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[moore] The 21st Century Hasn’t Started Yet: An Interview With Alan Moore … a recent interview in full from the Irish Times … ‘So, with the film work, I am trying to have that same sense of inventive fun in the film medium, and with the case of Jerusalem, trying to bring that to the novel. Yes, I have said that one of the great beauties of comics is that anyone with a pencil and paper can make a comic strip, however, I’d have to say that while that is still true, unadorned English prose seems to be more miraculous still, in that there are no pictures. 26 characters and a peppering of punctuation, and from that you can do anything, you can describe anything in the conceivable universe.’

[horror] ‘Creepypasta’ is how the internet learns our fears … fascinating look at how the internet crowd sources horror stories and memes … ‘Effective horror, after all, has little or nothing to do with gore or body-counts. ‘Atmosphere is the all-important thing,’ wrote Lovecraft, ‘for the final criterion of authenticity is not the dovetailing of a plot but the creation of a given sensation.’ This is the only test of weird fiction that matters: can the work excite, at its least mundane point, a particular emotional response, ‘a profound sense of dread, and of contact with unknown spheres and powers’? Creepypasta represents a kind of industrialised refinement of this art. It is a networked effort to deliver dread in as efficient a way as possible, with the minimum of extraneous matter. Like pornography, it is single-minded in its pursuit of a particular response.’

‘Though it didn’t sell well when first released, Ronin has never been out of print and has continued to gain accolades from fans and pros alike. It’s now seen in its rightful light: as an audacious, bold attempt by a young creator to step outside of his comfort zone. Many praise Miller’s daring and smart storytelling, while also praising his “fusion” art style. The love story at the center of the book also merits attention for its wonderful sweetness and intriguingly kind approach to the couple.’

[docu] Is the Art World Responsible for Trump? Filmmaker Adam Curtis on Why Self-Expression Is Tearing Society Apart … another interview with BBC documentary maker Adam Curtis … ‘I believe you can be clever whilst also being very clear and imaginative for ordinary people. You can do it by being funny sometimes, by using music that people like, and by writing very simply and very clearly. But you can’t make ordinary people out to be chumps—I come from a working class community, and I know they’re really clever. They may feel completely isolated and fed up and pissed off, but they’re not stupid. They’re angry, and they were given a giant, big button that said “Fuck off” on it, and they pressed it. And I think the same thing happened in the Midwest, in your country. They didn’t believe Trump’s stories, they were just given this button—and they pressed it.’

[crime] JonBenét Ramsey: the brutal child murder that still haunts America … ‘Parent-blaming is all-too-common these days, and usually the point is to make other parents feel better about their own parenting skills. But in cases such as that of JonBenét, something else is going on. By demonising parents who have suffered a terrible trauma, the rest of us can reassure ourselves that they are different from us: those parents are flawed, even evil, and we are good and therefore our child will never go missing – in Kos, in Praia de Luz, from our house in the middle of the night – like theirs did. The rush to blame JonBenét’s parents can also be partly put down to the public needing to reassure themselves that, contrary to what the Ramseys said, killers don’t break into houses and murder children where they should be most safe. That only happens when the parents themselves are killers. And yet.’

[people] Lessons from My Father … Powerful piece of writing from Joe McGinniss, Jr. on the downfall of his father … ‘The subject of his book “Fatal Vision,” the convicted murderer Jeffrey MacDonald, upset that the book portrayed him as guilty of the crime, sued my father for fraud. The contract for the book granted my father the freedom to tell the story as he saw fit, but the jury deadlocked anyway, and a mistrial was declared; the case was settled out of court a few years later. A few years after that, a famous piece in The New Yorker, “The Journalist and the Murderer,” by Janet Malcolm, took the case as emblematic of the moral compromises made by writers. Few in the publishing world came to my father’s defense. His reputation was in tatters, and he wondered aloud whether he’d ever write another book. If he’d ever crawl out of the dark black pit of depression. If he’d see fifty-five, sixty? His freezer was filled with bottles of gin and vodka. He’d pour drinks and stir them with an index finger, suck it dry. Have a bottle of wine at dinner, a second. Then he’d call. If I answered, it was to listen, and I knew before he completed his first sentence.’

[trump] Donald Trump named NewsThump’s “Resource of the Year” … … ‘We’re looking forward to writing even more wonderful bits of copying and pasting of whatever lunacy he’ll come up with when he’s actually President, assuming he doesn’t get shot, imprisoned or simply become bored of the idea of being president in the meantime. I really hope he doesn’t get shot. He’s essentially paying to do up my conservatory at this point. I have a conservatory, you know. All of us liberal elites do.’

[comics] Cartoonist Joe Matt’s porn problem follows him to Los Angeles / Boing Boing … Good to see that Joe is unchanged! …

[mystery] The Unsolvable Mysteries of the Voynich Manuscript … decoding the hidden meaning of a famous coded medieval manuscript … ‘Readers will probably never stop forming communities based on the manuscript’s secrets. Humans are fond of weaving narratives like doilies around gaping holes, so that the holes won’t scare them. And objects from premodern history—like medieval manuscripts—are the perfect canvas on which to project our worries about the difficult and the frightening and the arcane, because these objects come from a time outside culture as we conceive of it. This single, original manuscript encourages us to sit with the concept of truth and to remember that there are ineluctable mysteries at the bottom of things whose meanings we will never know.’

[politics] What Theresa May’s Christmas plans tell us about her faith … brief examination of Theresa May’s religious faith from The Guardian … ‘There are two times a year when politicians talk about faith – Christmas and Easter. No one would listen at any other time.”’

[tube] Mapped: Fictional Stations On The London Underground … impressive list of fake tube stations from Londonist … ‘Hobbs End featured in the cult horror film Quartermass and the Pit. It was a new station on the Central line that became the nexus for some spooky goings-on (‘hob’ being an old word for the devil)’

[comics] The Northants Herald and Post published it’s final issue yesterday and included the final episode of Alan Moore’s Maxwell the Magic Cat…

Maxwell the Magic Cat - Final Episode

[music] Looking for the Beach Boys … Ben Ratliff analyses the Beach Boys… ‘The narrators of Beach Boys songs used their time as they liked: amusement parks, surfing, drag racing, dating, sitting in their rooms. Listeners through the mid-Sixties —I wasn’t there—must have responded to the way ordinary leisure and ordinary kicks could be enshrined by a cool, modern, prosperity-minded sentimentality. (Something similar had happened with bossa nova in Brazil, four years before the Beach Boys made their first records.) After that, listeners may have seen the paradox inside the Beach Boys’ music as a whole: the drive to be a man, to know the score, to win in small-stakes battles—the animating force of “Shut Down” and “I Get Around”—versus the drive to retreat and regress or live in a world of one’s own invention, which is the drift of Pet Sounds and SMiLE.’

[trump] The unholy power of that Farage-Trump buddy photo … Jonathan Jones on the meaning of the Donald and Nigel lift photo … ‘The sheer freakishness of the image enhances its grip on us, for we can’t stop staring at this monstrously matey exchange of bonhomie in a lift lined with gold. Trump’s almost beatific post-electoral grin is matched by The Nigel’s starstruck guffaw. They’re high rollers headed for the penthouse, where the casino has provided them with entertainment for the night – or whatever other cinematic image comes to mind. To me, this is somewhere between a Martin Scorsese film and a scene from the heyday of the Third Reich. Hermann Goring would have loved that gold elevator. But if this year has taught us anything, it is that you can’t assume your revulsion is universally shared. Maybe to many this is a gleeful, and even joyous, picture of two buddies having a well-earned celebration.’

[tech] Secrets of the Little Blue Box … the text of Ron Rosenbaum’s fascinating 1971 article from Esquire magazine of his investigation into early phone phreaking … ‘People like Gilbertson and Alexander Graham Bell are always talking about ripping off the phone company and screwing Ma Bell. But if they were shown a single button and told that by pushing it they could turn the entire circuitry of A.T.&T. into molten puddles, they probably wouldn’t push it. The disgruntled-inventor phone phreak needs the phone system the way the lapsed Catholic needs the Church, the way Satan needs a God, the way The Midnight Skulker needed, more than anything else, response.’

[trump] It can happen here: But has it? The 1933 scenario is no longer hypothetical … Salon on President Trump and What Happens Next … ‘The whole scenario remains deeply ludicrous, although it long ago stopped being funny. It more closely resembles a plot twist in an Alan Moore graphic novel than anything any of us expected to see in the real world: A reality TV star and real estate salesman with the demeanor and intellect of a petulant child has been elected president with a minority of the vote, thanks to a flukey electoral system, a severely divided and demoralized electorate, a beleaguered and overconfident opponent and a concatenation of other circumstances too strange for fiction.’

[fascism] Umberto Eco’s List of the 14 Common Features of Fascism … ‘The obsession with a plot. “The followers must feel besieged. The easiest way to solve the plot is the appeal to xenophobia.”’

[web] Archiving a Website for Ten Thousand Years … on the longevity of time-capsules and archiving websites … ‘A time capsule is bottled optimism. It makes material the belief that human beings will survive long enough to retrieve and decode artifacts of the distant past. In 1938, during the planning stages of the Crypt of Civilization, Jacobs dedicated the vault’s massive steel door. His remarks exhibited an expansive vision: “Today we can place articles in the crypt and nothing can keep them from being readable a million years from now.” By 1940, Jacobs’s tone had changed, stifled by the rise of fascism and America’s entry into a global war. At the ceremony to seal the vault, he made a very different statement: “The world is now engaged in burying our civilization forever, and here in this crypt we leave it to you.” His speech was recorded and placed in the vault before it was sealed.’

[documentaries] From Weiner to Making A Murderer: this is the golden age of documentaries … an look at recent documentaries worth watching … ‘In the last decade, all that’s been turned on its head, as a handful of factors have conspired to render non-fiction film-making the liveliest pocket of the cinematic coat. For one thing, the films themselves – singular creations such as The Arbor, Citizenfour and Banksy’s Exit Through The Gift Shop – have fought tooth and nail to expand not just their audiences but their horizons. They’ve rejected the insipid library music and staid talking heads of yesteryear and instead borrowed from the rainbow of stylistic devices available to dramatic film-makers. Technology has also levelled the cinematic playing field. As more and more films have left the cinema and arrived in our homes, or on our phones, documentaries have been spared the Sisyphean task of competing with the latest Marvel Studios megalith for each potential ticket sale. Instead, fiction and non-fiction are now thrown together on low-cost subscription services that draw no distinction between the two.’

[crime] Framed – She was the PTA mom everyone knew. Who would want to harm her? … an engrossing long-read about a suburban middle-class Mum and Dad’s attempt to destroy another parent at the school their child attended …

“I want you to use that big brain of yours, mouth closed, listen,” Brannon told him. “At some point during this conversation you’re going to have to make a big-boy decision, and that’s gonna be on you.”

In the age of computers and technology and cell phones, Brannon said, “Big Brother’s always watching. We’re absolutely not the smartest guys in the shed, OK? But we can follow the dots from one to the next to the next.”

They knew, he said, that Easter’s phone had been pinging in the middle of the night near Peters’ apartment. And if there was DNA on the drugs in Peters’ car, they would find it.

Brannon said, “I would hope and pray for your sake that there’s a big light going off, big bells going off. Knowing what I just told you, is there anything that you would like to add to your statement to me, whether retracting or adding anything to your statement?”

“I would like to get a lawyer.”

“That’s the big-boy answer.”

[politics] Bruce Sterling’s Notes on the 2016 US Election … ‘This is the Pandora’s Box of twenty-first-century politics, these rumor politics of modern power players organized for disruption, wherein the lines of play are drawn far outside the twentieth century’s staid political parties and its Fourth Estate of journalism. And, since it helps campaigners to seize power fast and cheap, it’s bound to get more like this, rather than less. Silicon Valley would call this a disruptive hack, since it undercuts debates, ground games, TV ads, and other expensive, tedious camp.’

[cthulhu] Look, All I’m Saying Is Let’s At Least Give Nyarlathotep A Chance … ‘But the die has been cast, and we’ve gotta roll with what we’ve been given. Like it or not, Nyarlathotep — God of a Thousand Forms, Stalker Among the Stars — is our Commander-in-Chief now. And you know what, Jerry? Color me curious. I know a lot of really heated rhetoric and seemingly reckless policy proposals have been bandied about over the past few months — that bit about “delighting in this dust speck you call Earth’s senseless suffering” still bugs me — but hey, the least we can do is see how He adjusts to His new responsibilities.’

[memes] The Origin of the Internet’s Most Famous Dumpster Fire … the orgins of a popular meme during the US election … ‘The world’s most famous dumpster fire came from this YouTube video, which identifies the fire as being located behind the official home of The Oscars: the Dolby Theatre in Hollywood, Calif. “Engine 27 makes quick work of a large dumpster fire,” the video caption says. So what exactly happened on this fateful day in 2012?’

[comics] “You know, honey… …we never talk…”

"You know, honey... ...we never talk..."

[movies] Nicolas Cage’s 50 Best Movies, Ranked By Greatness … ‘Bringing out the Dead: Martin Scorcese directs Cage in a film written by Paul Schrader. Yes, it’s really good.’

[comics] Midlands metaphysics … The Financial Times reviews Alan Moore’s Jerusalem … ‘Unquestionably Jerusalem is Moore’s most ambitious statement yet — his War and Peace, his Ulysses. The prose scintillates throughout, a traffic jam of hooting dialect and vernacular trundling nose-to-tail with pantechnicons of pop culture allusion. Exploring a single town’s psychogeography with a passionate forensic intensity, Moore makes the parochial universal, the mundane sublime and the temporal never-ending.’

[comics] 95-year-old Mad cartoonist Al Jaffee: ‘The world is full of bloviators’ … ‘I noticed that what was becoming popular – and it might have been the Playboy magazine started it – but even household magazines like Life magazine and National Geographic started to have these elaborate full-color fold-outs, and it immediately clicked in my mind that if they’re doing all of these sumptuous fold-outs, Mad ought to do a cheap, black-and-white fold-in. I walked into the editor and I said to him, “Al, you’re not going to buy this because it would mutilate the magazine but I just thought I’d show it to you for the fun of it.” He grabbed it and ran in to the publisher’s office, came bouncing back in about five minutes, and said: “Bill loves the idea. Do it, and if it mutilates the magazine, the kid’ll buy a second one for his collection.” Ever the money man.’

[life] Current Status…

[aircrash] What Happened to Eastern Airlines Flight 980 … fascinating aircrash cold case – about a 1985 crash into a Bolivian mountain … ‘We see an astonishing number of contraband crocodile and snakeskins, which were probably being smuggled to Miami to be made into black-market goods like shoes and handbags. Dan gets on the radio to tell us that he found a roll of magnetic tape. “This is either from one of the black boxes,” he says, “or it has a great 1985 movie on it.” Isaac and Dan also both find a few chunks of orange metal, which is exciting because—despite the name—flight recorders are painted international orange to help investigators locate them. But the pieces seem too trashed to have come from supposedly indestructible boxes…’

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