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August 3, 2020
[tv] Comfort Viewing: 3 Reasons I Love ‘Columbo’‘Columbo is one of the very few American series fueled by class warfare. Whether they are driven by coldblooded entitlement, delusions of grandeur or simple greed, the murderers treat the self-deprecating, ostentatiously low-grade cop with seething annoyance, willful condescension or hypocritical benevolence. It is hard to overstate how satisfying it is to see smug criminals get caught right now. Imagine the joy of seeing a rebooted Columbo go after hedge-fund managers, big-game hunters, studio chiefs, YouTube influencers, real-estate magnates or celebrity chefs who picked killing as an acceptable problem-solving method.’
October 16, 2019
[columbo] My top 10 favourite Columbo episodes‘A typewriter pounds. A Mercedes cruises through the LA streets. A writer in a high-rise is lost in a world of his own invention. As the typewriter continues to pound the car parks in an empty lot, the driver steps out and slips a gun into his jacket. So begins one of the pivotal TV experiences of our time. From those first arresting moments, Murder by the Book grabs the viewer by the throat and never lets go. It’s still a cause of pride and joy for Columbo fans that a young Steven Spielberg was in the director’s chair for this. His touch and flair make this a visually unique outing, but he’s only one reason for its success. Peter Falk and Jack Cassidy establish an on-screen rapport that would enrich the series on three occasions, while Steven Bochco’s script and Blly Goldenberg’s score are world class. In short, it’s an A Grade cast and crew and they all bring their A Game to proceedings.’
July 4, 2017
[tv] When good TV goes bad: the moment Columbo’s case went cold … When did Columbo Jump the Shark? … ‘If classic Columbo is good and late-era Columbo is bad, then the lieutenant must have jumped the shark with the 1989 return of the mac? In truth, you have to go further back – to 1976. In the fifth season finale, Last Salute to the Commodore, set among the yachting set, the victim is a crotchety, self-regarding millionaire who resents his drunken coterie and grasping family. When we witness son-in-law Robert Vaughn disposing of the commodore’s body at sea, it seems obvious he is the murderer. Then Vaughn turns up dead, and the format disintegrates. Everything seems off. The lieutenant has his head turned by transcendental meditation, attempting a lotus pose on a marina boardwalk…’
March 14, 2016
[tv] Columblr … tumblr for The Just One More Thing podcast about Columbo. ‘In “An Exercise in Fatality,” gymnasium chain magnate Milo Janus’ (Robert Conrad) business double-dealings are about to be exposed by a disgruntled franchisee! What’s his wisest course of action? Why, cancel the fellow’s contract with a metal pipe to the throat and make it look like a tragic gym accident! As Columbo tries to put it all together, you’ll be plunged into a world of vitamins, sweaty dudes, X-rated Italian horror films, soulless bureaucracy, and Jim Rockford’s ladyfriend in a bikini…’
November 22, 2009
[quote] ‘I worry. I mean, little things bother me. I’m a worrier. I mean, little insignificant details – I lose my appetite. I can’t eat. My wife, she says to me, “you know, you can really be a pain.” ’ — Columbo.
October 10, 2006
[tv] Why We Watch… Columbo — from Radio Times Why We Watch blog/column … ‘Here was a show in which you saw who committed the crime in the opening minutes, an oddball narrative ploy that turned the rules of TV detection inside out. With the best line-up of villains since Batman, the likes of Donald Pleasence, Johnny Cash and Patrick McGoohan would then underestimate the cigar-chomping, raincoat-wearing Columbo, who would itch at them like a sore until they broke, all the while ingratiating himself on their time.’
April 18, 2005
[tv] Twelve Reasons Why Columbo Is The Best Police TV Show‘Just One More Thing…’
February 24, 2004
[tv] Columbo Quotes‘I worry. I mean, little things bother me. I’m a worrier. I mean, little insignificant details – I lose my appetite. I can’t eat. My wife, she says to me, “you know, you can really be a pain.”‘