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30 July 2007
[film] $78 million of red ink? — eye-opening analysis of the costs and losses incurred by the film Sahara … ‘The documents, obtained by The Times, provide a rare behind-the-curtain peek at the thousands of expenditures that drain the budget of a major motion picture. The line items cover such things as “local bribes” within the Kingdom of Morocco and the salaries and “star perks” paid to Matthew McConaughey and Penelope Cruz. Movie budgets are one of the last remaining secrets in the entertainment business, typically known to only high-level executives, senior producers and accountants…’ [via Metafilter]
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10 July 2007
[movies] The Veidt Method — viral marketing campaign for the Watchmen movie … ‘Latest News: President and C.E.O. Adrian Veidt interviewed in latest edition of Nova Express – on newsstands now!’ [via plasticbag.org]
4 July 2007
[films] Hello, come in, do have a nibble — Interesting interview with Dennis Hopper … ‘He certainly isn’t in the mood to discuss any of the half a dozen films he is due to appear in this year, a roster which is due to include a performance in Speed 3, even though I have plenty of questions about that. Surely his character Howard Payne died in a decapitation incident in the last reel of Speed 1? “It’s a river of shit,” he tells me pleasantly but firmly, “from which I have tried to extract some gold.”‘
22 June 2007
[quotes] Grouphug.us: ‘In third grade, I cheated on my history exam. In fourth grade, I stole my uncle Max’s toupee and I glued it on my face when I was Moses in my Hebrew School play. In fifth grade, I knocked my sister Edie down the stairs and I blamed it on the dog…When my mom sent me to the summer camp for fat kids and then they served lunch I went nuts and I pigged out and they kicked me out…But the worst thing I ever done — I mixed a pot of fake puke at home and then I went to this movie theater, hid the puke in my jacket, climbed up to the balcony and then, then, I made a noise like this: hua-hua-hua-huaaaaaaa — and then I dumped it over the side, all over the people in the audience. And then, this was horrible, all the people started getting sick and throwing up all over each other. I never felt so bad in my entire life.’
21 June 2007
[comics] Scans from Jack Kirby’s Comic Adaptation of 2001: A Space Odyssey — spotted on scans_daily – it really looks like Kirby was having a blast with this one… 
16 April 2007
[comics] A Script Review of Grant Morrison’s We3 — a look at Morrison’s script for New Line Cinema’s adaptation of We3 … ‘Much of the film is a long chase, a blend between one of Disney’s Fantastic Journey films and, perhaps, The Iron Giant by way of Robocop or another hard, gristle-strewn actionaer. It is also a brilliant and incisive exploration of freedom, instinct, will the universe’s natural orders… and the desire to identify yourself as an individual.’
19 March 2007
[film] Color Me Kubrick Trailer — John Malkovitch and Jim Davidson… together at last! ‘For months Alan Conway, a perfect stranger, passed himself off as one of the greatest film directors of all time, Stanley Kubrick. Conway knew nothing of the filmmaker or his films, but this didn’t prevent him from using and abusing the credulity of those who thought they had come in contact with the mythical and equally discreet director.’
10 March 2007
[movies] Tom Cruise’s Starring Role in Watchmen Narrowly Averted … ‘I asked him point blank about Cruise, and he confirmed that he and Tom had been talking about it. A lot. But that now it looked like Cruise would not be appearing in the film. “He was interested,” Snyder confirmed to me. “I did talk to him about it for a while.” And would the role he wanted be Ozymandias? “That would be the role,” Snyder said.’
2 March 2007
[movies] Long Flicks: to Cut or Not to Cut? … ‘Some critics thought Martin Scorsese’s “Gangs of New York” or Robert De Niro’s “The Good Shepherd” – both clocking in at about two hours, 40 minutes – would have been greatly improved at closer to two hours. But who’s going to tell Scorsese or De Niro to chop 30 minutes?’
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15 February 2007
[movies] Crichton’s Closet of Tech Horrors
— Wired looks at the films Michael Crichton directed in the 70’s and 80’s… ‘The movies are filled with high-concept ideas, purple dialogue, supremely creepy moments and nifty gadgetry. They are both implausible, sometimes to the point of being ridiculous, and a few degrees too earnest. And the primary weapon for the bad guys — doctors, computer programmers, robotics experts — is technological know-how. Now Crichton positions himself as an authority on global warming and enters the policy-making slipstream, advising President Bush and testifying at a congressional hearing on the nuances of climate change.’
6 February 2007
[movies] RoboCop, PhD — According to Wired Peter Weller is getting a PhD in Italian Renaissance Art History … ‘This is no vanity degree; Weller teaches courses, writes papers, and is doggedly climbing the academic ladder. Buckaroo Banzai, the polymath who was arguably Weller’s most famous character — acclaimed neurosurgeon, race car driver, particle physicist, and, of course, rock star — would be proud.’ [via Ghost in the Machine]
3 February 2007
[movies] When Harry met Sally Recut — the romance film with Billy Crystal and Meg Ryan as a thriller … ‘Don’t Fuck with Mister Zero.’ [via Metafilter]
5 January 2007
[movies] Ask Metafilter: Why is the CGI in Jurassic Park so good? ‘…largely because of Spielberg’s restraint. ILM’s ambitions were commensurate with their abilities: their animators could create convincing scaly creatures, and that’s what they did. They could not create convincing CG cities, battlefields, or human faces, and they didn’t try. Additionally, they did a great job of simulating how large, heavy creatures move.’
10 December 2006
[film] Hot Fuzz — another trailer this time for the new movie from Simon Pegg, Nick Frost and Edgar Wright. [via Sore Eyes]
9 December 2006
[film] 300 — movie trailer for Frank Miller’s 300. ‘Spartans! Ready your breakfast and eat hearty… For tonight we dine in hell!’
23 November 2006
[movies] The Top 10 Movie Spaceships … ‘The Nostromo is little more than a space tugboat, pulling a giant ore refinery through space. Though it has no weapons, when given the (famously complex) command to self-destruct, it really goes off with a bang. An underrated ship, it could land on planets and scope out foreign lifeforms… which turned out to be not such a great idea after all.’
19 November 2006
[film] Who killed Superman? — more from the Guardian on the true story behind the movie Hollywoodland … ‘As with the many theories that swirl around the unsolved murder of Elizabeth Short – the tortured and mutilated Black Dahlia – there are too many contradictory pieces to assemble a single coherent jigsaw puzzle of Reeves’ death/murder. Or rather, there are perhaps three jigsaws with not enough pieces to complete any of them.’
7 November 2006
[comics] Come fly with me — the Guardian previews the film Hollywoodland – includes an interview with Ben Affleck on playing George Reeves … ‘When the actor George Reeves died in 1959, the headline ran: “Super hero, out of work, kills Self”.’
2 November 2006
[books] My Mother and the Dahlia — James Ellroy on the Black Dahlia and his Mother … ‘I wrote six good novels and crashed Betty and Jean with The Black Dahlia. It was a salutary ode to Elizabeth Short and a self-serving and perfunctory embrace of my mother. I acknowledged the Jean-Betty confluence in media appearances and exploited it to sell books. My performances were commanding at first glance and glib upon reappraisal. I cut my mother down to sound-bite size and packaged her wholesale. I determined the cause of my ruthlessness years later. She owned me…’
31 October 2006
[movies] 40 Things That Only Happen In Movies … ‘Anyone can land a 747 as long as there is someone in the control tower to talk you down.’
30 October 2006
[film] Good Day, Mr. Kubrick! — in 1984 Stanley Kubrick placed an advert in Variety asking for audition tapes from unknown actors for his next film Full Metal Jacket – Brian Atene’s amazing tape has been posted to YouTube along with an update from the actor in 2006. Go watch, you won’t regret it… ‘D’You Wanna Know Somethin’!? I Scared. I Scared.’ (more…)
11 October 2006
[film] Ask Metafilter: Borat Ruined my Life … ‘Last year, a guy came to my town claiming to be filming a documentary for Kazakhstan. He recruited my friend John to be in it. John signed the papers and everything- that’s not the issue. However, the producers got John really drunk and he said some things he really regrets that made it to the final cut. John’s terrified that everyone’s going to see the movie and think he’s an awful human being (which he’s not). He’s very distraught…’
9 September 2006
[movies] The Queen Trailer — it’s probably a very British thing but I’m really looking forward to watching Helen Mirren’s performance in a film about the Queen’s reaction to the death of Diana.
28 June 2006
[wikipedia] My Wikipedia Contrail: Alfred Henry Hook — I took a look at this because I wondered what happed to Hooky from Zulu after the Battle of Rourke’s Drift … ‘In the film Zulu, Hook is portrayed as an insubordinate malingerer and drunkard who only comes good during the battle. In fact he had been awarded Good Conduct pay shortly prior to the battle, and reports also suggest he was a teetotaller.’
6 June 2006
[pi] The Mountains of Pi — the 1992 New Yorker article which influenced Darren Aronofsky’s Pi about two mathematicians who build supercomputers in their Brooklyn flat. ‘…the digits of pi may ramble forever in a hideous cacophony, which is a kind of absolute perfection to a mathematician like Gregory Chudnovsky. Pi looks “monstrous?” to him. “We know absolutely nothing about pi,” he declared from his bed. “What the hell does it mean? The definition of pi is really very simple — it’s just the ratio of the circumference to the diameter — but the complexity of the sequence it spits out in digits is really unbelievable. We have a sequence of digits that looks like gibberish.” “Maybe in the eyes of God pi looks perfect,” David said, standing in a corner of the room…’
30 May 2006
[film] Blade Runner Final Cut Due … ‘Warner Home Video will issue a new remastered director’s cut of the classic SF movie Blade Runner in September now that it has cleared up rights issues, followed by a theatrical release of a version promised to be truly director Ridley Scott’s final cut, Variety reported.’ [via Feeling Listless]
[film] Predilections — a profile of Errol Morris … ‘I like the idea of making films about ostensibly absolutely nothing,” Morris says. “I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That’s what all my movies are about. That and the idea that we’re in possession of certainty, truth, infallible knowledge, when actually we’re just a bunch of apes running around. My films are about people who think they’re connected to something, although they’re really not.’ [via Kottke]
[film] An Inconvenient Truth — movie trailer for Al Gore’s documentary about climate change.
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26 May 2006
[comics] Warren Ellis on Superman Returns: ‘…[the Superman Returns Trailer] hits the high points of the mythos in a sequence of painterly, carefully composed shots over an altered John Williams score. My appreciation of the Superman movies stops about halfway through the first one, but those high points have over the years accreted the strange magic of Judeo-Christian myth about them, and as a writer I can admire that.’ [from Bad Signal]
11 May 2006
[comics] He say Blade Runner — BeaucoupKevin posts a page from Marvel’s comic adaptation of Blade Runner.
8 May 2006
[film] Top 10 Sci-fi Films — voted by a panel of scientists. Aubrey Manning on 2001: ‘…the brilliance of the simulations – still never done better despite all the modern computer graphics. The brilliance of using Brazilian tapirs as ‘prehistoric animals’. The brilliance of the cut from the stick as club, to the space shuttle. Kubrick declaring that once tool use begins – the rest is inevitable. Hal: the first of the super computers with its honeyed East-Coast-Establishment voice.’
3 May 2006
[comics] But Is It Art? — interview with Dan Clowes and Terry Zwigoff. Clowes on Conceptual Art: ‘I don’t want to come off like one of those Republicans picking on the NEA, like, “Oh this guy pissed on a crucifix and called it art.” That’s not what this is about. But when I was in art school, people literally were bringing in the tampon in the teacup.’ [via Robot Wisdom]
[comics] Superman Returns Trailer … ‘You’re Bald.’
1 May 2006
[comics] Daniel Clowes Talks Confidential — Clowes interviewed regarding Art School Confidential … ‘I figured we’d work on (Ghost World footage) a bit and be done in two weeks. Cut to a year later and we are still struggling and rearranging scenes and changing the music and doing all of these drastic and subtle things. It made me realize how fluid the medium of film was. You can change a film entirely — you can give the two different editors the same footage and they’ll make two entirely different films…. It got me excited about trying to figure out how to edit and change comics after the fact.’
29 April 2006
[film] It Becomes a Self-fulfilling Thing — a discussion between Errol Morris and Adam Curtis … ‘Where people do set out to have conspiracies, they don’t ever end up like they’re supposed to. History is a series of unintended consequences resulting from confused actions, some of which are committed by people who may think they’re taking part in a conspiracy, but it never works out the way they intended.’ [via Kottke’s Links]
24 April 2006
[film] 102 Essential Movies — interesting list from Jim Emerson. ‘… [these] were the movies you just kind of figure everybody ought to have seen in order to have any sort of informed discussion about movies. They’re the common cultural currency of our time, the basic cinematic texts that everyone should know, at minimum, to be somewhat “movie-literate.”‘
15 April 2006
[film] Snakes on a Blog — a blog for the movie Snakes on a Plane … ‘I want these motherfucking snakes off the motherfucking plane!’
24 March 2006
[ning] Snakes on a Plane Quote Tracker — suggest dialog for upcoming film Snakes on a Motherfucking Plane … ‘Wait… Wait… WHAT’s loose on this motherfucker?’ [via Yoz]
18 March 2006
[comics] The Vendetta Behind ‘V for Vendetta’ — another article on Vendetta and Alan Moore from the NYT … ‘[Moore] resides in the sort of home that every gothic adolescent dreams of, one furnished with a library of rare books, antique gold-adorned wands and a painting of the mystical Enochian tables used by Dr. John Dee, the court astrologer of Queen Elizabeth I. He shuns comic-book conventions, never travels outside England and is a firm believer in magic as a “science of consciousness.” “I am what Harry Potter grew up into,” he said, “and it’s not a pretty sight.” Actually, he more closely resembles the boy-wizard’s half-giant friend Hagrid…’ [via BeaucoupKevin]
[comics] D for Vendetta — Wired News Review … ‘From the start, Larry and Andy Wachowski, the Matrix brothers, pack Vendetta with literary, religious, political and pop culture references: the Sex Pistols and The Girl From Ipanema, The Count of Monte Cristo and Beethoven, Twelfth Night and Benny Hill.’
17 March 2006
[funny] Must Love Jaws — what if Sheriff Brody learned to love Jaws?… ‘Love comes to the surface.’ [via BeaucoupKevin]
[comics] Jonathan Ross reviews V for Vendetta: ‘Despite postponing the release date from last November to allow more time for post-production work, the film looks cheap and lacks any sense of time or place. Throw in Matrix veteran James McTeigue’s flat direction and you have a woeful, depressing failure. If it had been called V for Vasectomy I could scarcely have found it a less enjoyable experience…’ [via Haddock]
3 March 2006
[comics] ‘$1m a minute to film? No problem’ — Neil Gaiman discusses the relationship between comics and movies … ‘Last week an interviewer asked me whether I thought that the recent success of superhero movies meant that we might see a world in which comics that don’t include the capes-and-tights brigade might also have a chance at making it onto the silver screen. “You mean comics like Road to Perdition, Ghost World, Men in Black, A History of Violence, Sin City, From Hell, American Splendor…?”‘
24 February 2006
[film] Peter Bradshaw reviews Capote … ‘[In Cold Blood] virtually invented the modern genre of reportage. The true-life nature of his subject – the brutal slaying of a farmer’s family in Kansas – had a horrible, unacknowledged sexiness that polite literary fiction could not match; reality gave it ballast and sinew, and Capote awarded himself the novelist’s licence to intuit feelings, ideas, moods. Readers then as now struggled to see how the metropolitan gadfly who wrote Breakfast at Tiffany’s could have moved on to this. It was as if Audrey Hepburn has stopped singing Moon River and taken a chainsaw to George Peppard. How the heck had this aesthete-weakling armwrestled American reality into submission?’
16 December 2005
[movies] Vision of Hell — a Guardian article which asks: What Makes a Great War Film? … ‘It is easy to understand why Jane Fonda abominated The Deer Hunter. The Vietnamese characters are not sympathetic or deep, the American soldiers are, and the movie ends with the survivors sitting around the table, singing God Bless America. But that simplistic summary, and Fonda’s hostility, mischaracterise the subtlety and complexity of Cimino’s feature: the tender slowness with which he describes the home town the conscripts come from, which makes you understand the coldness of the American war machine, the depth of the betrayal involved in hurling trusting young patriots into an incomprehensible nightmare for which their upbringing has not prepared them, and the true, lingering nature of war wounds.’
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