($1.06) each – are largely targeted at children, and will have to compete with other popular English language comics. There are also many comics in Hindi and other Indian languages. However, the market for comics, even in English, is thought to be in millions, and the producers hope they can tap into the national enthusiasm for the genre of comic books and cricket.’
May 26, 2001
[bell] More political cartoons… Steve Bell’s Campaign Diary — commentary and sketches + his view on George Bush’s current problems…. Holy Democrat Shit!! I feel a disturbance in the Force!!
May 25, 2001
[comics] The British Voice — long, interesting article on Brit comic creators in the US…. Grant Morrison (who else?): ‘In the field of comics, Neil Gaiman’s precise, lapidary language, Alan Moore’s vast, bardic Victorianism, Garth Ennis’ rolling Behanesque pub dialogues or Mark Millar’s knowing working class sleaziness can easily be traced back through various storytelling influences long present in the mainstream of British cultural life but rarely apparent in that of the US. When you add these homegrown influences to the muscular, robust inspiration of the American comics and movies we all grew up with, the result is an interesting and unique brew of high and low cultural input. The mainstream American narrative voice seem to have its roots in film noir, crime fiction and superhero comics. In Britain the wider influence of literature, music, weird TV comedies, fairy tales, war, sci-fi and ‘girls’ comics is perhaps much more obvious.’
May 18, 2001
[comics] Comicon Newsarama has background on a couple interesting stories — Peter Bagge does Spiderman and Marvel dropping the Comic Code…. Joe Quesada: ‘It’s also ironic that the Code, as an organization made up of a group of companies that were attempting to show that comics aren’t just for kids, and aren’t this sort of niche medium. This press conference we’re having right here is the biggest publicity they’ve had in years. As far as the general public is concerned, I don’t even think that they know there is a code anymore.’ [via Link Worthy]
May 17, 2001
[comics] Sim City: Population 1. Interesting article on Dave Sim. Mirrors my own views to some extent… ‘…the quality of the actual stories hasn’t suffered too badly. I genuinely hope it stays that way, because it would be tragic if Sim got this close to completing his life’s work, twenty-five years of effort, and then blew it at the last moment. Even if we’re not really reading CEREBUS any more, we’d all like Sim to make it to the end. But when you read Sim’s ravings, you get the sinking feeling that it’s all going to go horribly wrong.’
May 16, 2001
[comics] The Velvet Gloves Are Off — great excerpts from an interview with Dan Clowes. ‘CLOWES: I swear to God. Marvel Comics are at the end of their rope trying to figure out “What’s hip and now?” so they’re approaching guys like Pete Bagge, who they probably imagine sell hundreds of thousands of copies. Of course Bagge had literally never read a single Spider-Man comic in his life, much to his credit. He wants to do it like, “Joe Matt gets super powers,” basically [laughs]. My guess is that it’ll never… that once they see what he’s going to do, they’ll panic. I know he actually asked Crumb to do it. SILVIE: Of course Crumb said “No?” CLOWES: Crumb really considered it. SILVIE: Seriously? CLOWES: I guess so. SILVIE: Jesus!’ [Related: Ghost World — Film. Comic.]
May 15, 2001
[comics] Glasgow team brought in to revamp X-Men. Grant Morrison: ‘I’m going to be concentrating less on the supernatural powers and treating it as a bit more soap opera style, looking at what its like to be a mutant like the X-Men. We’re saying what their love life is like, what music they listen to, just looking at these characters a lot more than has been done in the past.’ [via Comic Geek]
May 13, 2001
[comics] Mile High Comics publishes a first look at Morrison and Quitely’s New X-Men‘But Ms. Nova …I’m only a Dentist’
May 10, 2001
[comics] According to Comic Geek Jeff Smith has replied to Dave Sim in Cerebus #266… ‘Dear Dave, First you come into my home and insult my wife and I, then you publish a delusional and fictitious account of the event. Now, seven years later, you want to square all accounts by climbing into a boxing ring? Get stuffed. Yours truly, Jeff Smith.’ [Related: Earlier Posting on LMG]
May 7, 2001
[comics] Pope Fiction. The Vatican approves a comic about Pope John II… Joe Quesada (Editor-In-Chief of Marvel Comics): ‘”Like Spider-Man, the Pope has incredible compassion for the human spirit,” he said. “It’s no secret that this pope has been in frail health for the last few years, yet much like Spider-Man, he perseveres through great adversity. It is the calling and trademark of the great hero!”‘
May 6, 2001
[comics] Interesting interview with Alex Robinson the artist/writer behind Box Office Poison. ‘Box Office Poison is about the pros and cons of loyalty vs betrayal. There are two main stories: one deals with Sherman Davies, a bookstore clerk who wants to be a writer. The other is about Sherman’s friend, Ed, a cartoonist. They each get involved in a relationship–Sherman with a girl, Ed with his boss, an old cartoonist–that puts their loyalty to the test. Sherman’s girlfriend, Dorothy, is kind of crazy, while Ed’s boss, Irving Flavor, is cranky. Flavor created a superhero back in 1941 that made millions for his publisher, but he never saw a dime. Ed decides to help him remedy this. Plus, there’s cursing and nudity! That’s the one line way I’ve been describing the book: It’s like “Archie” but with cursing and nudity.’ [Related: Buy Box Office Poison at Amazon]
[comics] Ask Dave Sim: Relationship Expert ‘Mr. Sim, I find women to be completely illogical and beguiling, yet I also find myself irrationally attracted to them. Is this a problem, and is there a solution? William Spock, Vulcan ND’ [via John at Linkworthy]
May 5, 2001
[comics] Suck looks looks at why so many cartoonists are cranks (after Dave Sim’s Tangent). ‘Now, it’s not important whether you agree or disagree with Sim, just so you marvel at the sheer depth of his obsession. Jack Chick cuts the Pope more slack than Sim does women. Some might say it’s not women, but Feminist ideology ? but what’s that got to do with Sim leaving his dick alone? And it could be said that this is taking things out of context, but since the only context here is Sim, not the window dressing that there’s a real issue here, what difference does it make? Like Chick, Sim wants his word out. The inside back cover of Cerebus 265 makes “Tangents” a public domain property, one you should feel to distribute, as long as you do it in its entirety, unedited. Like any cartoonist crank, Sim wants it all his way.’ [Related: Discussion on Plastic about the Suck Article]
May 4, 2001
[comics] Fascinating…. Neil Gaiman used to be a Scientologist…. ‘Neil Gaiman. Writer (sandman comics), former Scientologist. Declared SP in 1983. He was a Class VIII auditor, and ran the Birmingham org for a while. Son of David Gaiman. He was a case supervisor at the G.O. at the time of the CMO takeover of the G.O. and the transition to RTC/ OSA. – FAQ1.’ [via WEF]
May 2, 2001
[comics] Interesting interview with Kevin Smith about comics mainly… ‘It’s so sad that there are people who feel that comics’ salvation lies in mainstream acceptance, because it implies that comics are a dying artform. They’re not. Comics don’t need to be saved. Comics aren’t going anywhere. There will always be a comic book field, despite all the nay-saying braying of a group of Chicken Little’s, who feel like they have their finger on the pulse of a medium that’s been around far longer than their two-bit opinions of it. What fans/critics/pundits need to understand is that comics are a rarefied medium, and that they’ll never be able to compete with movies and television (or video games; or the internet; or even mimes). Just accept that and be happy with the audience that IS out there, and do your best to keep them entertained. Cater to them relentlessly with hero books and non-hero books alike. Hell, there are enough fans of both! But don’t slap them in the face by telling them constantly that they’re not enough. Heavens, love the one you’re with, you know? Besides, what kind of insecure soul would crave mainstream acceptance anyway? Aside from Warren Ellis?’
May 1, 2001
[comics] Frank Miller’s Harvey Awards Speech — excellent stuff on the Comics industry, Wizard Magazine and the Movie Industry. ‘One TV guy I met, full of hyperactive disdain, he sniped at me, “I don’t read comic books. I read scripts.” You’re lost pal. They don’t read comic books, they read Wizard Magazine! Or at least the publishers think they do. Either way the result is the same. For all the disgust you’ll hear about Wizard and its shoddy practices when you talk to publishers and marketing folks—and I have yet to hear a single good word from anybody about this thing that ought to come on a roll—for all of that, the publishers kow-tow. Even though this tree killer here regularly cheapens and poisons our field. Aesthetically and ethically, they grovel. Even though this monthly vulgarity [rips off front cover] reinforces all the prejudice people hold about comics [rips out pages] they cry to all the world that we’re as cheap and stupid and trashy as they think we are, we sponsor this assault. We pay for the goddamn privilege. But really, when will we finally get around to flushing this thing, this load of crap, once and for all [tosses torn magazine into a trash can onstage. Applause]’ [via Comic Geek]
April 30, 2001
[comics] A couple of Pages from Grant Morrison’s X-Men have appeared on the internet — Page #1, Page #2 — discussion about it is going on here. ‘Sunspot Activity. Manic Depressive mood swings; I feel like a Hindu Sex God, Jean.’ [via Plasticbag]
April 29, 2001
[more comics] Tim Bisley’s list of Top Ten Collected Comics‘Those are my fave reads of the moment. Whenever I get a coffee break from serving the great unwashed at Fantasy Bazaar, those are the books I take into the bog. However if I do not need the loo, I go into the storeroom and mutilate Jar Jar Binks dolls.’
April 28, 2001
[comics] Starman is wrapping up after seven years and eighty issues… Fandom has an interesting retrospective. ‘One of the best throughlines of the entire series that ties the past to the present, of course, was Jack?s relationship with his father, Ted Knight, the original Starman. The two began as near-opposites, but grew to like, respect, and finally love one another. It was, up until it?s end ? and even beyond, one of the most well-rounded father-son relationships in comics. Through Jack?s relationship with Ted, the elder Starman became a fully fleshed out character, rather than another suit from the ?40s. Ted had ambitions, flaws, dreams, and hopes. Resonating slightly throughout the Jack-Ted relationship was some of the relationship Robinson had with his mentor in comics, and original Starman editor, Archie Goodwin. Goodwin?s death in 1998 hit Robinson hard, and for a time, he was unsure if he would be able to finish what he had begun in Starman.’ [via GLITTERDAMMERUNG!]
April 27, 2001
[comics] Wonder Woman’s Powers — the Washington Post (WTF?) covers Phil Jiminez, Wonder Woman and her long dead creator William Moulton Marston. ‘When it comes to deconstructing Wonder Woman, how much of the day can anyone (should anyone) spend thinking only about her power cleavage, or being helpless in the cinch of her kinky golden lasso? Where else to begin? With a pencil. First, he sketches her face, then neck, bare shoulders. He then moves down to the double-W’s emblazoned across her thrust-out chest. For reference, Phil Jimenez keeps handy a three-ring binder of pages clipped from women’s lingerie catalogues and lady bodybuilder magazines. As the current illustrator and co-writer of DC Comics’ monthly Wonder Woman comic book, Jimenez comes to the task understanding, as a gay man, that his heroine is ultimately about so much more than her ta-tas.’ [via Haddock]
April 26, 2001
[comics] Grant Morrison updates his site… new column… New X-Men details… ‘The work should speak for itself I think but I hope people will enjoy the effort we?ve put into this posthuman soap romp. The series is very shiny and takes the X-Men to new places and to NEW extremes of body and mind. Brutal, fantastic and driven by cosmic angst…We?re emphasising some of the dormant hardcore elements of the Claremont/Byrne era and pumping them up to full volume. Ultra-violet light. Weird cruelty. Mental torture. Transformation. Alien empires. Stress. That kind of thing. I?ve tried to be very faithful to the ever-present darker undercurrents of my favourite X-Men era.’
April 22, 2001
[comics] Warren Ellis is interviewed by Fandom about the comic book industry and some new books he’s working on… ‘Patrick Stewart. Patrick bloody Stewart. Not really interested in comics, doesn`t know much about them other than the usual. Someone at his production company says take these, these two things you might be interested in. Now you can`t pry FROM HELL out of his hand and he`s written the introduction to the next TRANSMET trade paperback. Three years ago there wasn`t a comic in his house. He`s the audience we`re not reaching – an intelligent person who just wants to read something that makes his nerve endings crackle.’ [Related: Warren Ellis Website, Ordering Comics Site]
April 21, 2001
[comics] Custody Battle — Interesting article on Joe Simon and his legal fight to take back Captain America from Marvel Comics (who have claimed ownership since 1940). ‘Back in his day, Simon and his colleagues, writers and artists plying their trade in smoky office buildings, knew their audience: 12-year-old boys. They knew what they wanted: good guys in tights beating up the bad guys, who most often looked a lot like a guy named Adolf. But now, Simon says from his one-room apartment in Manhattan, “comic books are for, I dunno, the masturbation generation.” His laugh sounds like a train in the distance; his is a deep, New York voice that suggests a much younger man of sharp mind and sound body. “They all look alike–little boys with big guns and little girls with big boobs,” he says, and it’s hard to tell if he’s amused or disgusted.’ [via ComicGeek]
April 20, 2001
[comics] Comprehensive cover gallery from 2000AD… Some classic Dredd covers. [via Haddock]
April 19, 2001
[comics] Matt Wagner has a new “official website”.
April 18, 2001
[comics] After Tangent there can only be…. Dave Sim’s Guide To Getting Chicks! ‘I’ve found that, with a little practice, it’s easy to go without sex entirely. Now that you’ve tamed that female, let her go. She’s under the mental size limit. It’s catch and release at the ol’ Sim fishin’ hole. I’m perfectly happy doing my puzzle books and lots and lots of push-ups. In fact, I’ve found that by going celibate and not masturbating, the sexual urge is like a rash that goes away on its own. A dirty, sinful, bad rash. It’s ugly. I hate it! I scrub and scrub but the filth just won’t. come. OFF.’
April 17, 2001
[comics] Interesting interview with Kyle Baker at Silver Bullet Comics‘Television is designed for one thing: To sell advertising time. Television by necessity celebrates and incubates materialism. The goal of a television writer is to put an audience in a frame of mind favorable to buying the advertiser’s product. As writers, we are clearly instructed to avoid writing anything which may offend anyone. Phrases or situations that may seem tame or realistic to us are routinely cut from scripts because conservatives in the Midwest may be disturbed, and therefore may not buy detergent from the sponsor.’ [via Pete@Bugpowder]
April 15, 2001
[comics] McCloud Cuckoo-Land — Gary Groth looks at Scott McCloud’s Reinventing Comics. ‘What is most deficient about the 113-page section devoted to comics and the Internet is the level of critical intelligence on display, which is embarrassingly superficial: McCloud embraces all Internet and digital technology without reservation. The bibliography doesn’t allow for any books remotely questioning of the new world order. Every book about computers or the Internet (and there aren’t many, at that) is basically by a well-known cheerleader for the industry; no dissidents are allowed in the McCloudian world view. In McCloud’s jolly and affirmative presentation, the Internet is an instrument of comics’ (not to say the world’s) salvation and skeptics are dismissed as “cynics,” to whom McCloud may as well hang a “Do Not Enter” sign on the cover of the book.’
April 13, 2001
[comics] Great gallery of literary figures from various comic artists. Some favourites… H.P. Lovecraft by Chris Bachalo, Terry Southern by Bob Fingerman, Yossarian by Keith Giffen, and Stephen King by Ken Meyer Jr.
April 12, 2001
[comics] Dave Sim’s final word on gender issues…. Tangent. Discussion about Sim and Tangent is going on here. ‘I think he’s out of his mind, but it’s kind of fascinating. I think Dave should ditch the aardvark and do Chick-style comics, like the Crusaders. He could draw himself and Gerhard as agents for the top-secret Government team, T.A.N.G.E.N.T, trying to cripple the feminist/homosexualist axis before it takes control of society, by rallying all the Men in the world who want to defend their right to smack the ol’ lady around a little if she stops bringing those beers every 15 minutes during the NASCAR marathon. Ger could be depicted as a black “street-dude”, lending cred at Dave’s side and helping him sacrifice all the homos, dog-fuckers, and ugly virgins that come their way. And all this before breakfast!’ — Eric Reynolds on Sim.
April 11, 2001
[comics] A nice one page comic from Adrian Tomine…. First Date Signals.
April 10, 2001
[comics] Brian Michael Bendis interviewed from an Australian comic convention… ‘…so to come to a convention and see a room full of people all that just love comics, it makes you feel good about comics, it makes you feel like comics will always be around, there?s too many people around that want them for it to be otherwise. Also, in America, conventions can get a little? ?smelly?, whereas at this one everyone was clean, there wasn?t a lot of crazy people, it was very nice. People with jobs, futures, spouses, and there were kids at the show too, which you don?t get much of that in America, so that?s nice.’
April 4, 2001
[movies] Trailers for the Ghost World Movie (Modem, Broadband) from Dan Clowes and Terry Zwigoff. [via Comic Geek]
April 2, 2001
[comics] Another comic-related weblog ComicGeek. Looks pretty comprehensive…
March 31, 2001
[comics] Superheroes are evil ‘Let’s start with Superman. The Bible never mentions life in other planets. But Superman is not from Earth; he is from Krypton. This fact alone goes contradicts the Bible. And the horror continues. Superman is raised on Earth and grows up to become a superhero. People all over the Earth start worshipping this mysterious character. And where is Jesus in this picture? Superman never mentions God or Jesus. He is probably an atheist. And people in Metropolis see him as their Lord and Savior.’ [thanks Pete]
March 29, 2001
[comics] Who’s hotter? Grant Morrison or Warren Ellis? Let the fans decide…. ‘I suggest you take this down. Now.’ — Ellis. [via WEF]
[comics] Jack Chick vs. Freemasonary. There can be only one winner…. JESUS!
March 28, 2001
[comics] 90 Christian Comics Tracts by Jack T. Chick! on sale at Ebay…. ‘I remember … reading 70 tracts in one sitting and being completely convinced I had wasted my life and was going straight to hell. … It’s a truly powerful experience to have this guy yelling at you for 70 tracts.’ ? Dan Clowes, comic book artist. [Related Links: This Was Your Life!, Chick Publications]
March 26, 2001
[comic] Some great postings on Dave Sim Vs. Jeff Smith at the Comicon message board from industry insiders like Colleen Doran, Stephen Bissette and Rick Veitch…. Doran’s comments are particularly insightful (click on the linked pages and scroll down looking for postings from “Colleen”). Doran: ‘What is the essence of Dave Sim? What is at his core? This man wants to be history, not a footnote in history. He wants to be big. He wants to be important. He is terrified that Cerebus, his life’s work, the primary focus of his waking hours for decades, will be marginalized, dismissed, stuck on the back shelf. Dave’s immortality is Cerebus and he is terrified he will not live forever. He is apalled that others, whom he perceives to be less worthy, will. That includes people like Picasso and Hemingway.’ [Related Link: Cerebus Fan Site]
March 24, 2001
[comics] Disinfo has the transcript of Grant Morrison’s interview with Richard Metzger (which has on Channel 4 a couple of months ago). ‘WOOOOOOOOOW! Here we are! Right! Fuck man, I tell you when I was a kid I read Robert Anton Wilson and all this shit and here we are, we’re standing here, talking about this shit and it’s real! OK, I’m pissed (Holds up red beaker.) and in half an hour I’m gonna come up on drugs, so watch for it!(Audience laughter.) I guess, I don’t know, is there any practising magicians in the audience? Put your hand up if we got any? Yeah? Come on! (Puts his hand up.) Bold! OK, a few. OK, by the time we finish this you’re all going to be practising magicians. This shit’s easy right?’ [Related Links: Grant Morrison’s Website, TimeMachineGo, Barbelith]
March 21, 2001
[comics] Running A Publishing House Out Of The Front Room — a five page Alec comic from Eddie Campbell. ‘The Alec stories are, it can finally be revealed, the autobiographical escapades of Eddie Campbell himself. From Bill “Saturday” Knight in The Days Of The Ace Rock’n’Roll Club to Alec MacGarry, to the unmasked Eddie Campbell in the most recent work (appearing in the monthly Bacchus comic), Campbell manages to find in the minutiae of everyday life the source of grand entertainment.’
March 20, 2001
[comics] Master of the Universe — Wired has a great article about Neal Adams and his slightly off the wall ideas about science. ‘Adams has been fascinated by science for as long as he can remember, and he travels between disciplines like a car zigzagging on the freeway. For him, the notion of a growing Earth is just a starting point on the way to debunking not only a core principle of geology – plate tectonics – but the very underpinnings of geophysics, cosmology, particle physics, even Einstein’s assertions about the speed of light. If the Earth is growing, he insists, this means the total amount of matter and energy in the universe is increasing – which means matter is infinite, not finite like big bang theorists believe. Adams doesn’t even believe there was a big bang. It was more like a whimper, a birthing cry to herald what’s really been going on ever since: Matter is being created all the time, in astounding quantities. The Earth, the sun, the moon, the stars, the entire universe – it’s all growing. Not just expanding relative to one another through space. Growing.’
March 19, 2001
[comics] Popimage previews comics arriving in May. It’s Grant Morrison’s month as DC reprint some of Animal Man, Marvel reprint Marvel Boy and the new X-Men series kicks off. On Animal Man: ‘Grant’s run on the book was a serious high point in his career. He managed to merge politics, satire, superhero fun, and good old-fashioned Grant wackiness together without running the book off track or losing his readers attention. Good job reprinting this DC, lets just hope more DOOM PATROL is next!’
March 18, 2001
[comics] The Dave Sim Misogyny Page — the text of Cerebus #186… Hopefully, my final link about Dave Sim and Cerebus for some time. ‘I am alone, said Viktor Davis. I am not lonely. There is a big difference. I have not had a Merged Permanence in my life for five years. It took at least three of those five years for my brain to start functioning properly again. In the aftermath of being part of a Merged Void, all that is left for some time is Void Residue: Emptiness, Fear and Emotional Hunger. It is these three and the endless, fruitless search for a Permanent Cure that the Emotional Female Void calls Love. If you merge with that sensibility, you will share in its sickness. No matter what you pour into it, it remains empty; no matter how you reassure it, it remains afraid; no matter how much of yourself you permit it to devour, it remains hungry. If you look at her and see anything besides emptiness, fear and emotional hunger, you are looking at the parts of yourself which have been consumed to that point.’ [BTW, Merged Permanence = Loving Relationship in Bizzaro-Dave World.]
March 17, 2001
[comics] My Obsession With Chess — I’ve been meaning to blog this for ages — a terrific on-line autobiographical comic from Scott McCloud.
March 16, 2001
Image of Cerebus: 'Die alone, unmourned and unloved?'[comics] Dave Sim want to have a boxing match with Jeff Smith. ‘Having had a year to try to figure out how to explain this to a largely feminist, largely feminzed crowed I figure the best bet is a (may God forgive me) movie analogy: Do you remember in the movie The Color of Money, the sequel–make that, the “sequel”–to The Hustler where the Tom Cruise character tells the Paul Newman character that he “threw” their big championship game, so he could “clean up” on side bets? And the Paul Newman character corners the Tom Cruise character and challenges him to a game, a for-real game? And he says to the Tom Cruise character, “Let’s clean this up”? That’s what I’m doing here. You can’t “clean up” a mess like this in a circus atmosphere. Jeff, I am saying, flat out, that you have lied. In lying, you have made a mess–a non-masculine mess. You have made a mess. Publicly. Let’s you and me, man-to-man, clean up the mess that you have made. Privately.’ [Related Link:, Hey, kids!! It’s the Dave Sim Misogyny Page!]
[music] Guardian Unlimited interviews Damon Albarn and Jamie Hewlett about Gorillaz — their ‘Virtual Band’. ‘Tank Girl didn’t even make Hewlett rich. “I made some money,” he says. “You got screwed, mate,” Albarn tells him. “I didn’t get screwed, I mean, Jesus,” retorts Hewlett. “The comic industry just collapsed. But we got to spend the best part of a year hanging out in LA. And we got paid a big lump of cash for it.” Despite a good deal of hype, the 1995 film starring Lori Petty bombed. “I think we always knew it was going to be dreadful.”‘ [Related Link: Gorillaz Website]
March 13, 2001
[comics] The Trials of a Comic Book Hero. Proof that what goes around comes around — Stan Lee gets fleeced… ‘The white-haired comic book legend may be the head of an Internet entertainment startup, but he still hasn’t quite figured out how to work his computer. “This is how you save a file,” the twentysomething assistant begins. “And I double-click?” Lee asks. “No, you only have to click once.” Lee’s naiveté would be touching if it weren’t symptomatic of a potentially bigger problem: gullibility.’ [via Comics Journal Message Board]