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London Bloggers [Comic Blogs][Other Blogs] | 28 December 2001
[comics] Ultimate interview Team-Up — interview with Brian Michael Bendis and Jim Mahfood … Bendis on the Internet: ‘I’m sick of these cowardly little weasels on the Internet, that are spewing hate towards books that they probably haven’t read in the first place, or have some agenda. That shouldn’t part of our job to deal with this. [..] We are the first generation of comic book creators that have the Internet to deal with. Could you imagine the shit that Watchmen would had to have taken if the Internet was around then? All the nonsense and whining about the series, when in reality it would have been only twelve guys saying those things…’
[comment] Is Bin Laden a Pisces – or is he Cancer? … ‘So far there has been comparitively little debate about the fact that all the world’s astrologers appear to have missed any auspices pointing towards cataclysmic events and vast numbers of dead on a day which, it seems to be generally agreed, changed the course of history. While the security services were immediately condemned for their ignorance, the reputation of astrologers, who have no need of Arabic, bravery or subterfuge to interpret their celestial hints, has escaped intact, not even faintly stained by this awesome demonstration of occult incompetence. While the astrologers’ failure will not surprise anyone acquainted with the essential idiocy of their occupation, or deter the millions who rushed out to buy the predictions of Nostradamus after September 11, you might think it would lead to a little self-examination among practitioners. Not a bit.’
27 December 2001
[xmas] plasticbag.org: ‘The world outside Norfolk can go fuck itself for one week.’
[911] All change? … Has the world changed in the wake of September 11th? ‘The question is, did that day cut a line through history? Were the days that came before it, as Blake Morrison wrote in the Guardian later that week, “the last week of the world as it was”? In other words, will it be a day like September 3 1939, or August 4 1914: all change, and no going back. Or a day like June 28 1914, when a Serbian nationalist knocked off the heir to the Austro-Hungarian throne, Franz Ferdinand, and for a month Vienna and Berlin debated what to do? Or merely a day like April 12 1912, when the Titanic went down, 1,500 dead? Many people, especially writers and other preachers, chose to see the last as a massive symbol of hubris, God or fate teaching over-confident “western civilisation” a lesson, rather than as – the true case – a marine accident which changed nothing other than safety regulations for ships and the career of Leonardo DiCaprio.’
24 December 2001
[linkmachineSTOP] Happy Christmas. Next update will be when I’m bored of it all — probably just after The Great Escape finishes on Christmas Day… :) [Related: Great Escape on IMDB]
[tvgohome] Charlie Brooker’s alternative Christmas Day TV listings… ‘9.30 I Love the Succession of Glittering Images Which Distract and Amuse Yet Ultimately Do Little to Quell the Boundless Sadness at My Core.’
[quote] “What’ll it be next? Choice extracts from the Oxford Dictionary of Quotations? Trotting out the Nietzsche and the Shelley to dignify some old costumed claptrap? Probably. Sometimes you wonder, in an interconnected universe, who’s dreaming who?” — Grant Morrison (1989)
23 December 2001
[wtc] Only Love and then Oblivion — Ian McEwan on 911 … ‘If the hijackers had been able to imagine themselves into the thoughts and feelings of the passengers, they would have been unable to proceed. It is hard to be cruel once you permit yourself to enter the mind of your victim. Imagining what it is like to be someone other than yourself is at the core of our humanity. It is the essence of compassion, and it is the beginning of morality. The hijackers used fanatical certainty, misplaced religious faith, and dehumanising hatred to purge themselves of the human instinct for empathy. Among their crimes was a failure of the imagination.’
[2001] The Observer reviews 2001 … ‘On 10 September, 2001, the front page of London’s Evening Standard was filled with the news that Kate Winslet had denied canoodling with someone somewhere. On that same day, the headline in the New York Daily News was “Kips Bay Tenants Say: We’ve Got Killer Mold”.’
[war] Suddenly, he was gone — Where in the world is Osama bin Laden? ‘Getting information about bin Laden’s movements is not difficult. Getting reliable information is the problem. ‘There’s one [report] every day, or many every day. It’s like Elvis sightings,’ said one exasperated US intelligence official.’
22 December 2001
[comment] In the ruins of the future — Don DeLillo on 911. ‘Technology is our fate, our truth. It is what we mean when we call ourselves the only superpower on the planet. The materials and methods we devise make it possible for us to claim our future. We don’t have to depend on God or the prophets or other astonishments. We are the astonishment. The miracle is what we ourselves produce, the systems and networks that change the way we live and think. But whatever great skeins of technology lie ahead, ever more complex, connective, precise, micro-fractional, the future has yielded, for now, to medieval expedience, to the old slow furies of cut-throat religion. Kill the enemy and pluck out his heart.’
21 December 2001
[tv] What I’ve Learned — the wit and wisdom of Homer J. Simpson … ‘What kind of fool would leave a pie on a windowsill, anyway? ‘ [via Sore Eyes]
[xmas] Check out Marcia’s Crappy Crimbo Cards … ‘Bah, humbug.’
[war] Coming to a Mall Near You: Just War … ‘We don’t manufacture much of anything; just war. We don’t concern ourselves with education; just war. We don’t attend to the 40 million Americans without health coverage; just war. We don’t focus on the 30 million American children living in poverty; just war. We don’t support the arts; just war. Even though a multitude of human needs were in existence prior to September 11, and have only increased since then, we continue to direct our attention and our resources into what we do best: war. Just war.’ [via Haddock]
20 December 2001
[comics] Reining in a Dark Horse — long, interesting interview with Diana Schutz … On Dave Sim: ‘What do I believe? I believe that Dave is an extraordinary human being, extremely talented and that means that he deviates from the norm. Is he fucking nuts? Any more than any other artist? I don’t know. I think he’s very, very serious about his interests and his beliefs. When he focuses on something, it tends to consume him. […] Even back in the day when I was talking to Dave on a regular basis, his thoughts moved in very different ways from most people. Not necessarily wrong, just differently. Which is often a sign of genius. I’m not a psychologist. I have no idea. I think he’s a remarkable person, extremely different from the norm, which makes him both unusual and interesting. Is he fucking nuts? Got me.’ [via Cerebus Mailing List]
[movies] A couple of distracting film trailers —
19 December 2001
[comics] Moore and Hayter Talk About Watchmen — brief mention of discussion regarding a proposed Watchmen Film … Moore: ‘Watchmen was designed as a showcase of things that comics are capable of but aren’t so easy to achieve in any other medium. […] With a comic, you can take as much time as you want in absorbing that background detail, noticing little things that we might have planted there.You can also flip back a few pages relatively easily to see where a certain image connects with a line of dialogue from a few pages ago. But in a film, by the nature of the medium, you’re being dragged through it at 24 frames per second.’
18 December 2001
[comics] Time Magazine on the Best Comics of 2001 … On The Golem’s Mighty Swing: ‘Astonishingly, the book feels like the best baseball games: a seat-gripping drama made up of little dramas, all of which add up to something greater than just a game. Nostalgic without being saccharine, the art has the look of old baseball cards put together to tell a story.’ [via Warren Ellis Forum]
[comics] The Canny ‘X’ Men ‘”Was he not an alcoholic?” Morrison interjects. “I always thought he was called Iron Man because he had an iron liver. But that’s what I’m doing with the X Men. Taking them back to the basics. For example, Cyclops, Wolverine, you can tell what these people are just by their names.” Millar agrees. “That’s all I’ve tried to do is make things what they were. I’ve tried to strip them back…” “Naked X-Men!” says Morrison. “Eww. Would Cyclops’ eye beam out of anywhere else?” ponders Millar. “His arse? Arseclops?”‘ [via I Love Everything]
17 December 2001
[war] Bin Laden trail goes cold … ‘Commander Zeman insisted the ground forces attacking al-Qaida had located the terrorist overlord’s cave. When asked what it looked like, he replied: “It looked like a cave.”‘
[wtf] John Walker — American Taliban and Comic Collector … ‘Everything is mint condition except for the What If 23, and Daredevil 318 which are slightly bent in the lower right corners. These are the asking prices, but I will consider any reasonable offers.’ [Related: DD #318 and What If #23 on GCD]
16 December 2001
[comics] Grant Morrison talks about his plans for the New X-Men in 2002 … Morrison on issue #121 : ‘As you probably know, this sees Jean and Emma venture together into the brain of Cassandra Nova… where Charles Xavier’s consciousness is imprisoned in a symbolic landscape. Frank’s work is breathtaking… some sequences are like watching animation unfold on the page. Frank has an early-Disney-gone-bad element to his style which I love and this issue was written to really highlight that. Every page is a masterpiece of design and drawing. PLUS: Emma’s naked in this ish! AND Jean Grey is covered in sperm. And before the inevitable outcry, I hasten to add that Jean’s immersion in semen is entirely tasteful and essential to the storyline…’ [via Barbelith]
[war] Al-Qaeda loses itself in dream world — brief look at the “dream world” of a terrorist network. ‘… the dreams of bin Laden’s followers are more rooted in a perverted surrealism than the study of Islamic history or tradition. While the surrealists used dreams to enrich reality, the fundamentalists pursue their dreams to abandon it altogether. For bin Laden and company the reality of the modern world is a chaos where soccer, aircraft, skyscrapers, moonlight deserts and pilots converge. They reject it to build a new ontological structure, this time made of bits of modernity and antiquity, nature and artifice; magical realism and a fascination with gadgetry.’
15 December 2001
[distraction] Osama Smoking Gun Video — the latest translations … ‘UBL: Phil’s nowhere to be seen and Peggy’s left to run the Queen Vic Over Christmas.’ [via Metafilter]
14 December 2001
[tv] Dom Joly talks about his Home Entertainment … ‘We used to look at all those CCTV cameras and wonder who watched them, so we did things in front of them like mock executions of dogs. It wasn’t very funny so we slo-mo’d it, to give it pathos, then we put Passengers by U2 and Pavarotti on it and it worked. The music gives Trigger Happy totally undeserved depth – we can even drag a tear out of someone occasionally.’
[comics] Following on from an earlier post… the official transcript of the Newsnight Review on Jimmy Corrigan … Miranda Sawyer: ‘I like the pictures.’ [via Bugpowder]
[comics] Reefer madness — The Furry Freak Brothers Strike Back … ‘…they live in a state of blissful torpor relieved only by bursts of paranoia or stimulant-induced frenzy. As such, theirs is a world as edenic as anything imagined by Wodehouse, albeit with references to the Birch Society, Richard Nixon, and other 1970s cultural signifiers. They age at one-fifth of the rate the outside world does, yet by the end of this volume they are already dinosaurs, grumbling with distaste at the punk rockers who mock them as stupid old farts.’
13 December 2001
[tv] When Louis met Granny — the Guardian on Louis Theroux and Christine Hamilton’s Mum … ‘”I don’t like it. You want to make money from the media, but not in this sleazy manner,” said Christine’s mother to her daughter (she barely spoke to Neil at all, except to denigrate his spoken English). “It might be good for them,” interjected Theroux. “It’s good for you, it’s not good for them,” she flashed back.’ [Related: www.neil-hamilton-is-innocent.com]
[comics] Scott McCloud’s 24 Hour Comic Site — an old comic project finds a home on the web … ‘To create a complete 24 page comic book in 24 continuous hours. That means everything: Story, finished art, lettering, colors (if you want ’em), paste-up, everything! Once pen hits paper, the clock starts ticking. 24 hours later, the pen lifts off the paper, never to descend again.’ [via WEF]
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