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[comics] Once Upon A Time: Kirby’s Prisoner … Charles Hatfield examines Kirby’s adaptation of The Prisoner. ‘The Prisoner must have appealed to Kirby the storyteller on a gut level, as it raised philosophical questions in a disarmingly accessible form. McGoohan and Co. used the then-popular spy genre for all it was worth – despite its intellectual ambitions, and portentous tone, The Prisoner was filled with chases, fisticuffs, and intrigue; its thematic conceits were grounded in a credible, almost palpable world. In short, the series used a familiar genre, and a hard-hitting style, to allegorize weighty issues. Sound familiar? This might be a capsule description of Kirby’s Fourth World. Just as The Prisoner had treated the spy genre as an intellectual vehicle, Kirby had tried to make the superhero comic a platform for ideas. Kirby’s Prisoner, in the wake of the Fourth World, represents another attempt to wring significance and depth out of his style – a style forged in juvenile adventure comics yet responsive to Kirby’s own preoccupations and concerns.’

More on Kirby’s Adaptation of The Prisoner

This entry was posted on Friday, April 20th, 2018 at 11:45 am and is filed under Comics.

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