[movies] The Real Deal — an exhaustive examination of all the various versions of Blade Runner and a look at what’s different in the Final Cut [via Feeling Listless] …
Scott’s final cut — was painstakingly assembled from original elements, including the original 65mm negative. De Lauzirika has been working on it over a seven-year period. “And this time, Ridley approved every single thing that went into it — every single cut, every single effect,” he says. “We’re right back to square one,” Galvao says of The Final Cut elements. “We scanned the cut negative, plus the negatives we dug out of vaults in England, here at Warner Bros., and [co-executive producer] Jerry Perenchio’s vault as well. We went through and viewed every frame of every roll that we could find.” “Honestly, I got to go through 977 boxes and cans of mag, IP, INs, 65mm visual effects comps, 35mm original dailies … everything ever printed,” de Lauzirika says.
More on the Blade Runner Final Cut
This entry was posted on Sunday, October 7th, 2007 at 8:31 am and is filed under Blade Runner, Movies.
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