James’s fondness for cheese is believed to be a matter of which no one in this earthly sphere is unaware. For a time, it was assumed that there were some remote peoples still untouched by his rennet-based droning, but in that recent aerial footage of the uncontacted Amazon society, the tribe was seen to have arranged a collection of bones and earthenware shards into the words: “PLEASE STOP ALEX JAMES GOING ON ABOUT BLOODY CHEESE.”

ART is for weeds and sissies whose mater hav said Take care of my dear little Cedric, he is delicate you kno and cannot stand a foopball to the head. Whenever anebode mention Art they all sa gosh mikelangelo leenardo wot magnificent simetry of line. Shurely the very pinnackle of western civilisation etc.etc. Pass me my oils Molesworth that I may paint my masterpeece. The headmaster sa gosh cor is that the medeechi venus hem-hem a grate work so true to life reminds me of young mrs filips enuff said.

Molesworth sa on the contry the most beatiful form in art is a Ronald Searle GURL from St Trinian’s in a tunick with black suspenders and armed with a hockey stick to beat the daylites out of another gurl or maybe just a teacher chortle chortle.

I came to the conclusion that the brain, in sectioned form, was still in the possession of the pathologist who removed it from the Einstein head, Dr. Thomas Harvey. I tracked him down in Wichita, Kansas. At first he didn’t want to tell me anything, but after a while he finally admitted that he had the brain. After a longer while, he sheepishly told me it was IN THE VERY OFFICE WE WERE SITTING IN. He walked to a box labeled “Costa Cider” and pulled out two big Mason jars. In those were the remains of the brain that changed the world.

The most dangerous man in Silicon Valley sits alone on many weekday mornings, drinking coffee at Il Fornaio, an Italian restaurant on Cowper Street in Palo Alto. He’s not the richest guy around or the smartest, but under a haircut that looks as if someone put a bowl on his head and trimmed around the edges, Steve Jobs holds an idea that keeps some grown men and women of the Valley awake at night. Unlike these insomaniacs, Jobs isn’t in this business for the money, and that’s what makes him dangerous.

I wish, sometimes, that I could say this personal computer stuff is just a matter of hard-headed business, but that would in no way account for the phenomenon of Steve Jobs. Co-founder of Apple Computer and founder of NeXT Inc., Jobs has literally forced the personal computer industry to follow his direction for fifteen years, a direction based not on business or intellectual principles but on a combination of technical vision and ego gratification in which both business and technical acumen played only small parts.

Steve Jobs sees the personal computer as his tool for changing the world. I know that sounds a lot like Bill Gates, but it’s really very different. Gates sees the personal computer as a tool for transferring every stray dollar, deutsche mark, and kopek in the world into his pocket. Gates doesn’t give a damn how people interact with their computers as long as they pay up. Jobs gives a damn. He wants to tell the world how to compute, to set the style of computing.

Bill Gates has no style; Steve Jobs has nothing but style.

A friend once suggested that Gates switch to Armani suits from his regular plaid shirt and Levis Dockers look. “I can’t do that,” Bill replied. “Steve Jobs wears Armani suits.”

Think of Bill Gates as the emir of Kuwait and Steve Jobs as Saddam Hussein.

Like the emir, Gates wants to run his particular subculture with an iron hand, dispensing flawed justice as he sees fit and generally keeping the bucks flowing in, not out. Jobs wants to control the world. He doesn’t care about mantaining a strategic advantage; he wants to attack, to bring death to the infidels. We’re talking rivers of blood here. We’re talking martyrs. Jobs doesn’t care if there are a dozen companies or a hundred companies opposing him. He doesn’t care what the odds are against success. Like Saddam, he doesn’t even care how much his losses are. Nor does he even have to win, if, by losing the mother of all battles he can maintain his peculiar form of conviction, still stand before an adoring crowd of nerds, symbolically firing his 9mm automatic into the air, telling the victors that they are still full of shit.

You guessed it. By the usual standards of Silicon Valley CEOs, where job satisfaction is measured in dollars, and an opulent retirement by age 40 is the goal, Steve Jobs is crazy.

And with that he’s off again. Of Salman Rushdie, who once gave him a terrible review in the New York Times, he says: “That flaccid fuckhead. He was detestable. I called up the Ayatollah, nobody knows that.” Roald Dahl: “The cruelty in his books is off-putting. Scary guy. I know he’s very popular but what’s nice about this guy? He’s dead, that’s what’s nice about him.” Stephen King: “Bullshit.” Gwyneth Paltrow: “I can’t stand her.”

I’m thinking about the great American physicist, Richard Feynman, sitting in New Mexico, at the bed of his dying wife. He’d been called, and told that she had only hours to live; he’d hitchhiked from Los Alamos, where he was working on the top secret atomic bomb project. It was 1945.

He walks to her bedside, kisses her; she is breathing shallow breaths. We are still at war and six weeks later, America will explode its first atomic bomb. He stands there, sits there, watches her, kisses her, and very quietly, the Hodgkin’s disease that had attacked her young body takes her. She was in her 20s, he was 27. They’d been married only two years. The nurse records the time of death: 9:21 p.m. He is empty with loss. What few things she had, he packs up; he arranges for a cremation, walks back into her room and sees that the clock had strangely stopped ticking. The hands are frozen at 9:21, the very moment of her death.

I know how this story would feel to me. It would be as though the universe had somehow noticed what had happened, that some invisible hand slipped into my world and pointed, as if to say, “We know. This is part of the plan.”

So many of us, I think, would have this sense. Lawrence Krauss, in his new biography of Feynman, Quantum Man, says, “We seem to be hard-wired to find that what happens to each of us naturally appears to take on a special significance and meaning, even if it’s an accident.” But Feynman, he says, was unable to think that way. He couldn’t and he wouldn’t.

What he did was, he remembered that the clock had been fragile. He had been asked to fuss with it; he’d fixed it several times. In his memoirs (that is, in his version of this story), he says the nurse must have picked up the clock to determine the time of death, unsettled the workings inside, and the clock stopped. No miracle. Just an ordinary, accidental jostle. Here he is, describing a moment of enormous significance, and he won’t allow a Signifier.

At one point, he says, a senior editor at the Sun made a point of sending him a message via another Labour MP: “Tell that fat bastard Watson we know about his little planning matter.” This, he says, was a reference to his application to put a conservatory on his family home in the Midlands: a typical “non-newsy, low-level thing” that played its part in making him “start to think like a conspiracy theorist”.

Then – in 1995 – Murdoch begins to change. He decides he likes Tony Blair and tells [Woodrow] Wyatt he may support him at the coming election. Wyatt can’t believe it. He had thought that Murdoch would always support the Conservatives.

And then Murdoch does something worse. He tells the editor of the News of the World to cut back on the column that he had allowed Wyatt to write every week.

Wyatt is in despair. There is a wonderful moment in the diaries when Wyatt sleeps all night on the floor of his study next to the phone waiting for Murdoch to ring.

He never does.

…he decided to finish the battle on his own terms. Even when we went to Dignitas,” Lavis recalls, “it was, ‘I’m pulling the pin on the hand grenade. I’m murdering MS. It’s not murdering me.’”

So her father was a hack?

“My father,” she said, “was a literate, sophisticated, erudite man.”

He was?

He loved Dickens, she said. “He was a great Joycean.”

He was?

“He corresponded with F. Scott Fitzgerald. He had aspirations to be that kind of writer.”

She seemed uncertain where to go with this.

Finally: “He hated the Hardy Boys.”

What a shame, I remark, that he never got to work with Stanley Kubrick, the king of the neverending takes. And with that, Reeves is off and running.

“I would’ve been his wet dream!” he enthuses. “After take 400, Kubrick would’ve been, [adopts grizzled Brooklyn accent] ‘All right, cut!’ and I’d be, like, ‘Stanley, can I do one more?’ ‘Whaaat?’ ‘Look, I know I’m just drinking this glass of water, but I think I can find another side to this. Let’s just do one more, OK?’ ‘Arrrgh, OK, Reeves.’ You know what? I would’ve broken Kubrick. ‘Please, sir, can I have some more?’ ‘Take 600. All you gotta do is walk across the road.’ ‘Come on, Stanley, one more!'”

Yet just as we feel all hope is lost and we sink back into the miasma, back to the shadow world of ghosts and gods, a miracle arises; everywhere before the direction of self interest is known, people yearn to see where its compass points and then they hunger for truth with passion and beauty and insight. He loves me. He loves me not. Here then is the truth to set them free. Free from the manipulations and constraints of the mendacious. Free to choose their path, free to remove the ring from their noses, free to look up into the infinite voids and choose wonder over whatever gets them though. And before this feeling to cast blessings on the profits and prophets of truth, on the liberators and martyrs of truth, on the Voltaires, Galileos, and Principias of truth, on the Gutenburgs, Marconis and Internets of truth, on those serial killers of delusion, those brutal, driven and obsessed miners of reality, smashing, smashing, smashing every rotten edifice until all is ruins and the seeds of the new.

‘He went to the computer that he was using to write the script. He typed, marked, cut, pasted, while I faked interest. When he was finished with the routine, Christiane phoned to say that dinner was ready. As we left, I reminded him that he hadn’t turned the computers off.

“They like to be left on,” he said ironically, factually, tenderly.

He had sold, he believed, between 25 and 35 million copies of The Longest Day and 400,000 hardcover copies of The Last Battle in the United States alone. Yet each book had cost him some $150,000 to research. “I have no less than 7,000 books on every aspect of World War II. My files contain some 16,000 different interviews with Germans, British, French, etc,” he wrote. “Then there is the chronology of each battle, 5×7 cards, detailing each movement by hour for the particular work I’m engaged in. You may think this is all a kind of madness, an obsession. I suppose it is.”