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[docu] 40 of the best documentaries you need to watch … A list from Wired of great documentaries available in the UK. ‘8 Days: to the Moon and Back – This is the story of the Moon landing, but told in a completely new way. Created by the BBC, 8 Days: to the Moon and Back uses original declassified audio from Neil Armstrong, Buzz Aldrin and Mike Collins as they made their trip to the Moon. In the recreation, which is a technically a “feature drama” but has enough realism to count as a documentary for this list, actors were filmed lip-synching the actual words that were said. The result? It’s a triumph and probably the closest we’ll ever get to recreating that fateful mission.’

[moore] Alan Moore Rare Interview: “Superhero Movies Have Blighted Culture” … A standard-issue Alan Moore interview but good to hear his updates on what he’s currently working on and how he and Melinda Gebbie are dealing with lockdown in Northampton. ‘I’ve only retired from comics. I’m finishing off a book of magic now. It’s been stalled for a while but I’m also working on an opera about John Dee with [musician] Howard Gray. I’ve got some short stories coming out. And I’ve also been thinking a lot about what we want to do after The Show feature film. We hope that it’s enjoyable as a thing in itself, but to some degree it could be seen as an incredibly elaborate pilot episode, we think there’s quite an interesting story that we could develop out of it as a TV series, which would imaginatively be called The Show.’

[life] Life advice from Nicholas Ray … ‘Open any book and read what’s there: you’ll find your problems. Hold a problem in your mind. Open a book.’

[moore] First Look Trailer for The Show … A trailer for the upcoming film from Alan Moore and Mitch Jenkins.

[moore] “Providence Was Really Exhausting. Finishing It Felt Like Finishing College”: An Interview With Jacen Burrows … Long discussion with Jacen Burrows on his career at Avatar and collaborations with Alan Moore and Garth Ennis. ‘I didn’t know a tremendous amount about Lovecraft himself until we did Providence. There was stuff I’d stumbled across during research and stuff I learned from Alan. As you know, he writes massive scripts with a lot of extra information for context and he’d often pull stuff from some of the many research books he’d read and put it in the script so I could be fully informed about why we were taking things in certain directions during the production. It was quite helpful and rare, honestly, to have that much insight. The deeper thinking behind the scripted actions instead of just stage directions, you know? A lot of people find those Moore scripts challenging because of the density but I really liked it, even if it was a ton of work to get it all on the page.’

[truecrime] Since 1979, Brian Murtagh has fought to keep convicted murderer Jeffrey MacDonald in prison… A powerful 2012 update on the Jeffrey MacDonald murder case from Gene Weingarten.

‘A major problem for Jeffrey MacDonald, Thornhill said, was Jeffrey MacDonald:

“He was a very egotistical person, and it absolutely came through. When he took the stand and started that phony crying, we were astonished. It was like bad acting. When we got to the jury room, we weren’t allowed to discuss it, and we didn’t, but we’re looking at each other, and it was like, ‘What just happened out there?’

“You know, there was testimony that a month after [the murders], MacDonald had sex with a nurse. The defense objected, and it was stricken from the testimony, but how do you strike that from your mind?”

That was the thing, Thornhill said. The jurors felt it: There was something fundamentally wrong with Dr. Jeffrey MacDonald.

[tech] Boeing 747s still get critical updates via floppy disks … ‘While it might sound surprising that 3.5-inch floppy disks are still in use on airplanes today, many of Boeing’s 737s have also been using floppy disks to load avionics software for years. The databases housed on these floppy discs are increasingly getting bigger, according to a 2015 report from Aviation Today. Some airlines have been moving away from the use of floppy discs, but others are stuck with engineers visiting each month to sit and load eight floppies with updates to airports, flight paths, runways, and more.’

[truecrime] The Rise of the True-Crime Podcast … A look at how True Crime podcasts got mainstreamed. ‘She taught herself production by googling “How do I use GarageBand to edit.” She dropped three episodes at once, and within two weeks, she had 4,000 downloads. “I chalked it up to being in the right place at the right time. Then Justin [Evans] from Generation Why mentioned me and my show. That put me on the map. By the end of the week, I had 75,000 downloads.” That was in 2016, which true-crime producers described as still the Wild West of indie podcasting. Everyone learned by trial and error. They knew one another and shared tips in private Facebook groups; they attended conferences like CrimeCon to drum up publicity. They learned about filing Freedom of Information Act requests to obtain coroner reports and the pitfalls of using copyrighted music. They compared notes on how much to charge advertisers poking around this new medium and what hosting platforms cost. They set up Patreons, sold merch, plugged one another’s shows, and guest-hosted tirelessly. Ludlow also belongs to an informal FB group of female podcasters who support and encourage one another.’

[aircrash] In 2005, Helios flight 522 crashed into a Greek hillside. Was it because one man forgot to flip a switch? … A powerful look at who is to blame for the crash of Helios Flight 522. ‘After the disaster, Greek air investigators determined that flight 522 had crashed because it had failed to pressurise properly. As it climbed, the air in the cabin had become too thin to breathe, causing most people to lose consciousness. The investigation quickly focused on the theory that the pressurisation selector switch had been left in “manual” rather than “auto”, and attributed this to human error – principally that of Irwin who, they said, had not returned the switch to its correct position after a safety check; and of incompetent pilots who had failed to spot the error. This narrative was soon leaked to the press…’

[london] A Jack the Ripper mural – are you serious? How the Eastenders hit back … A look at why a Jack the Ripper mural got painted over in Whitechapel. ‘The Duke of Wellington had offered the wall as a “blank canvas” for Zabou – a French-born, London-based street artist – and her spray cans. It’s just a few metres away from a barber called Jack the Clipper, and not too much of a distance from Jack the Chipper. Pre-Covid, there were constant Jack the Ripper tours here, with large groups traipsing round pavements led by theatrical guides acting out the gory details of the murders, stopping at sites where the mutilated bodies of the women were found, at pubs where they drank, flop-houses where they stayed when they could afford it. There’s even a Jack the Ripper museum, which opened in spite of much local protest.’

[comics] A List of Things Mark Evanier Learned About the Comic Book Industry … Great, amusing list from Mark Evanier. ‘In most fight scenes, the amount of time it would take actual combatants to throw all those punches is often less than one-tenth the time it would take them to speak all the words in their word balloons while they battle.’

[funny] Hilarious Images of Rockstars Whose Guitars Have Been Replaced with Giant Slugs … Who knew that replacing Guitars with Giant Slugs just works?

[dredd] The Megazine That Never Was … The story of an unlaunched Judge Dredd comic from 1984. ‘Sadly, unlike the other stories from the Fortnightly dummy issue, Alan Moore and Mike Collins’ Badlander is a title that never saw publication. Marking the iconic Moore’s only work within the Judge Dredd universe, the strip was to tell the truth about what really happens to the Judges when they decide to go on “the Long Walk” — a piece of Dredd mythology where, instead of retiring, veteran Judges set off to provide justice and law in the radioactive wastelands of the Cursed Earth.’

[comics] Their Other Last Hurrah – Cinema Purgatorio … A Comics Journal review of Moore and O’Neill’s Cinema Purgatorio. ‘When the terrified gangsters speak about being hounded by that thing in their past that wouldn’t let them go why am I thinking about A Small Killing? And at this point I realize the problem isn’t the work; it’s me. Here I am, in front of this dedicated, fascinating, funny and (in many ways) educational series and all I can think about is intertextuality. Seeking the digs at Grant Morrison and wondering if the bearded madman portrayal of Howard Hughes reminds me a bit too much of Alan Moore himself. This kind of exercise can often be a time waster. A replacement for a deeper engagement with the work (mea culpa by the way). Doing it while reading a finishing work by two grand masters is the definition of not seeing the forest for the trees. You can also read the book on its own terms and just see two utter greatest playing their game, heaving a ball, no limits allowed.’

[kubrick] Stanley Kubrick Zoom Call …

[movies] Airplane! at 40: the best spoof comedy ever made? … A look at why Airplane! was so good. ‘There are puns, pratfalls, provocations, foreground/background dynamics, double entendres, references to film and TV and popular commercials, random acts of silliness and absurdity, and every possible strain of what would later be categorized as a “dad joke”. Even at 40, when a handful of the references and bits have grown whiskers, Airplane! still absolutely kills. Rarely has a film so eager to please been so successful in doing so.’

[comics] How legendary weekly British comic, 2000 AD, survived Covid-19 and thrived… Some great news for British comics. ‘Like many other children’s publishers during the Covid-19 lockdown, 2000 AD has also witnessed a significant uptick in subscriptions at a time when children – and their parents – were at home rather than school. The publisher saw a 6% rise in subscriptions between Q1 and Q2. Additionally, the publisher also saw sales up 94% on print editions from its webshop and a 56% rise in digital e-comic sales.’

[movies] ‘The stench of it stays with everybody’: inside the Super Mario Bros movie … A look at why the Super Mario Bros movie in 1993 was epic flop. ‘Toward the end of the allotted 10-week shoot, it was clear there was still a lot more work required, but money was running out. A planned finale on the Brooklyn Bridge, laden with special effects, would have to be scuppered. “We were supposed to wrap the movie, but our producers determined that we still had two and a half to three weeks of shooting to do,” says Mathis. “The directors were thanked and told: ‘You can leave now, we’re going to make the rest of the movie without you.’ At that point, it was abundantly clear things had gotten out of control.”’

[trump] Damian / Trump Mashup …

[space] What happens to your body when you die in space? … Just how do you deal with a corpse in space? … ‘The realistic options for a deceased crewmember—cannibalism, cold storage in the trash room, being freeze-dried and shaken into a million frozen flakes—lack the dignity we associate with the majestic endeavor of spaceflight. But Wolpe doesn’t think humankind will have a hard time adjusting to the harsh realities of posthumous treatment in space. We already accept that Earthbound explorers may suffer indignities if they die in the field. Wolpe sees Mount Everest as a perfect Earthly analogue for the future Mars missions: when people die, their bodies just stay there. Forever.’

[occult] Christopher Lee on the Occult … Fascinating look at Lee’s views on the occult with video of an interview from 1975. ‘In 1975, during the filming of Dennis Wheatley’s classic occult novel To the Devil a Daughter, Lee gave an interview on his thoughts about Satanism (hey kids, it’s real!), Black Magic (yep, people do practice it every day, esp. in Hollywood), and why occult beliefs were so prevalent in the 1970s (boredom and bad fashion probably….). Lee is a fine man to spend some time with.’

[computers] The 20 greatest home computers – ranked! … Ancient 1980s schoolyard arguments revived for 2020. ‘The people’s choice, the gaming platform of the everyman, Sinclair’s 48K Spectrum, with its rubber keys, strange clashing visuals and tinny sound was absolutely pivotal in the development of the British games industry. From Jet Set Willy and Horace Goes Skiing to Knight Lore and Lords of Midnight it drew the absolute best from coders, many of whom would go on to found the country’s biggest studios.’

[moore] Drawing Up Sides … Alan Moore Interview from 1984. ‘Politics is about trying to reduce human behaviour to something that can be understood, predicted and written about in The Daily Mail or The Sunday Mirror. It’s an attempt to apply a cold remote theory to something warm and vital, and in my book anybody who does that is a twat. Except when they do it through force of arms: then they’re a bastard!’

[comics] “This Was Cultural Genocide”: An Interview With Joe Sacco … Sacco is interviewed about his new book. ‘It’s also a question of what can a comic book do? How far can you push the reader into a very complicated issue. I’m always reading books that are very complex. Just as we all do. As a reader when you’re reading prose you expect a lot from yourself, I think. They have a lot of moving parts. In comics the advantage I think is that you have all these moving parts and illustrations can cement things in a readers head better. I tried to push things as far as complexity goes. Land claims are complex. You have the government of Canada, the government of the Northwest Territories, and then you have the different Dene groups each with its own agenda. You have the complexities within communities, the strains within communities over claims. The tension between communities. It’s all very complex. You’ll have to tell me if I pulled it off. It depends on the readers patience. I guess I’m expecting readers to be patient.’

[winamp] Winamp Skin Museum … Huge, lovingly put-together archive of Winamp skins.

[comics] Steve Ditko Designed Spider-Man to be Orange and Purple … Steve Ditko described his original design ideas to Jonathan Ross when they met. ‘So I said that Steve, I said ‘have you got any old work, do you want you want this? I offered him the Amazing Fantasy #15. He went oh, and he looked at it, he told me ‘you know they got the colours wrong.’ I said what do you mean? He said ‘well, when I drew that, when i came up with that costume, I wrote that he should be orange and purple.”

[partridge] Alan Partridge on his new podcast: ‘This is the real, raw, be-cardiganed me’ … Funny Alan Partridge profile as he launches a new Podcast. ‘Has Partridge been inspired by any other podcasts? “Less other podcasts, more by the excellence we see all around us: a dog leaping to catch a stick, a ballerina doing a brilliant ballet, a forklift truck driver steering one-handed while smoking.” Having said that, he admits to enjoying the true-crime genre (“Nothing beats settling down with a glass of wine and a plate of sandwiches to be entertained by the ins and outs of a man found battered to death in a hedge”) and is considering using a second series of his podcast to explore the disappearance of a friend who fell from a pier in 2013, never to be found.’

[work] Sound Of Colleagues … Go listen to relaxing office white noise.

[comics] That time I looked up at Penrhyn Castle in Wales and saw Swamp Thing staring down at me…

Swamp Thing Roof at Penrhyn Castle

[moore] Correspondence From Hell … The complete text to an epic late ’90s fax interview between Alan Moore and Dave Sim on just about everything. ‘Moore: The middle eighties was when comic books finally got laid. Media attention. Frank Miller in Rolling Stone, MTV. Maus cops the Pulitzer. Watchmen on University reading lists. The style and music press raving about Love & Rockets. Fuck, man, we had the “Cerebus-the-Aardvark Party” running in British elections in ’88. Reason tottered on its throne. Everybody was on Top of the Pops. We got everything we ever asked for, just as one often finds in real life or the better fairy stories, and just like in real life or the better fairy stories it turned out to be shit. For a few years there, everything we touched turned to gold, and now what the fuck are we going to do with all this gold? All this shit?. With honest and sincere effort, we made comics what we wanted them to be: as popular as any other 20th-century medium. As respected as any other 20th-century medium. What on earth were we thinking?’

[LMG]

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