[moore] Alan Moore and literature’s fascination with the fourth dimension … a look at Alan Moore’s conception of time in Jerusalem and earlier comics … ‘In Jerusalem, Moore makes these mysterious topographies known. Here, the fourth dimension is both temporal and spatial—as much a way of seeing as a thing unseen. Moore’s fourth dimension is both conceptual (i.e., a collapse of temporal moments, like Vonnegut’s “beads on a string” or Dr. Manhattan’s “intricately structured jewel”) as well as a material plane, called Mansoul, invisible to the naked eye, home to all manner of mystical and supernatural creatures. It’s very much the stuff of escapist high fantasy, like a 4-D Narnia. The extra-dimensional level of Jerusalem is place of “twisting crystals” and “ghost-seams” and afterlife academies, where characters use the made-up word “wiz” as linguistic copula that refers to something happening across the caved-in tenses of past, present and future. Back on the solid, three-dimensional footing of Earth, an eccentric artist called Alma Warren attempts to represent this mystical, magical realm, informed by recollections from her brother, who was transported there as a child.’

Alan Moore and the Fourth Dimension

This entry was posted on Thursday, September 1st, 2016 at 12:45 pm and is filed under Alan Moore, Books, Comics.

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