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8 September 2022
[tintin] Fake Tintin – The Horror of LV-426 … I will never tire of fake Tintin/Alien mashups.

Fake Tintin - The Horror of LV-426

9 January 2019
[comics] Tintin in Neo-Tokyo … Tintin and Akira Mashed Up.

24 January 2012
[comics] What If Herge And H.P. Lovecraft Had Collaborated?

19 October 2011
[comics] How could they do this to Tintin? … another negative look at Speilberg’s Tintin Movie – this time from Nicholas Lezard … ‘As it is, the film has turned a subtle, intricate and beautiful work of art into the typical bombast of the modern blockbuster, Tintin for morons, and the nicest things one can say about it are that there’s a pleasing cameo of Hergé himself in the opening scene, the cars look lovely, indeed it is as a whole visually sumptuous, and (after 20 minutes or so of more or less acceptable fidelity; and the 3D motion-capturing transference of the original drawings is by far the least of the film’s problems) it usefully places in plain view all the cretinous arrogance of modern mass-market, script-conference-driven film-making, confirming in passing that, as a director, Spielberg is a burned-out sun.’
18 October 2011
[comics] The Adventures of Tintin: The Secret Of The Unicorn – Review … a disappointing look of Speilberg’s Tintin film: ‘…while the big set pieces are often exuberantly handled, the human details are sorely wanting. How curious that Hergé achieved more expression with his use of ink-spot eyes and humble line drawings than a bank of computers and an army of animators were able to achieve. On this evidence, the film’s pioneering “performance capture” technique is still too crude and unrefined. In capturing the butterfly, it kills it too. What emerges is an array of characters (puffy, moribund Haddock; opaque, inexpressive Tintin) that may as well be pinned on to boards and protected by glass.’
13 June 2011
[comics] Unpublished Tintin: The Hugged Face … by Dan Hipp … [via The Forbidden Planet International Blog Log]

The Hugged Face - A Lost Tintin Book

4 August 2009
[comics] Predator vs. Tintin

Tintin vs. Predator

16 October 2006
[comics] Castafiore Can’t Say Haddock! — a list of Bianca Castafiore’s mispronunciations of Captain Haddock’s name in Tintin … ‘The Castafiore Emerald, page 6, frame 4a: Captain Bartok. (frame 4b: Haddock responds: Haddock, by thunder, Signora Castoroili! … Haddock!)’ [via Tom Morris]
12 October 2006
[comics] Tintin Cars — a website which compares the cars Hergé drew in Tintin with photos of the real cars. [thanks Alister]
3 July 2006
[comics] From Zero to Hero — How does Hergé’s Tintin compare to great literature? ‘…should we now claim, posthumously, on Hergé’s behalf, that in fact he was a writer, and a great one? My short answer to this question is: no. My longer answer is that the claim we should make for him is a more interesting one. And it revolves around two paradoxes. The first is that wrapped up in a simple medium for children is a mastery of plot and symbol, theme and sub-text far superior to that displayed by most “real” novelists. If you want to be a writer, study The Castafiore Emerald. It holds all literature’s formal keys, its trade secrets – and holds them at the vanishing point of plot, where nothing whatsoever happens.’
2 June 2006
[comics] In praise of … Tintin — from today’s Guardian Leader … ‘Journalists envy Tintin as a reporter who never feels pressure to file a story, but everyone else can just enjoy the plots. The early books are of their period, stereotyping Africa and Africans but, from the Blue Lotus on, Tintin sides with the oppressed, fighting Nazis, communists and capitalists alike.’
29 September 2005
[comics] Tintin ventures into India’s rural markets — BBC News looks at the success of Tintin in India … ‘For the curious, Captain Haddock’s “blistering barnacles” translates unexpectedly as “bhadakte hue baingan” (literally, “angry aubergines”). “Thundering typhoons” comes out as “toofani lehren”.’
6 October 2001
[comics] To be Precise, Tintin — another look at Michael Farr’s Tintin – The Complete Companion‘In a career of more than 50 years, Hergé produced only 24 Tintin books. Had he been less meticulous, he might well have been a lot more prolific, but I doubt he would have ended up being so widely loved and admired. Picking up a Tintin book the other day for the first time in many years, I found myself torn between a narrative-driven urge to race through the frames as quickly as possible and an impulse to linger and wallow amid the lovingly realised visual detail, the brilliant evocation of time and place. I don’t think there are any other books which made quite such an impact on my childhood imagination as Tintin.’
2 October 2001
[comics] Tintin’s Nazi Spin — review of Tintin: The Complete Companion by Michael Farr. On Hergé’s war years: ‘…even Farr struggles to offer a positive explanation for The Shooting Star, written in 1941, about a European expedition to recover a meteorite from Arctic waters. In the wartime version of the adventure the rival expedition is American and funded by a sinister Jewish financier called Blumenstein. In later editions the financier was changed to Bohlwinkel and the country to Sao Rico, but the unmistakably anti-Semitic caricature remained.’
27 February 2001
[comics] Tintin in Thailand — a complete set of scans from the “lewd” comic strip which “shocked Belgium”… [via lukelog]
15 February 2001
[more tintin] David’s Favourite Captain Haddock Curses‘Fancy-dress fascist! Ostrogoth! Duck-billed platypus! Phylloxera! Logarithm! Jellied-eel! Macrocephalic baboon!’ [via Vavatch Orbital]
[comics] Hergé is spinning in his grave… Tintin in Thailand. ‘In another scene that is likely to anger fans of the comic strip, Tintin is pictured in a gay escort bar called “Sexy Boy”, where he is propositioned by two male Thai hosts. The album also contains graphic scenes of sodomy involving Snowy and Tintin’s Chinese friend Chang.’ [Related Links: Official Tintin site, BBC News Report]