linkmachinego.com
13 November 2015
[alanmoore] Alan Moore donates £10,000 to help friend bring his African wife to the UK … File under: Greatest Living Englishman … ‘Since Moore’s donation was made public, Cousins’s case has spread across the web, with a series of small donations made to a crowdfunding page set up by his son. “If it’s a good enough argument for Alan Moore, it’s good enough for me,” wrote one anonymous donor on the page.’
12 November 2015
[tech] The Room Where the Internet Was Born … A visit to the place where the first messages over the internet were sent from … ‘In a strikingly accurate replica of the original IMP log (crafted by UCLA’s Fowler Museum of Cultural History) on one of the room’s period desks is a note taken at 10:30 p.m., 29 October, 1969—“talked to SRI, host to host.” In the note, there is no sense of wonder at this event—which marks the first message sent across the ARPANET, and the primary reason the room is now deemed hallowed ground.’
11 November 2015
[tv] Friends for Dinner … Hannibal mashed up with the Friends theme tune … ‘It’s nice to have an old friend for dinner.’

10 November 2015
[movies] 50 Brilliant Science Fiction Movies That Everyone Should See At Least Once‘Robocop: Another totally subversive science fiction movie from the 1980s, this film picks up Tron’s obsessions with corporate fascism and runs in a different direction, with the evil OCP trying to take over Detroit’s police force and remake the struggling city as Delta City. RoboCop himself is a great example of science fiction’s struggle with the ways technology changes or negates our humanity, and 20 years before The Dark Knight, this film manages to delve into similar questions about how far we’ll go to keep society safe from crime. A surreal blend of cyberpunk, Frankenstein and action movie, this film remains Verhoeven’s greatest statement.’
9 November 2015
[books] The flyaway success of the Ladybird art prank … the story behind the spoof Ladybird book We Go to the Gallery‘The artwork for the original Peter and Jane series was produced by collaging photographs and overlaying them with a watercolour wash. So Elia needed child models to remake hers. Her search for “the right sort of children” took her to a modelling agency in Yorkshire because “London children just didn’t look right”. She sourced period clothes from a costumier friend who worked on the recent Kray twins film Legend, making pictures that replicated the look – “red lipstick for Mummy is important” – while creating something subtly different.’
6 November 2015
[comics] 5 Amazing Superhero Debuts In Comic Books … Wonder Woman: ‘Rightly hailed as one of the best introductions in comics, Wonder Woman’s debut in All Star Comics #8 starts off with the Amazon princess abducting the pope and flying him to Mount Olympus to prove that the Greek gods are real. Holding the squirming pope up by his robes, Wonder Woman forces him to witness Apollo’s sun chariot racing across the sky and see the divine smith Hephaestus forging a lightning bolt on his anvil. Wonder Woman then refuses to let the leader of the Catholic Church return to the Vatican until he renounces his religion and screams, “Jesus is a lie!”’
5 November 2015
[twitter] The Decay of Twitter … a look at why Twitter seems to be declining …

On Twitter, people say things that they think of as ephemeral and chatty. Their utterances are then treated as unequivocal political statements by people outside the conversation. Because there’s a kind of sensationalistic value in interpreting someone’s chattiness in partisan terms, tweets “are taken up as magnum opi to be leapt upon and eviscerated, not only by ideological opponents or threatened employers but by in-network peers.”

Anthropologists who study digital spaces have diagnosed that a common problem of online communication is “context collapse.” This plays with the oral-literate distinction: When you speak face-to-face, you’re always judging what you’re saying by the reaction of the person you’re speaking to. But when you write (or make a video or a podcast) online, what you’re saying can go anywhere, get read by anyone, and suddenly your words are finding audiences you never imagined you were speaking to.

I think Stewart is identifying a new facet of this. It’s not quite context collapse, because what’s collapsing aren’t audiences so much as expectations. Rather, it’s a collapse of speech-based expectations and print-based interpretations. It’s a consequence of the oral-literate hybrid that flourishes online. It’s conversation smoosh.

4 November 2015
[comics] 10 great comic book films … a list of ten comic adaptations work watching … ‘American Splendor: This portrait of underground comic book writer Harvey Pekar blurs the boundaries between drama and documentary to disorientating effect. Paul Giamatti stars as Pekar, a Cleveland file clerk who turned his own mundane existence into profound popular art through a series of autobiographical comics. The film’s masterstroke is that Pekar and his wife Joyce narrate, wryly commenting on the dramatisation of their own lives. Hilarious, poignant, piercingly insightful and formally dazzling, American Splendor warrants comparison with Woody Allen at the height of his powers.’
3 November 2015
[funny] Evil Genius Seeks Minions‘No Weirdos.’

Evil Genius Seeks Minions

[tech] A Spreadsheet Way of Knowledge … a fascinating historical article from the early days of Spreadsheets by Steven Levy‘The computer spreadsheet, like the transcontinental railroad, is more than a means to an end. The spreadsheet embodies, embraces, that end, and ultimately serves to reinforce it. As Marshall McLuhan observed, “We shape our tools and thereafter our tools shape us.” The spreadsheet is a tool, and it is also a world view — reality by the numbers. If the perceptions of those who play a large part in shaping our world are shaped by spreadsheets, it is important that all of us understand what this tool can and cannot do.’
2 November 2015
[comics] Robert Crumb Hates You … odd interview with Robert Crumb … ‘I recently took a look through my collection of underground comics from the late 60’s – early ‘70s. Very few of them were coherent or readable, a surprisingly small number. Most of the artists were so fucked up on drugs they couldn’t make anything readable. Who was buying and trying to read this crazy shit? But Wilson and Green stood out, they were at the top, outstanding. My work reached a mass audience because I used a very traditional way of drawing to say something more personal and wacko. I used the traditional, standard newspaper comic strip style to say something crazy, some personal things that somehow reached people. Also, I was always very aware of orienting my work for an audience, what to do and not to do to make it readable, to keep it entertaining.’
30 October 2015
[life] Goldfish’s attention span now better than yours … unsurprising news from The Daily Mash … ‘Professor Henry Brubaker said: “The goldfish has sufficient concentration ability to swim up from the bottom of its bowl and grab a food pellet from the surface of the water. “You couldn’t do that. You’d get halfway there and be like – oh, the internet. I’d better check some message type thing, buy some trousers or look at a pornographic video. “So you’d stop to do that, then end up looking a dozen other things of equally poor quality, then have lost all recollection of your original objective.”’
29 October 2015
[movies] In Cold Blood: why isn’t the movie of Capote’s bestseller a masterpiece? … looking back at the film version of In Cold Blood‘All of In Cold Blood’s virtues are encapsulated in that opening: the black-and-white camerawork of cinematographer Conrad Hall; the music of Jones; and the performance of Robert Blake. Hall’s work draws on news-footage aesthetics, achieving a true-crime tabloid griminess that evokes photographers such as Walker Evans and Robert Frank. Jones sonically anchors his two killers (Smith and Richard “Dick” Hickock, played by Scott Wilson) with unnerving twinned acoustic basses and found sounds. And Robert Blake is Robert Blake, in the keynote performance of his career.’
28 October 2015
[mp3] Learning to Love Low Bit Rates … on the experience of listening to low quality MP3’s … ‘The underwater compression of a low-quality mp3 is our generation’s vinyl crackle or skipping CD. It’s a limitation of technology that defines the experience of an era.’
27 October 2015
[headlines] Evening Standard Billboard Flashback: October 2005 …

Evening Standard Headlines - October 2005

26 October 2015
[web] God Tier: Facebook moms run the meme game … a look at the rise and fall of the Image Macro‘Post-memes seem targeted at parents, Christians, and conservatives. Again, this is just the core audience. But many expressions are unexplored in post-memes. A Minion — or Garfield or Tweety or Snoopy — never means “I’m cooler than you.” It never supports the young against the old. It never seeks to upset the status quo. It is never sexual. And it is never truly weird. Until it is.’
23 October 2015
[tv] David Cronenberg to direct nightmarish final Downton Abbey‘Cronenberg is on board and it’s going to be like The Fly meets Videodrome and Naked Lunch but with tweed and better grammar. The Crawleys get a new labrador which turns out to be infected by an alien parasite that mutates all the staff into tentacled maniacs. Mrs Patmore buys a wireless that tells her to kill everyone, and grows a vagina-like orifice on her forehead before serving up a broth made of human body parts.’
22 October 2015
[comics] Moorecraftian Timeline … a timeline for the H.P. Lovecraft inspired comics from Alan Moore and Jaycen Burrows … ‘1914-1918 – World War I, known to the Parish of Saint Jude in Salem, Massachusetts as “The Great Dry Cull.”’
21 October 2015
20 October 2015
[books] ‘This Goes All the Way to the Queen’: The Puzzle Book that Drove England to Madness … a look back Kit Williams’ Masquerade and how the book and treasure hunt caused a huge outbreak of apophenia‘Masquerade sold two million copies in the first few years, and readers went mad—sometimes literally—trying to suss out the location of the golden hare. Based on hunches, resonances, illusory references, coincidental results from imagined codes, and genuine mistakes, “Masqueraders” dug up acres of countryside, traveled hundreds of thousands of miles, wrote tens of thousands of letters to Williams, and occasionally got stuck halfway up cliffs or were apprehended by police while trespassing on historic properties. Masquerade’s simple, elegant puzzle was couched in a lush landscape of visual symbolism and wordplay, and as it turns out, there’s no better way to distract people from a genuine plan than by concealing it inside a bunch of random noise. Given enough unrelated, unnecessary information, human brains will construct the decoy patterns all by themselves.’
19 October 2015
[movies] At Last, the Great Martian Movie … a look at Martian Movies… ‘Maybe the best reason to anticipate more excellent Mars movies is the planet’s pull on something deep within us. Having emerged from our myths, it still feeds our fantasies. It’s the most interesting motif left in archetypal dreams of escape and adventure in strange, vast realms, of human rejuvenation and transcendence through exodus and hardship.’
16 October 2015
[internet] Nihilistic Password Security Questions‘What is the maiden name of your father’s mistress?’
15 October 2015
[life] A moment that changed me – my husband fell in love with a bonobo‘He was helpless against Malou. His legs carried him without him even knowing to her shady abode several times a day, where she would fling her arms around his neck and her legs around his waist and he would whisper secrets that would have her panting with laughter, and it was all just nauseating. All the more so because Malou had quickly figured out that I was the other woman, and spent her days trying to ruin me. She covered me in poop. She devastated my hair. After every encounter with her, I looked like the forest ape.’
14 October 2015
13 October 2015
[london] Did the tube strike improve London’s economy?‘Do tube strikes cost the economy millions of pounds in lost productivity, or do they shake up people and change behaviour in a way that offsets the loss? That’s indirectly, a question that has been asked by a group of researchers who took advantage of the tube strike to test a difficult to test idea, known as the Porter-hypothesis Porter argued that – when information is imperfect – externally imposed forced experimentation can help people discover unexpected improvements in efficiency.’
12 October 2015
[terrorism] Did Ken Dornstein Solve the Lockerbie Bombing? … The engrossing story of one man’s attempt to resolve who murdered his brother on Pan Am Flight 103 over Lockerbie …

Dornstein ushered me up to the third floor, where two cramped rooms were devoted to Lockerbie. In one room, shelves were lined with books about espionage, aviation, terrorism, and the Middle East. Jumbo binders housed decades of research. In the other room, Dornstein had papered the walls with mug shots of Libyan suspects. Between the two rooms was a large map of Lockerbie, with hundreds of colored pushpins indicating where the bodies had fallen. He showed me a cluster where first-class passengers landed, and another where most economy passengers were found. Like the coroner in a police procedural, Dornstein derives such clinical satisfaction from his work that he can narrate the grisliest findings with cheerful detachment. Motioning at a scattering of pushpins some distance from the rest, he said, “They were the youngest, smallest children. If you look at the physics of it, they were carried by the wind.”

24 September 2015
[headlines] Evening Standard Billboard Flashback: September 2005 …

Evening Standard Headlines - September 2005

22 September 2015
[comics] Annotations for Providence #4 … annotations for Alan Moore and Jaycen Burrows Providence #4 comic.
21 September 2015
[movies] Martin Scorsese’s ‘Goodfellas’: Still the Most Realistic Mobster Movie Ever … a look at Goodfellas after 25 Years… ‘Liotta has probably never been better—wormy (his braying laughter at Tommy’s bad jokes is wonderfully hideous) and yet somehow sympathetic. Perhaps because he’s placed alongside two truly cold-blooded men, Henry is the closest thing the audience gets to an anti-hero in the film: His mild shock at every pointless murder feels like moral outrage in the mobster world. That’s a dynamic David Chase understood when laying out the world of his TV show The Sopranos (the only true Mafia masterpiece produced since Goodfellas): By making his protagonist Tony a slightly more reasonable person than his violent, thick-headed associates, the character seemed infinitely more relatable.’
17 September 2015