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[apollo] How a long-gone Apollo rocket returned to Earth … The story of an asteroid that turned out to be a Apollo rocket from 1969. ‘They made a startling discovery: J002E3 appeared to be covered in paint – specifically, white, titaniumoxide (TiO2) paint. According to Kira Jorgensen Abercromby at California Polytechnic State University, who also studied J002E3 while at the Air Force Maui Optical & Supercomputing observatory, “What we saw were features in the spectral data that matched other upper-stage rocket bodies launched during a similar time frame [to the Apollo missions] and the data also matched typical features found in organic paints that looked like TiO2.” This information pointed toward a very specific object as the identity of J002E3: a spent third stage from an Apollo-era Saturn V rocket, which were historically covered in this specific kind of paint.’

[comics] An oral history of Carol Kalish: the most important comic book figure you’ve never heard of … Remembering the influential marketing exec at Marvel. ‘What she did was just bring sensible business practices to an industry that, when she started, largely worked out of cigar boxes. She modernized the comics industry in a lot of ways.’

[fun] This Meme Does Not Exist… Memes generated by A.I. almost work. Almost.

[covid] The Coronavirus and Our Future … Kim Stanley Robinson on the Coronavirus. ‘I’ve spent my life writing science-fiction novels that try to convey some of the strangeness of the future. But I was still shocked by how much had changed, and how quickly. Schools and borders had closed; the governor of California, like governors elsewhere, had asked residents to begin staying at home. But the change that struck me seemed more abstract and internal. It was a change in the way we were looking at things, and it is still ongoing. The virus is rewriting our imaginations. What felt impossible has become thinkable. We’re getting a different sense of our place in history. We know we’re entering a new world, a new era. We seem to be learning our way into a new structure of feeling.’

[scarfolk] Scarfolk Council: Beer Mats of the 1970s … Beer Mats from Scarfolk pubs as they reopen.

[comics] The Wreckage Part One | Part Two … Engrossing long read on Grant Morrison’s Doom Patrol. ‘So I guess I’m talking around the problem, said problem being – these comics don’t sit as easily as they might once have, for a number of reasons. They don’t seem so radical, for one thing, now that all their best moves have been copied by subsequent generations. It seems like these book have a lot of something that was very, very cool in 1990 and thereabouts, but which really isn’t quite the same thing precisely as “cool” in 2019. And it’s not like it’s uncool exactly, but nether is it the rather deathless 1960s Batman show, the virtues of which seem more and more enduring with every passing year, as we see that camp silliness was never really something anyone hated but self-righteous nerds. Stuff that purposefully eschews any attempt to be cool often ages better…’

[comics] Alan Moore’s Supermen…

[comics] Grant Morrison Batman Reading Order … I’ve been trying to work out the reading order of Grant Morrison run on Batman and Final Crisis – It’s complicated.

[books] We Can’t Ignore H.P. Lovecraft’s White Supremacy … Powerful look at Lovecraft’s racial bigotry, comparing with racism today. ‘But the need to “save” a man dubbed the “horror story’s dark and baroque prince” by Stephen King is itself questionable. His legacy is firmly planted. His cosmology sprawls from popular culture to niche corners of scholasticism. Complaints of a potentially tarnished reputation are more concerned with bolstering the illusion of Lovecraft as a sacrosanct figure. Even further, to divorce his racism from his literary creations would be a pyrrhic victory; what results is a whitewashed portrait of a profound writer. And from a criticism standpoint, what’s lost is any meaningful grappling with the connection between Lovecraft’s racism and the cosmic anti-humanism that defined his horror.’

[comics] Milton Glaser and the DC Bullet … Todd Klein analyses the symbol designer Milton Klein created for DC Comics in the 1970s. ‘DC was still using letterpress printing for all their comics. Glaser’s design, with it’s thin lines and thin white spaces, looked great at a larger size, but comics printing wasn’t really up to making it work well at the small size used on covers. In the 1980s DC began gradually transitioning away from letterpress to offset printing with much better and more accurate presses, and then the original DC bullet would have worked fine.’

[space] Happy Little Crater on Mercury … Somewhere else in the solar system for Dr. Manhattan to visit.

[comics] JAKA’S STORY: What It Was in 1988, and What Cerebus Used to Mean … A melancholy look at Cerebus and the fall of Dave Sim. ‘MELMOTH was spent talking about the illness and slow death of Oscar Wilde, at a time people were still dying regularly from AIDS and little was even being tried to stop it. It was deeply sensitive and empathetic. And I still see nothing insincere in Dave’s empathy and affinity to Oscar Wilde, both in the more fictionalized version of Oscar here, who is never not entertaining, but also MELMOTH where it’s virtually the real man himself. That’s what makes later on so baffling.’

[hertzog] Werner Herzog: ‘I’m fascinated by trash TV. The poet must not avert his eyes’ … Herzog interviewed during lockdown in Los Angeles. ‘The director sits bolt upright inside his book-lined study. His glasses are perched on the bridge of his nose. His fleece is zipped to his chin. “Your face has stuck,” he announces with disgust. “You will have to hang up and dial the number again.”’

[mcsweeneys] Just Because They’ve Turned Against Humanity Doesn’t Mean We Should Defund the Terminator Program … ‘Meanwhile, members of the Resistance are gathering support for extreme measures like disbanding the entire Terminator program and then restructuring it so that only Terminators that have been re-programmed to protect rather than harm people are brought back online. But what exactly are we supposed to do in the meantime? Who will keep our country safe if not these beefy robotic soldiers trained in killology (Cyberdyne’s patented split-second decision making murder algorithm) who, admittedly, do sometimes turn against civilians and go on unstoppable rampages of human carnage?’

[comics] 10 Questions: Chip Zdarsky Interviews Annie Nocenti … Fascinating discussion about Daredevil between the current and former writer of the comic.

[chernobyl] The Age of Forever Crises … This analysis of the nuclear disaster at Chernobyl seems somehow relevant during Covid-19. ‘Chernobyl, in this sense, is a crisis that has never stopped unfolding, or as Brown puts it, it is a calamity “with no perceptible end.” It is just as much an environmental disaster as a crisis of information; Cold War politics prevented the free exchange of scientific knowledge, making a bad situation infinitely worse. Brown explains how, in 1986, Russian scientists asked UN officials for “precise information” about how the “Life Span Study” of Japanese survivors of the nuclear bomb was carried out; they were instead presented with data about a chemical explosion in Italy.’

[alien] The Horrifying Adventures of Xeno-Morph …

[movies] My favourite film aged 12: Aliens … I think we can all agree that Aliens is a great film whatever age you are. ‘Rewatching it over the years I’ve only come to appreciate Aliens more. It remains a masterclass in building tension: we don’t actually see an alien until the hour mark, and when we finally do it’s in a bewildering frenzy of bodycam panic. The scene with Ripley and Newt (the girl Ripley finds living feral on a base long since overrun by aliens) trapped in a laboratory with a scuttling face-hugger is still a bum-clenching ordeal. Paul Reiser’s smarmy, flop-sweat-slick company man, Burke, has become ever more punchable with every passing year. And Ripley overcoming her prejudices to accept the android Bishop as a friend is more touching now than it ever was.’

[bignumbers] The Meaning of Big Numbers … Some interesting analysis of Big Numbers plot and what it might have meant. ‘If there’s mathematical order in the apparently chaos of these divinely beautiful fractal images, and we buy the theory that there must then be mathematical order and divine beauty to life, too, just an order too grand for us to comprehend (sure enough, the chaotic soup of unconnected human interactions in this story seem to end up giving the good people what they want, and punishing the bad people)… then perhaps letting a numerical system take over our life isn’t so different to our present existence. Perhaps there’s a divine beauty in that that’s beyond our comprehension, too. Perhaps the story is an optimistic one.’

[comics] Alan Moore’s Big Numbers Outline Chart… The script outline for AM’s unfinished comic Big Numbers typed out and handily converted to an HTML page with annotations.

[tv] Forget Friends! The 25 greatest overlooked sitcoms – from Lovesick to Younger … List compiled by Stuart Heritage. ‘Loudermilk – In some ways, Loudermilk is the archetypal comedy of the decade, in that it’s a) a sad and vaguely redemptive show about an alcoholic and b) maybe a fraction of 1% of people have heard of it. However, it was created by Peter Farrelly and features a brilliant central performance by Ron Livingston, so while it isn’t going to make you fall out of your chair laughing, it is at least capable of being compelling.’

[books] H.P Lovecraft on 1918’s pandemic – Spanish Flu … Some interesting snippets on Lovecraft’s view on the big pandemic of his time. ‘H. P. Lovecraft to Lillian D. Clark, 2 December 1925 – Influenza has not yet struck the east this winter, though it probably will before long. With freely accessible railways, one can’t segregate maladies of this sort nowadays. It’s odd, but despite all the repeated epidemics of the past decade, I’ve never had influenza. No doubt the gods are saving a deal of picturesque suffering for my very last days!’

[comics] Why I Hate Christians. … I love a rant from Dan Clowes – here’s a complete set of original art pages from Eighball #11.

[truecrime] Murder in the Aquarian Age … Engrossing, early true crime story from tech reporter Steven Levy. ‘Chitwood put on the clear rubber gloves and went back to the open trunk. On top were some newspapers, dated in the late summer of 1977. Underneath was a layer of packing material and compressed plastic bags from Sears. Chitwood began scooping the Styrofoam aside. After three scoops, he saw something. At first he could not make out what it was, because it was so wrinkled and tough. But then he saw the shape of it-wrist, palm, and five fingers, curled and frozen. It was a human hand, and now there was no doubt in Chitwood’s mind about the contents of this trunk. He dug just a little deeper, following the shriveled, rawhidelike hand down the wrist. He saw an arm, still clothed in a plaid flannel shirt. He had seen enough. He turned to Einhorn, who was maintaining his studied nonchalance. “We found the body. It looks like Holly’s body,” he said. “You found what you found,” said the Unicorn.’

[movies] How We Made: Airplane! … The Zucker Brothers and Robert Hays on making Airplane! ‘The film is not about a particular time. It’s a satire on a style of acting and that makes it timeless. Robert Stack, who played Captain Rex Kramer, used to say: “I get it – we’re the joke!”’

[movies] The Rolling Stone Interview: Stanley Kubrick in 1987 … Interviewed by Tim Cahill – a two-hour recording of the interview is on YouTube.

Cahill: People always look at directors, and you in particular, in the context of a body of work. I couldn’t help but notice some resonance with Paths of Glory at the end of Full Metal Jacket: a woman surrounded by enemy soldiers, the odd, ambiguous gesture that ties these people together…

Kubrick: That resonance is an accident. The scene comes straight out of Gustav Hasford’s book.

Cahill: So your purpose wasn’t to poke the viewer in the ribs, point out certain similarities…

Kubrick: Oh, God, no. I’m trying to be true to the material. You know, there’s another extraordinary accident. Cowboy is dying, and in the background there’s something that looks very much like the monolith in 2001. And it just happened to be there.

[qanon] The Prophecies of Q … Understanding QAnon. ‘The power of the internet was understood early on, but the full nature of that power-its ability to shatter any semblance of shared reality, undermining civil society and democratic governance in the process-was not. The internet also enabled unknown individuals to reach masses of people, at a scale Marshall McLuhan never dreamed of. The warping of shared reality leads a man with an AR-15 rifle to invade a pizza shop. It brings online forums into being where people colorfully imagine the assassination of a former secretary of state. It offers the promise of a Great Awakening, in which the elites will be routed and the truth will be revealed. It causes chat sites to come alive with commentary speculating that the coronavirus pandemic may be the moment QAnon has been waiting for. None of this could have been imagined as recently as the turn of the century.’

[politics] Rasputin Goes To Barnard Castle … Comparing Dominic Cummings and Rasputin. ‘Both Cummings and Rasputin are weird finger sniffing outcasts who turned up in the middle of an outdated corrupt regime and made the elite feel better about themselves while completely taking the piss and not giving even the slightest of fucks about the uproar they caused. Rasputin wandered about the palace wearing ill-fitting stinking old rags telling everyone to fuck off, so does Cummings. Rasputin had a massive cock, Cummings is a massive cock.’

[politics] Has Dominic Cummings Resigned Yet? … ‘No.’

[moore] This Is For When… Alan Moore’s poem for the 1981 Bauhaus album Masks. ‘This is for all the mathematicians who got mixed up in the dream gang.’

[movies] Michael Mann’s Quarantine Diary: What’s Next for Directors? … Director Michael Mann on his L.A. quarantine. ‘No matter how things go back together, life is not going to be the same. When was the last time the entire globe was living spontaneously? Where everybody was conscious of the circumstances affecting everybody on the planet, more or less at the same time? The answer is never. The closest you get is 1968, with the massive upheavals going on – whether they were in Prague, or Mexico City, Chicago at the Democratic Convention, Paris in May and June, London on October 27 outside the U.S. Embassy – because of global politics, the youth revolution, the anti-war movement. There was a sense of unified awareness. The difference right now is that it’s all happening in real time. It’s like a science-fiction movie, you know, where there’s a threat to the Planet Vega! You get to Planet Vega, and everybody there is all tuned in to the same channel simultaneously. Well, that’s us now; we’re all on the same channel simultaneously.’

[books] BusinessTown … Richard Scarry’s BusyTown updated for the 2020s.

[comics] An Interview with Rick Veitch… Dicussing his run on Swamp Thing. ‘My involvement was really a secondary career, I had a really great thing going at Marvel, writing and drawing a creator owned series at Epic. So I didn’t think of it as my money-making career, I really wanted to learn more about this… magic… Alan was conjuring. In the process I got to know the editor, Karen Berger, so it seemed natural that when Steve and John left, that I would become the regular penciller on the book.’

[books] Best 250 Adventures of the 20th Century … Great list of Adventure books and comics. ‘Neil Gaiman’s occult fantasy comic The Sandman (1989-1996) …As he searches for his lost objects of power, Morpheus genre-hops – from myth to pulp fiction, and everywhere in-between. Also, Gaiman inserts pop culture and literary references and jokes into nearly every panel. It’s a dazzling display of high-lowbrow literary fandom… one leaving even the most well-read fan wishing for extensive, Chester Brown-esque footnotes… which, thankfully, are now available via annotated editions. Sam Kieth, Mike Dringenberg, Jill Thompson, and others contributed appropriately eerie and amusing art, with lettering by Todd Klein and covers by Dave McKean.’

[comics] ‘Morning Of The Magician’: Swamp Thing meets Jesus Christ – The Lost Swamp Thing … Full script and pencils for Rick Veitch’s unpublished Swamp Thing #88. ‘In his first major storyline, Veitch had Swamp Thing going backwards in time, meeting up with historical DC characters, and historical characters in history. The storyline had been mapped out in advance, and editors had been notified, and there was some concern as Veitch wanted to end the story with Swamp Thing meeting none other than Jesus Christ…’

[music] Vaporwave/Synthwave Playlist [Youtube / Spotify] … I’ve been listening to this relaxing playlist a lot recently. [via Kottke]

[covid-19] Sure, the Velociraptors Are Still On the Loose, But That’s No Reason Not to Reopen Jurassic Park … ‘The fact of the matter is, velociraptors are intelligent, shifty creatures that are not going to be contained any time soon, so we might as well just start getting used to them killing a few people every now and then. Some might argue that we should follow the example of other parks that have successfully dealt with velociraptor escapes. But here at Jurassic Park, we’ve never been ones to listen to the recommendations of scientists, or safety experts, or bioethicists, so why would we start now?’

[fun] This Website Will Self-destruct … A website that will delete itself unless you send it a message. ‘I’m a website. I’ll be gone soon, and that’s okay.’

[covid-19] Not the Onion: World Will Be Same But Worse After ‘Banal’ Virus, Says Houellebecq … ‘He described COVID-19 as a “banal virus” with “no redeeming qualities… It’s not even sexually transmitted.”‘

[advice] 68 Bits of Unsolicited Advice … Some condensed wisdom from Kevin Kelly. ‘I’m positive that in 100 years much of what I take to be true today will be proved to be wrong, maybe even embarrassingly wrong, and I try really hard to identify what it is that I am wrong about today.’

[movies] Mother of all sci-fi: which is the best Alien movie? … There is only one answer to this question. :) ‘I’m placing Jean-Pierre Jeunet’s Alien Resurrection (1997) next. It’s a flawed movie in terms of its inception (would a clone Ripley retain the personality and memories of her “parent”?) but Sigourney Weaver delivers an eye-poppingly nutty performance as the part-human, part xenomorph Ripley 8, and there are some enjoyably sickly moments to compete with anything in the previous three movies. The scene when Ripley meets earlier failed versions of herself that have been pickled for posterity, and Brad Dourif’s fondness for the murderous extra-terrestrials, even as he is about to become a vehicle for their reproduction process, particularly stick in the memory.’

[movies] I’m Taking Six Months to Rewatch ‘Heat,’ the Holy Grail of Guy Movies … ‘Aside from the sheer force of the marquee names, you’ve got an impressive and often surprising ensemble of committed weirdos – Val Kilmer, Tom Sizemore, Jon Voight and even Hank Azaria, plus cult favorites Danny Trejo, Henry Rollins and Tom Noonan. The film elevates the classic cop-and-robbers dynamic into rich and atmospheric opera, achieving the polished legitimacy of “serious” art. There’s pulse-pounding action, but also great attention paid to how men abandon or fail the women in their lives because of an obsessive approach to work and personal masculine ethic. It’s based on a real-life burglar and detective; its mood is immersive, lush, almost dreamy. Heat captures the city of Los Angeles in unforgettable frames, for an epic runtime of 170 minutes.’

[comics] You are so fucked! … By Evan Dorkin.

[covid-19] The Rise of COVID-19 Influencers and Armchair Epidemiologists … David Dunning on Covid-19 and the Dunning-Kruger effect. ‘The genius of the human brain – which is usually a good thing – is that we’re very good at coming up with ways of addressing new situations. So from our past knowledge, we know how to MacGyver, if you will, a response. The problem is that some people can take things they know and misapply it to this new situation. A lot of people think, “Oh, this is a flu,” so they use what is common knowledge of the flu to guide them. But this virus is not the flu. Knowledge is a good thing, but they don’t realize it’s a misapplication.’

[lockdown] Man Not Sure Why He Thought Most Psychologically Taxing Situation Of His Life Would Be The Thing To Make Him Productive … ‘Ayers […] added that he had no idea what he was thinking when he told himself that being furloughed from his job and enduring a sustained period of emotional isolation would be just what he needed to start eating better, acquaint himself with world cinema, and get a jumpstart on the novel he had always wanted write.’

[lockdown] Saint Ripley by Genevieve Kent-Bethley. ‘Listen to me, if we break quarantine, we could all die.’

[comics] A Holy Grail in the Library of Congress: Visiting Steve Ditko’s Amazing Fantasy #15 Original Artwork … A look at the original art for the first Spider-man comic. ‘The pages look like they were drawn yesterday. The ink is dark, the pages are crisp and you can still read the phantoms of Stan Lee’s erased pencil notes to artist Steve Ditko (“Steve, remove spider-change position of hand.”). You can also see, very clearly, when Ditko ignores Lee’s edits in Spider-Man’s origin story.’

[lockdown] Crazed, Quarantined Mental Health Experts Recommend Scrawling ‘Everything Will Be Okay’ In Feces On Wall … ‘While it might not be for everyone, many of my patients find it extremely helpful to walk around their homes and see several giant hearts and cute smiley faces drawn on the wall with nothing but their own vomit. For me, personally, I like to wake up each morning with all 32 of my teeth hammered into the ceiling, arranged to spell ‘you are enough’-it really keeps me grounded.’

[comics] Brian Michael Bendis’ Stuck at Home Comic Book Reading List … Another good list of comics to read while stuck at home. ‘Akira by Katsuhiro Otomo- On a list like this including Akira is like saying you like the Beatles or Nirvana. Way to go out on a limb! But soooo many people say to me, “Oh, I always meant to read that.” Well, there is no better comic book binge-reading meal than Akira. It is completely fulfilling.’

[comics] Graphic Content: At the Intersection of Comics and Crime With Howard Chaykin … Recent interview with Chaykin on crime comics. ‘Although EC’s CRIME SUSPENSTORIES was hardly a crime comic book-rather, it was a stream of variations on bad marriages where divorce was never considered as an option while murder was the obvious choice-still, the look of this material, in particular the brilliance of Johnny Craig, is deeply informed by the fatalism and nihilism of the novelists I’ve mentioned, as well as the sort of movies reflecting his outlook. His stuff owes an unacknowledged debt to Cornell Woolrich. And Wallace Wood’s rotting urban disturbia in SHOCK SUSPENSTORIES completely informs my mind’s eye view and understanding of Jim Thompson and David Goodis. In terms of more recent crime comics, I loved the first few arcs of 100 BULLETS. I’m very fond of the CRIMINAL series, as well.’

[lockdown] Andrew O’Neill’s Lockdown Achievements …

[covid-19] Coronavirus Recovery Isn’t So Quick or Simple … A powerful look at the long road of recovery from Covid-19. ‘… an otherwise healthy 31-year-old in our support group, shared that on Day 21 of symptoms, while her breathing had not felt strained enough to require medical attention, she was still coughing up blood, and her fever was breaking only to come back days later “like clockwork.” Another member of our group, Charlie, 24, described his case as “relatively mild,” but said that more than 23 days into the illness, he’s still experiencing a fever, cough and shortness of breath.’

[comic] Free Viz Comic … Free download from the great British humour comic. ‘Under the powers vested in us by the Fulchester Town Council Emergency Powers Act 2020, here is your third FREE Viz download to keep you safely out of trouble for the next bit of the hoo-ha.’

[comics] Biffo the Bear in Lockdown …

Biffo the Bear in Lockdown

[books] Stephen King Is Sorry You Feel Like You’re Stuck In A Stephen King Novel … Stephen King on the COVID-19. ‘He gets it when fans say experiencing the COVID-19 outbreak feels like stepping into one of his horror stories. “I keep having people say, ‘Gee, it’s like we’re living in a Stephen King story,’ ” he says. “And my only response to that is, ‘I’m sorry.’ “A pandemic like COVID-19 was “bound to happen,” King says. “There was never any question that in our society, where travel is a staple of daily life, that sooner or later, there was going to be a virus that was going to communicate to the public at large.”‘

[LMG]

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