“Did you see the look on her face when I suggested that the whole Cirinist/Kevillist agenda is to smother the light of reason in the dark of emotion? She had absolutely no answer!”

“Dave, that’s the last time I introduce you to my mother.”

Throughout the brief phone call, Bogen repeatedly said “uh-huh” as he scanned the story that showed Swamp Thing ripping gigantic, finger-like roots from the earth and causing the lake to empty out and wash away the vampires in a rush of water.

“Yes, I am listening,” added Bogen, focusing entirely on Alan Moore’s prose, which switched the point of view to the pained thoughts of the vampires as the surging water peeled the rotted flesh from their skeletons. “Of course I want to hear about it.”

“Tell me when you get home,” Bogen added.

Q: You’ve always refused to put your name to film adaptions of your work. I know this is going to be hard to put a figure on, but how much money do you think you’ve turned down, for taking a moral standpoint on this?

Alan: Well, they asked me if they could give me a huge amount of money to bring out these Watchmen prequel comics – which they were going to do anyway – and that was probably a couple of million dollars. I should imagine with all of the films it would be another few million? In a way it’s really empowering to do that.

You can’t buy that kind of empowerment. To just know that as far as you are aware, you have not got a price; that there is not an amount of money large enough to make you compromise even a tiny bit of principle that, as it turned out, would make no practical difference anyway. I’d advise everyone to do it, otherwise you’re going to end up mastered by money and that’s not a thing you want ruling your life. Money’s fine if it enables you to enjoy your life and to be useful to other people. But as something that is a means to an end, no, it’s useless.