The circumstances of Greg Fleniken’s death, as reported, were unremarkable. On the table before him was a 55-year-old Caucasian male who appeared to be in decent shape. After methodical inspection, the only marks Brown found on the body were a one-inch abrasion on his left cheek, where his face had hit the rug, and, curiously, a half-inch laceration of his scrotum. This was interesting. The sack itself was swollen and discolored, and around the wound was a small amount of edema fluid. The bruising had spread up through the groin area and across the right hip. Something had hit him hard.

The story his body told grew more intriguing. When Brown opened the front of the torso he discovered a surprising amount of blood and extensive internal damage. A certain amount of partly digested food had been torn from his intestines. The doctor found small lacerations there, and on the stomach and liver, as well as two broken ribs and a hole in the right atrium of his heart.

The condition of his insides reflected severe trauma: Fleniken had been beaten to death, or crushed. Brown concluded that the wound to his genitals likely had been caused by a hard kick. He had also taken a blow to the chest so severe it had caused lethal damage. He would have bled out in less than 30 seconds.

On the official form, next to “Manner of Death,” Brown wrote, “Homicide.”

…There’s a half-expected (but still surprising) guest appearance from what I would be willing to bet is a young Christopher Hitchens. In a diverting rant about the increasing presence of voice effects in games, Amis recalls his first exposure to such gimmickry at a bar in Paris on New Year’s Day, 1980:

I was with a friend, a hard-drinking journalist, who had drunk roughly three times as much Calvados as I had drunk the night before. And I had drunk a lot of Calvados the night before. I called for coffee, croissants, juice; with a frown the barman also obeyed my friend’s croaked request for a glass of Calvados.

Then we heard, from nowhere, a deep, guttural, Dalek-like voice which seemed to say: “Heed! Gorgar! Heed! Gorgar … speaks!

“… Now what the hell was that?” asked my friend.

“I think it was one of the machines,” I said, rising in wonder.

“I’ve had it,” said my friend with finality. “I can’t cope with this,” he explained as he stumbled from the bar.