LinkMachineGo

[profile] Sir Paul McCartney: Give War A Chance — McCartney on his reaction to 911: ‘It’s like we used to live with this thing every Christmas in London, where the IRA would say, “We’re doing a bombing campaign.” And we’d go, “How irksome, I hope it doesn’t hit me when I’m shopping.” After the New York attack, my attitude was like, screw you man, just screw you. I’ve got kids living in London. Are you gonna do a bombing campaign? How dare you? If you want to take my kids out — well, screw you. Come and talk about it, right in my face baby.’

[history] Inspired by Tom… here is some of my Internet History…

Usenet: Voting yes to the creation of rec.arts.comics.alternative in 1994. [This is the earliest thing I can find… always the comic geek!]
More Usenet: I admit to liking Punisher Vs. Archie in 1995…
First Webpage: Grant Morrison Comixography on Wraithspace. [The archived page is from 1999 but I started to compile the list in 1995]
First Website: The Grant Morrison Comixography. 1996-2000. Requiescat In Pace. Later became TimeMachineGo.
First attempt at a Weblog: Vision Thing in 1999. [Lasted two days!]
First Useful Website: Recently Updated UK Weblogs. Later merged into GBlogs.

[war] Simpson of Kabul — the Guardian profiles at John Simpson and does a brief history of war correpondants such as Max Hastings… ‘Hastings, then a 38-year-old reporter for the Evening Standard, single-handedly “took” Port Stanley when he walked alone through the British lines on the last day of the Falklands war. Hastings, son of the war correspondent Macdonald Hastings, said: “I thought, if I can walk up that road and get there first and survive and not get shot, I can bore everybody to death for the next 20 years talking about it.” Other correspondents called him “an insufferably pompous, bumptious egotist”.’ [Related: Steve Bell on John Simpson]

[reaction] Oliver Stone’s Chaos Theory — Stone discusses 911 and a film on terrorism…. ‘You show the Arab side and the American side in a chase film with a ‘French Connection’ urgency, where you track people by satellite, like in ‘Enemy of the State.’ My movie would have the C.I.A. guys and the F.B.I. guys, but they blow it. They’re a bunch of drunks from World War II who haven’t recovered from the disasters of the sixties?the Kennedy assassination and Vietnam. My movie would show the new heroes of security, the people who really get the job done, who know where the secrets are.” And who would that be? His eyes roamed, searching and sad. “I don’t know yet.”‘

[war] The Liberation of Kabul … eyewitness report from John Simpson. ‘As we walked into Kabul city we found no problems around us, only people that were friendly and, I am afraid, chanting “kill the Taleban” – although as we understand it there are not going to be that many Taleban around. It felt extraordinarily exhilarating – to be liberating a city which had suffered so much under a cruel and stifling regime. It was 0753 local time (0323 GMT) and Kabul was a free city, after five years of perhaps the most extreme religious system anywhere on earth.’

[books] The lost children — more on Philip Pullman from the Sunday Times. ‘…he can’t say all the classic children’s books perpetuate unblemished childhood. What about Enid Blyton’s Famous Five who often unearthed adult wrongdoing? Here, Pullman makes a remarkable confession: such realism is taboo today. “You can’t have your heroes and heroines going off by themselves to camp on an island. The publishers wouldn’t let you do it. There are all sorts of health and safety problems, paedophiles and goodness knows what else. The fear is that children are so stupid they’ll copy what they see in books. “So in order to give children adventures now, you either have to set it in the past when that sort of thing was allowed, or in another world where the rules are different. But you can’t do it realistically.”‘ [via Haddock]

[film] Hollywood’s hottest fifty-something — an interview with Terry Zwigoff … ‘This woman called me last week from New York. She said, “We’re doing an ad for Gap, and we want you to be in it.” I said, “To be in it? What do you mean? You want me to direct?” “No, we want you to be on the billboard, wearing Gap clothes. We’re doing this series of hip young film-makers.” I’m thinking, are they trying to make fun of me? Do they know what I look like? So I said, “I’m not young, I’m 53! I don’t wear a backwards baseball cap, I’ve got white hair on my arms! I’m about as unhip as they come!”‘

[profile] Leader of the pack — brief profile of American journalist Seymour Hersh … ‘Why aren’t there more reports like Hersh’s? “I don’t know,” he says. “You know, after September 11 Washington is a very unhappy and increasingly anxious town. We’ve got a very acute strategic problem. When they took out the World Trade Centre we had to get the response right and we didn’t get it right. The word for Washington now is ‘scary’ – it’s impossible not to get something for a story here.”‘ [Related: Escape and Evasion by Hersh]

[comics] Excellent interview with Neil Gaiman in January Magazine … On Sandman: ‘At the time that I was doing it, I was very much hoping that it would change things for the medium of comics. Looking back on it, I don’t think an awful lot. It did an awful lot for Sandman in that graphic novels are still out there, they still sell 80,000-odd a year, year in, year out in America alone. But what I was definitely hoping would happen was the same kind of thing that happened when I read Alan Moore was doing on The Swamp Thing. I went: Well, hang on. Here is someone writing stuff for adults and writing stuff with as much imagination and verve and depth as anything else out there: any other medium out there. I wasn’t going: Oh, I want to write Swamp Thing. I was going: Oh, I want to create my own one of these. It will be interesting to see if in a few years time, the generation that was raised on Sandman do actually start creating more literary and more interesting comics.’ [Related: Gaiman’s Website, link via Sore Eyes]

[distraction] Swear-o-Tron — takes the strain out of verbal abuse … ‘…big dog’s cock…’ [via Pete’s Weblog]

[film] Shallow Hal — Salon previews the next Farrelly Brothers film … ‘Hal (Jack Black) is a pudgy, not overly good-looking guy who, after taking the advice of his dying dad, nevertheless thinks he’s entitled to the most gorgeous babes. He and his pal Mauricio (Jason Alexander) spend most of their time comparing notes on which women are most perfectly suited to enter their dazzling orbit. They succeed with virtually none of them, of course, and can’t accept what they have on the rare occasions when they do. (Mauricio rejects his knockout of a girlfriend because her second toe is longer than her big one — this from a man who tries to disguise his baldness with what looks like a yarmulke of iron shavings.)’

[war] Things that jumped out at me while reading the Observer today …

Two months on, the new battles at Ground Zero — ‘…Ground Zero is all crooked, cruel ruins bayoneted on to steel mesh. Under the harsh glare of floodlights, the arm of a heavy crane lifts another limb of incinerated steel from the dunes of rubble. There is a flare, a burst of flame – for the buried fire still burns white-hot – and a pall of ghastly black smoke rises into the night, blocking the view of the illuminated Empire State Building. The stench of the plume is sickly-sweet; everyone knows what it is but no one says so. Only: “this is how Auschwitz must have stunk only diluted,” as one police forensic scientist remarked. “Fifteen hundred degrees down there,” says a fireman, “and still burning”.’

Bin Laden taunts the West: ‘I’m ready to die’ — ‘The full transcript of their discussions has yet to be released but it is clear they were wide-ranging. Bin Laden was, according to Mir yesterday, in “high spirits”. “He’s very healthy and he laughs a lot. Previously he was very softly spoken. Now he speaks like an experienced orator, he is very hard-hitting… There’s a big change in that man.”‘

Britain placed under state of emergency — ‘…will pave the way for indefinite imprisonment of foreign nationals who the Government suspects are terrorists, and comes less than 24 hours after warnings from America that Britain is a top target for Osama bin Laden’s al-Qaeda terrorist network. The move reveals the seriousness the Government places on the threat to Britain. Such orders can be used only in times of war or when there has been an event that puts the security of the nation at risk. Whitehall sources said the order would not be reviewed ‘for at least a year’.’

[furthur] “We are all doomed to spend our lives watching a movie of our lives – we are always acting on what has just finished. It happened at least 1/30th of a second ago. We think we’re in the present, but we aren’t. The present we know is only a movie of the past, and we will really never be able to control the present through ordinary means.” — Tom Wolfe quoting Ken Kesey’s philosophy in The Electric Kool-Aid Acid Test. [Related: Author and hippie icon Kesey dies]

[comics] Jack The Ripper: From Hell … a Master Mason comments on From Hell — the film and comic. ‘As unlikely as it may seem, From Hell is not simply a product of Hollywood greed or opportunism. It is based on a remarkable “graphic novel,” of the same name, by writer Alan Moore and artist Eddie Campbell. Graphic novels, a fairly new phenomenon, are pricey novel-length comics, most often published in quality paperback format and usually aimed at a teen or adult audience. From Hell, an engrossing retelling of the Jack the Ripper chronology, is possibly the most prominent graphic novel yet published. It weighs in at over 500 pages of a detailed story, with an additional 42 pages of notes and annotations, where Moore explains some of the more obscure details of Ripper history and gives reasons for choosing among the dozens of competing theories of who did what when. This is important to note because, despite the reputation of comic books for shallow plots and characters, From Hell, the graphic novel, is a multi-layered story that is more akin to the complex novels of Thomas Pynchon than to the simple comics of Walt Disney.’ [via I Love Everything]

[books] Driven by daemons — excellent profile and interview of Philip Pullman …‘He is emotionally involved. He sits in the shed and makes it up and he weeps, yes, weeps copiously at the tragedies that unfold. He frightens himself and upsets himself and makes himself laugh. If the story evangelises, it isn’t him that’s doing it. It is merely his nature to admire qualities such as courage, kindness, intellectual curiosity, inclusiveness and open-mindedness, and to deplore cruelty, intolerance and fanatical zealotry, but he wouldn’t dream of writing stories to promote that world-view. If stories teach, that is not his conscious intention. “It’s craftsmanship. Your aim must be to tell a story as well as you can, shaping it and bringing the emotional currents to their… peak of emotional swishing about. You turn the raw materials, and all those loose bits of imagination and experience and memory, into something that stands up like a table with four legs and that doesn’t fall over when you put your elbows on it.”‘

[school] Bullies Reunited …‘Bullies Reunited is a site for those of us who spent our schooldays tormenting, ridiculing and psychologically disturbing other children who were smaller, weirder, younger, poorer – or, indeed, richer than ourselves. Kids who wore glasses. Kids who walked a bit funny. Kids who needed go to the toilet too often.’ [via I Love Everything]

[tv] Turner’s Lost Love, CNN, Has A Doomsday Plan in the Can — great story on Ted Turner and CNN’s “end-of-the-world video”… ‘Turner, it seems, has been a doom-and-gloom kind of guy from the very day in June 1980 when he launched the cable network. He said then, as only he could, “We gonna go on air June 1, and we gonna stay on until the end of the world. When that time comes, we’ll cover it, play ‘Nearer, My God, to Thee,’ and sign off.” Ten years later, I’m told, Turner used CNN production facilities to create what he called his “end-of-the-world” video. Sources tell me it consists of a recording of “Nearer, My God,” over footage of a waving American flag. Turner is said to have ordered the tape locked away until it was determined that the world was about to end. “It was like a sign-off tape that you often see in the middle of the night,” says one source. “But to Ted, it was a sign-off forever.”‘ [via Follow Me Here]

[film] Go Ahead, Pinko Liberals, Make My Day … Guardian interview with John Milius. ‘The second world war has replaced the western as a morality play, as a venue where these things exist. The western is no longer the western; we’ve changed our attitude towards the Indians, the frontier, the open spaces. So the second world war is a much better place to say, “Here’s what you should measure up to be.” It’s no longer Shane. It’s Sergeant Rock.’

[tv] A Taxi Ride to Success — interview with Rob Brydon from Marion and Geoff … ‘Marion and Geoff was a series of exquisite ten-minute monologues delivered by Brydon in the character of Keith Barrat, a Welsh minicab driver. Keith spoke to us via a video camera mounted on the passenger side of his dashboard – mostly about his wife, Marion, his two children, Alun and Rhys (‘little smashers’), and his wife’s new partner, Geoff, the pharmaceutical salesman of the year. In the face of dreadful domestic and professional disappointment, Keith was endlessly optimistic – which only seemed to confirm the depths of his despair. “Beautiful day,” he would announce brightly, before looking up through the windscreen at the sky and adding, “Bit overcast. But Mr Bluebird’s on my shoulder.”‘

[tea] Stupid Christmas Gift Ideas from LinkMachineGo… for the tea drinker in your family. ‘Your favorite sipping spot isn’t always equipped with a place to park your soggy tea bags. This 12 oz. ceramic mug has a built-in bag holder. use it to carry your fresh tea bag to a favorite spot, brew your tea, then tuck used bag into pocket and sip your tea while its hot.’ [via The Daily Chump]

[comics] The Best of the Marvel and DC Comp Boxes — Mark Millar does brief reviews of last months comics… Millar on Marvel’s Alias: ‘Ah, Bendis. I love you. Who else would have Luke Cage shagging the title character up the arse in the opening issue of a new Marvel comic? I haven’t read issue two yet, but the buzz seems to be really building on this so I’m looking forward to it.’ [Kinda Related: JinxWorld]

[tv] You ask the questions: Louis Theroux … ‘[Q] Who was more scary to interview, Eugene Terreblanche (of the Afrikaner Resistance Movement) or Paul Daniels? [A] The company of Terreblanche is the scariest. He smelt of booze and he did seem a bit volatile, switching between being overly friendly to angry and crazed from moment to moment. With Paul the terror is that he’s going to tell you another endless Frank Sinatra anecdote.’

[tv] Other Listings Magazine — more DIY TV Go Home … ‘18.30 Good Old Dad. First of a new six part series in which Richard Briers meets children he illegitimately fathered as a result of a series of sordid sex sessions during filming of the first series of “The Good Life”‘

[postmortem] Hijackers’ Meticulous Strategy of Brains, Muscle and Practice — good overview of the planning behind 9-11… ‘With all the suspects dead and no conclusive evidence, as yet, of any accomplices, investigators have been left to recreate the architecture and orchestration of the plot largely from the recorded minutiae of the hijackers’ brief American lives: their cellphone calls, credit card charges, Internet communications and automated teller machine withdrawals. What has emerged, nearly two months into the investigation, is a picture in which the roles of the 19 hijackers are so well defined as to be almost corporate in their organization and coordination.’ [via Robot Wisdom]

[comics] Girls’ World — excellent interview with Dan Clowes about Ghost World … ‘”I once had this idea to do a comic where a mother tattoos a message on her baby’s head so that years later, when he’s losing his hair, he finally sees it. It would say something like, ‘I never loved you’.” Clowes lets out a bright, engaging laugh, so contagious it’s hard not to laugh along with him, until you realise exactly what it is he’s just said.’ [via Kooky Mojo]

[tv] Don’t stop me now — an interview with Jonathan Ross … ‘Ross owes his success to his unembarrassability. Much of his humour is at his own expense. Hence the interminable bad-taste jokes, and the celebrated occasion on which he exposed himself on They Think It’s All Over last year. (He protests: “The BBC loved it! They thumbed it with something like “Wossie whips it out”. They used my cock as a selling point. Well, I didn’t show my cock anyway, not to the audience or to the cameras. I showed it to Nick [Hancock], and I showed it to Ian Wright, who looked suitably horrified. There was a great photograph of him recoiling in absolute disgust that I was thinking of having it made into a T-shirt.”‘

[war] The Sims Take on Al Qaeda — a look at computer simulations of war and terrorism …

‘He is looking for ways that seemingly small actions have big consequences. “I think about terrorism in terms of popcorn,” he said. “You assume you’ll always have some kernels that are going to pop. How much lower does the temperature have to get before you have a dramatic decrease in the ability of terrorists to operate?” His research has found that when the underlying relationships between color blocks are constantly shifting, the blocks look to the government as an anchor and their colors mesh into a pattern of support. But if the blocks share a common concern about risks from the outside world, they are more likely to become disaffected and blend with dissident groups. Lustick’s flashing grid is conflict in its most abstract form. That turns out to be its greatest strength–as well as its most glaring weakness. Researchers are painfully aware that their models omit the messy edges of real life, and some of them might turn out to be critical.’

[cheggers] The show must go on [Part 1 | Part 2] … Louis Theroux meets Keith Chegwin. ‘I look up and there’s a man standing there, with short legs and receding grey hair, he looks like Keith Allen, the actor. Then I realise it’s Keith Chegwin. I must be tired. He changes into his stage gear: blue shorts and an orange Hawaiian shirt. We head for the stage. As we’re puffing up the stairs, past the pipes with bubbles in them, Keith says: “Do you do gigs? You should!… Coronary classic, these stairs! I want somebody from St John’s, now!” I part ways with Keith as we approach the main dance floor, where Keith will be performing. The club is loud and packed with drunk students. The energy is great – despite being tired, I’m caught up in the swell of excitement. Keith hits the stage, and screams through his microphone, so loud the sound is distorted and barely comprehensible. “Have we got anyone here who can’t stand the effing sight of me?” There’s a huge roar.’

[reading] Snakes and Ladders by Alan Moore and Eddie Campbell … ‘Sat in a sandwich bar in Westminster I meet the sharp south-London wideboy occultist that I’d created some years previously for a U.S. comic book. He looks at me. He nods, and smiles, and walks away. Years later, in another place, he steps out from the dark and speaks to me. He whispers: I’ll tell you the ultimate secret of Magic. Any cunt can do it.’

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