Dr. Evil’s Secrets: ‘Okay. I have a vestigial tail. It’s more of a nub, really. The spine just goes on a little longer than it should. Also, I’ve dabbled. I mean, perform fellatio once and you’re a poet, twice and you’re a homosexual. I remember once I was being fisted by Sebastian Cabot- but here’s where the story gets interesting…’ [More]
Dr. Evil’s Childhood: ‘Very well, where do I begin? My father was a relentlessly self-improving boulangerie owner from Belgium with low grade narcolepsy and a penchant for buggery. My mother was a fifteen year old French prostitute named Chloe with webbed feet. My father would womanize, he would drink, he would make outrageous claims like he invented the question mark. Some times he would accuse chestnuts of being lazy, the sort of general malaise that only the genius possess and the insane lament. My childhood was typical, summers in Rangoon, luge lessons. In the spring we’d make meat helmets. When I was insolent I was placed in a burlap bag and beaten with reeds, pretty standard really. At the age of 12 I received my first scribe. At the age of fourteen, a Zoroastrian woman named Vilma ritualistically shaved my testicles. There really is nothing like a shorn scrotum, it’s breathtaking, I suggest you try it.’
[comics] David Hayter and The Watchmen Movie [Link #1 | Link #2] … A Watchmen film looks more like a possibility… maybe. ‘The mood of Hollywood execs right now is to go on “retreats” so basically all these suits are at these spa retreats, hanging out and discussing how they’re going to be dealing with all of this. According to Hayter what appears to be happening is that a lot of feel-good romances and comedies are getting optioned right now as a direct result so in two years we’ll be seeing a massive wave of these happy films at a time when the US will very likely be fighting. He went on to compare this intensity in mood to the 70s and the Vietnam war where some incredibly dark and gritty movies were made, the good thing from this tragedy, if it can be called as such, is that we may see some amazing new things out of Hollywood in a few more years reflective of the country’s mood.’ [via I Love Everything]
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September 30, 2001
[film] McQueen’s Race with the Devil — extract from a new biography of Steve McQueen … On filming Le Mans: ‘[The Paparazzi] could gauge the film’s mood by the film-makers’ own physical disintegration. Relyea’s co-producer Jack Reddish was on his way to losing 20lb and breaking out in sores. John Sturges’s remaining hair went white. Then the studio stepped in. “They took the view that we, Solar [McQueen’s production company], were now fighting among ourselves and obviously needed disciplining.” Then Sturges threw in the towel. Neile remembers his actual and classic words were: “I’m too old and too rich to put up with this shit.”‘
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September 1, 2001
[movies] The Bad Movie Review Site — excellent site about the most awful movies — includes reviews, images, MPEG’s…. From the review of Death Ship: ‘Not only does it have George Kennedy, he’s dressed up like a Nazi ship captain no less. It’s poetic I’ll admit, didn’t know they made uniforms that big. I think there was a typo in the script, what was intended to be “Death Shit” became “Death Ship” and therein lies the tragedy.’
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August 30, 2001
[movies] Speaking Of War — Francis Ford Coppola and David Halberstam discuss Apocalypse Now Redux … ‘…my only point is, to what end? In other words, you fight a war, you make a great sacrifice, but to what end? What are we moving toward? That’s what I’m interested in. Because I think that’s when empires fail – when no one understands what the vision is.’ [via Seething Hatred]
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August 21, 2001
[film] ‘Silent’ Partnership — NY Post acticle on Jay and Silent Bob Strike Back … ‘Having briefly met [Jason] Mewes on the set of “Jay and Silent Bob” earlier this year, I can attest that this outrageous motormouth is the most incongruous of potential movie stars. Having a coherent conversation with the man is impossible. “He doesn’t know how to talk about movies or himself, because he doesn’t think it’s a big deal,” Smith said. “He makes movies because he likes getting free breakfast burritos for 60 days, $200 a day in cash for spending money and free T-shirts.”‘
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[film] In the Driving Seat — interview with Sigourney Weaver by William Leith … ‘THE first, overwhelming impression you get of Sigourney Weaver is that, unlike most film stars, she is even taller than you imagined – 6ft 2in, or possibly even 6ft 3in in her high heels. She once said that her career had been defined by the fact that most producers were short, and that she was not their ideal sexual fantasy. She is the sort of woman who, I imagine, would terrify a short man.’
[movies] That Loving Felon [Part 1 | Part 2] — interview with Ray Liotta … ‘It strikes me that Ray Liotta is probably capable of unconditional love himself. I found an extraordinary sweetness in him, sometimes accompanied by his too-much-information type of honesty. What makes him seem maniacal are his eyes, but they are also what make him seem angelic. There’s an amazing play of hard and soft, and people like that. Women like that homicidal lunatic that is dangerous but also tame and sweet. He shrugs: ‘I guess. When you play a bad guy, there’s never just one note. Even killers want to be loved.”
[movies] Various celeb quotes and stories on Christopher Walken … ‘I was riding in a car with Christopher and some other people, going to our location. [while filming Communion] It was a fairly long drive, through beautiful countryside, and it started to get too quiet, so Christopher started singing “Mac The Knife” in Yiddish!’ [via Fark]
[comics] Roger Ebert on Ghost World … ‘Seymour and Enid are too similar to fall in love; they both specialize in complex personal lifestyles that send messages no one is receiving. Enid even offers to try to fix up Seymour, but he sees himself as a bad candidate for a woman: “I don’t want to meet someone who shares my interests. I hate my interests.”‘ [via Link Worthy]
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August 7, 2001
[quote] ‘You’ve become a significant threat to the national security structure. They would have killed you already but you got a lot of light on you. Instead they’re trying to destroy your credibility. They already have in many circles in this town. Be honest, your only chance is to come up with a case. Something, anything. Make arrests, stir the shit storm, hope to reach a point of critical mass that’ll start a chain reaction of people coming forward, then the government will crack. Remember, fundamentally people are suckers for the truth — and the truth is on your side, Bubba.’
[comics] Anticipating a ‘Ghost World’ — Time on Clowes and Zwigoff’s Ghost World … ‘…most importantly the Clowes sensibility has successfully made it into movie theaters. It’s too bad that it takes a movie to expose vast numbers of people to Clowes’ pessimistic universe of the lummoxes, schlubs, and dorks who made the Wendy’s foodchain possible and who write “comix” review columns on “the web.”‘ [via Comic Geek]
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August 5, 2001
[lists] Five awful films I’m embarrassed to say I’ve watched:
Death Ship ‘Out Of A Sea Of Endless Terror… Into A World Of Eternal Damnation.’
Raise The Titanic ‘They said that God himself couldn’t sink it. Now they say that no man could raise it.’
Eyes Wide Shut ‘So, because I’m a beautiful woman, the only reason any man wants to talk to me is because he wants to fuck me? Is that what you’re saying?’
Airport ’77 ‘All new, bigger, and more exciting than AIRPORT 1975!’
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[lists] Five good films I’m embarrassed to say I’ve never watched:
The Conversation … ‘I’m not afraid of death, but I am afraid of murder.’
Paths of Glory … ‘BOMBSHELL! the roll of the drums… the click of the rifle-bolts… the last cigarette… and then… the shattering impact of this story… perhaps the most explosive motion picture in 25 years!’
The Deer Hunter … ‘Stanley, see this? This is this. This ain’t something else, this is this!’
The Night of the Hunter … ‘The wedding night, the anticipation, the kiss, the knife, BUT ABOVE ALL… THE SUSPENSE!’
Dog Day Afternoon … ‘The robbery should have taken 10 minutes. 4 hours later, the bank was like a circus sideshow. 8 hours later, it was the hottest thing on live T.V. 12 hours later, it was all history. And it’s all true’
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August 2, 2001
[movies] Interesting review of Apocalypse Now Redux … ‘Col. Kilgore (Robert Duvall), the surfing-obsessed, napalm-crazy Air Cav honcho, the additional minutes are more than a madness bonus. They excavate contradictions in his character that were glimpsed only briefly in the ’79 cut, and make him seem both more monstrous and more human–more monstrous because he is more human. His interest in acid-tripping California surf god Lance Johnson (Sam Bottoms) now seems less like a middle-aged man’s power-juiced nostalgia trip than a prepubescent’s obsessive male crush. Kilgore dotes on this fair-haired visitor, monitoring his needs the way an old-school movie producer might pamper a star, and Lance–like Kilgore, a fancy cipher in ’79–responds with a stoner’s sense of privilege. (Refusing to surf in artillery-pounded waters, he says: "I’m an artist.")’ [via Robot Wisdom]
[comics] Salon has A Conversation With Terry Zwigoff and Daniel Clowes… ‘Collectors like us are usually all really troubled people who find solace in their dank apartments filled with decaying old stuff, and they’re often a trial to deal with. Of course, I live in my own little sanctum/sanatorium with all my books covered with Mylar. I collected a lot of sleazy ’50s and ’60s sex paperbacks and recently found one from 1968 called “Ding-a-Ling Broad.” It has the dumbest-looking woman that I’ve ever seen on the cover. It’s something that is an endless source of joy for me.’ [Related:Ghost World Movie Site, Salon Review, GW at IMDB, link via Seething Hatred]
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July 24, 2001
[linkage] I’ve just noticed that the Sunday Times has finally put articles from it’s glossy magazine on the website…
Bullitt over Broadway [Part 1 | Part 2 | Part 3] Brief study of Steve McQueen… ‘He grew more insecure with each film. “He wasn”t sure of what he was doing – and he wanted to do a really good job. He wanted order. If a director showed weakness, he would be replaced. And he was very possessive,” remembers Claxton. “He was like a child – at lunch he would order way over what he needed: two cheeseburgers, three chocolate milkshakes, two bags of fries. His attitude was, “Get it while you can, before they take it away from you.” He purposely didn’t carry any money around; he was very tight. He wouldn’t even tip baggage handlers at airports. He’d say, “No – they need to learn that life is tough.” ‘
The Hot Ticket [Part 1 | Part 2 | Part 3] Article about Tony Blair just before the last election… ‘Flying back from the Labour party spring conference in Glasgow, I am seated next to Anthony Charles Lynton Blair, almost entirely deaf. He holds his nose and blows hard, instructing me to follow his step-by-step example. ‘No, no, no, not like that, like this.’I fear bursting an eardrum. He shrugs; his view is that unless you push on with a project it’s hardly worth bothering.’
The Talented Mr Ridley [Part 1 | Part 2 | Part 3] Interview with Ridley Scott… ‘He had not won the Oscar for best director. That had gone to Steven Soderbergh for Traffic. Ridley had been there before, with Thelma & Louise, losing on that occasion to Jonathan Demme, the director of The Silence of the Lambs. This time, he said, he had two flash moments, the first being relief that he would not have to do his acceptance speech, the second disappointment at having come so close again. Then he thought, oh bugger, he’d have a vodka instead.’
[comics] Great interview with Eddie Campbell mainly about the From Hell movie at Ain’t it Cool News… ‘Alan said that, “We all know that serial murderers are not like this. They’re horrible nasty little men with bad hair-cuts!” So with Gull, we’ve created this colossal figure of evil. I hope we haven’t made him attractive. I actually have much admiration for the original Dr. Gull, who was the man who wrote the paper and gave the name to anorexia nervosa. And his name still pops up if you’re reading on thyroid conditions. He wrote the original medical papers on one or two subjects that are still very relevant today.’
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June 22, 2001
[comics] First review I’ve seen of the Ghost World movie…. ‘Just out of high school, Enid has vague plans to move away from home and into a starter apartment with best bud Rebecca (Scarlett Johansson). Slightly jealous of her pretty blonde pal, our bespectacled post-Goth heroine keeps bailing on the search for a new pad, although she’s clearly sick of living with her meek dad (Bob Balaban, in another of his superbly modulated outings). Adding to the tension between the girls is their mutual ardor for Josh (Brad Renfro), a blandly handsome schoolmate without much evident interest in either of them. (This aspect of the situation, uncharacteristically for the movie, is rather more muted than it is in the comic.) Throwing things out of whack, and eventually into focus, is Enid’s chance encounter with Buscemi’s Seymour, a sad-sack record collector — an amalgam of Zwigoff himself and various Crumb brothers.’ [via Comic Geek]
[reboot] ‘Why don’t you knock it off with them negative waves? Why don’t you dig how beautiful it is out here? Why don’t you say something righteous and hopeful for a change?’
[film] The Independent profiles Jerry Bruckheimer. ‘… [Bruckheimer] was one of the originators of high concept in Hollywood. We are talking high not as in high art or high church, but as in the height of a pile of $100 bills starting from the floor and reaching up to the top of Bruckheimer’s utterly groomed grey hair. Mention what critics say about his movies and he gives a shit-eating grin in which his heavy lower lip falls further. Critics don’t have points on the gross, he says. And critics aren’t necessary in show business. As befits any apostle of high-concept movies, Jerry Bruckheimer is instantly understandable: mystery, doubt, ambiguity and concealment are anathema to him.’
[goodfellas] Henry Hill: The Return of the Goodfella — profile of Henry Hill and new website Good Fella Henry… ‘No longer in the witness protection programme, Hill none the less has to lie low. This means giving his address only to close friends, keeping Rottweilers, and staying away from the old neighbourhoods, especially Brooklyn. Occasionally, he will try a disguise. “If I go to the racetrack, I put a hat and glasses on, and I take my teeth out. You can’t recognise me, trust me.”‘
[falling knob?] Urban Myth — Does C3PO have a “oversized penis” on A Star Wars trading card? ‘The current theory is that at the exact instant the photo was snapped, a piece fell off the Threepio costume, and just happened to line up in such a way as to suggest a bawdy image. The original contact sheets from the photo-shoot attests to this. They are not retouched in any way, yet still contain the same image.’ [via Fark]
[film] Chosen — Ang Lee produces a six minute on-line film promo. ‘The Driver meets a ship carrying an eight-year-old Tibetan boy at a dark, deserted New York shipyard. But he?s not the only one waiting. Ang Lee, director of the Oscar-winning Crouching Tiger, Hidden Dragon and star Clive Owen create a thrilling, yet beautiful, tale filled with mystery.’
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May 2, 2001
[comics] Interesting interview with Kevin Smith about comics mainly… ‘It’s so sad that there are people who feel that comics’ salvation lies in mainstream acceptance, because it implies that comics are a dying artform. They’re not. Comics don’t need to be saved. Comics aren’t going anywhere. There will always be a comic book field, despite all the nay-saying braying of a group of Chicken Little’s, who feel like they have their finger on the pulse of a medium that’s been around far longer than their two-bit opinions of it. What fans/critics/pundits need to understand is that comics are a rarefied medium, and that they’ll never be able to compete with movies and television (or video games; or the internet; or even mimes). Just accept that and be happy with the audience that IS out there, and do your best to keep them entertained. Cater to them relentlessly with hero books and non-hero books alike. Hell, there are enough fans of both! But don’t slap them in the face by telling them constantly that they’re not enough. Heavens, love the one you’re with, you know? Besides, what kind of insecure soul would crave mainstream acceptance anyway? Aside from Warren Ellis?’
[movies] Movie Mistakes…. Massive list of mistakes in Titanic include: ‘One of the misconceptions about the upper class and steerage passengers is that they were separated solely due to class reasons. First and I believe second class passengers had medical certificates that say they were free of disease, so they didn’t have to pass through any kind of port check when they landed. One way of guaranteeing this was to keep them totally separated. This was common practice on the ocean liners of the time. Jack’s being able to get into first class wasn’t just improbable it was potentially dangerous.’ [via Chris]
[profiles] Barry Norman: Films ain’t what they used to be — the Independent profiles the film critic… On why he’s retiring: ‘”It’s not as much fun as it used to be,” he says. “The film industry has changed, and I find it slightly depressing that almost all the big movies coming out of Hollywood next year are based on comic books. Even Ang Lee’s doing one. Also, the one person who’s always been low on the totem pole in the movie industry, the writer, is now lower than ever before.”‘
[movies] Another memoir about Stanley Kubrick — this time from Wendy Carlos who did the soundtracks for The Shining and A Clockwork Orange…. ‘You can understand why recent attempts since his death to paint a revisionist (revisionary “historians” — right out of Orwell — feh!) image of Kubrick as some kind of warm and fuzzy fond old uncle are both ignorant and bizarre. The world has plenty of avuncular supportive seniors already. What’s in short supply in the world is Stanley Kubricks: artists who will spare no effort to do work of the highest caliber. Yes, it’s impractical, and not a role most artists are able to inhabit with comfort, unless you command the respect and financial support system he needed.’ [thanks Luke]
[movies] The truth about Kubrick. ‘…although one of the few critical remarks is Woody Allen’s statement that he was utterly baffled by 2001: A Space Odyssey the first time he saw it. Introducing a new 70mm copy of the film in London earlier this week, Harlan tried to help out. “On a bad day Kubrick wouldn’t answer the question. But on a good day I think he might have said the film was made by an ignoramus about the unknowable. He might have said – if he didn’t think it was too pompous – that he wanted to take the audience into a place that he actually couldn’t imagine himself all that well. He was really a self-taught and very learned man and he guessed that, even then, he knew very little. He wasn’t at all religious but he had a very strong sense that there were mysteries, within and outside our world, that he could never begin to solve.”‘
[movies] The Independent profiles Steven Soderbergh just before the Oscars on Sunday Night. ‘Chances are it is Monday morning, not Sunday night, that Soderbergh is most looking forward to. With him, it is always the work that counts, nothing else. (As he once wrote: “The fun part is making them. The rest is crap.”) He’s built quite a reputation for himself as the ascetic about Hollywood ? working constantly, focussing everyone’s attention on the film and the film alone, dodging the studio politics, shooting fast with relatively few takes, coming in on time and under budget, doing the publicity rounds quickly and politely, and then moving on to the next project.’ [Related Links:Soderbergh at IMDB, Ocean’s Eleven at Upcoming Movies]
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March 22, 2001
[movies] The Independent interviews James Coburn. ‘James Coburn is 72, Gwyneth Paltrow is 28: what else is there to say? James Coburn isn’t likely to be fending off asteroids or refighting the Second World War at a multiplex any time soon. Nor will he be modelling underwear in Harpers & Queen. Older audiences may have fond memories of his outings opposite Steve McQueen, or his collaborations with Sam Peckinpah on Major Dundee, Cross of Iron and Pat Garrett and Billy the Kid. He may still be a terrific actor, with his rich bass-baritone voice, his magnetic blue eyes and thick white hair, and his dogged application of technique learned over more than 40 years. But the hard truth is that most of Hollywood’s key marketing demographic, the 15- to 24-year-old age bracket, has never heard of him.’
[fanfic] Internet fan fiction never ceases to amaze me… The Frog Brothers (the comic shop owning vampire hunters from the Lost Boys) have their own fan fiction…. ‘”I’m telling you, the Superman number one-eighteens do not belong with the two hundreds,” Sam Emerson complained. On this warm, summer evening, the Frog brothers were entertaining their friend inside the family-owned Frog’s Comics, the best comic book store on the Santa Carla Boardwalk. “When are you guys going to get that straight?” Sam continued his gripe. “Sorry, Sam,” said Edgar in the gruff voice that was his trademark. “We’ve been too busy ridding the world of evil to arrange our shelves to your liking.”‘ [Related Link:Lost Boys Fan Fiction]
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February 28, 2001
[comics] Queueing up to make superhero movies. It went under ‘WTF?’ a couple of months ago but Ang Lee *is* going to do a Hulk Movie… ‘…the allure of the Hulk’s irradiated tantrums for Ang Lee appears less clear-cut – until you recall just how unlikely the idea of such a subtle director making a martial-arts movie once sounded, and how sublime the results turned out. Indeed, many of the motifs of Lee’s films find an echo in the story of wide-eyed scientist Bruce Banner struggling to control his over-sized inner child. For a start, there are the strong female characters (in this case, Betty Ross, daughter of the US general intent on eliminating the Hulk); and the indifferent hand of fate as the hapless physicist finds himself increasingly consumed by his strange powers. Most persistently, there is the creeping sense of isolation; or, as the Hulk himself once put it, the knowledge that where he walks, “he walks alone!”.’
[film] Frank Sinatra is Dirty Harry… maybe in an alternate universe… ‘The script, Dead Right, was first offered to Frank Sinatra and Paul Newman. Sinatra nearly had the role, but had to turn it down due to a wrist injury prior to filming. Newman was concerned about the political message of the film, and is said to have suggested Eastwood for the part. It’s also rumoured that the role was intended for John Wayne, but that he declined due to the violent nature of the film. The original character of Dirty Harry was that of an older, New York cop nearing retirement. After the role went to Eastwood, the part was rewritten to accommodate more action sequences.’
[film] Interesting profile of Sir Anthony Hopkins in the Independent… ‘Curiously, for an actor not much given to self-revelation or confessional performance, one of his most candid recent roles is that of the actor Anthony Hopkins – delivered in Barclay’s ill-fated “Bigger is better” adverts. In the ad Hopkins was seen in a variety of Los Angeles locations, always alone and hymning the virtues of size. No one is interested in the little picture, he says at one point, and no one wants to make it little. It was, in its way, a personal declaration of independence – from British restraint and constrainment, from personal reticence.’ [Related Links:Hannibal at IMDB, Hannibal Lecter at E2]
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February 16, 2001
[film] Film Unlimited reviews Hannibal. ‘So much has happened since Dr Hannibal Lecter murmured his farewells to agent Clarice Starling over the phone in 1991. Jeffrey Dahmer, the most prominent of America’s un-charming, un-cultured serial killers, has been beaten to death in Portage state prison, Wisconsin, by another inmate, without benefit of chianti or fava beans. British enthusiasm for psychological profiling as the new rock’n’roll came to an embarrassed halt with the collapse of the Colin Stagg prosecution over the Wimbledon Common murder.’
[film] Dammit, Dave — David Mamet writes 2001… ‘Hal: Dave. Look. Bowman: You’re not going to… Hal: What? Open the doors? No. No I am not. Bowman: Well, fuck me, Hal. Hal: Yes. Fuck you. Because I’ll tell you something. Trust. There is a bond of trust between an astronaut and his computer. Is there not? And when that trust is broken… Bowman: Excuse me?’ [via the Warren Ellis Forum]
