25 December 2015
10 December 2015
[comics] How we made 2000 AD … Pat Mills and Kevin O’Neill on creating 2000AD … Kevin O’Neill: ‘That anti-authoritarian streak is part of the British character: it ran through Dennis the Menace and all the Beano stuff. Judge Dredd was never meant to be serious: the idea of shooting jaywalkers is just very, very funny. I loved the story about the oxygen board on the moon cutting off people’s supply if they didn’t pay their bills. We had to tone things down quite heavily. On the day the first issue went to press, we were whiting out blood and tidying up severed limbs. It was an out-of-control section of the building. NME, who were often in trouble as well, were just a couple of floors above. Our neighbours Buster hated us because we were having fun and swearing. I didn’t think 2000 AD would last a year.’
9 December 2015
[comics] Ian Rankin’s Favourite Comics … ‘Elektra Assassin – Miller again but this time with jaw-dropping art by Bill Sienkiwicz. Even when the story seemed to make no sense to me, I could just stare at those pages, bathing in their use of colour, the psychedelia of it all. Great comics stimulate the eye and engage the brain. That’s why I love them.’
8 December 2015
[comics] Bob Hope and the Golden Rule … When Bob Hope teached religious ethics in the back of comics … ‘Get Wise, Son, and join the Human Race!’
27 November 2015
[black friday] “It’s Bla…”
6 November 2015
[comics] 5 Amazing Superhero Debuts In Comic Books … Wonder Woman: ‘Rightly hailed as one of the best introductions in comics, Wonder Woman’s debut in All Star Comics #8 starts off with the Amazon princess abducting the pope and flying him to Mount Olympus to prove that the Greek gods are real. Holding the squirming pope up by his robes, Wonder Woman forces him to witness Apollo’s sun chariot racing across the sky and see the divine smith Hephaestus forging a lightning bolt on his anvil. Wonder Woman then refuses to let the leader of the Catholic Church return to the Vatican until he renounces his religion and screams, “Jesus is a lie!”’
4 November 2015
[comics] 10 great comic book films … a list of ten comic adaptations work watching … ‘American Splendor: This portrait of underground comic book writer Harvey Pekar blurs the boundaries between drama and documentary to disorientating effect. Paul Giamatti stars as Pekar, a Cleveland file clerk who turned his own mundane existence into profound popular art through a series of autobiographical comics. The film’s masterstroke is that Pekar and his wife Joyce narrate, wryly commenting on the dramatisation of their own lives. Hilarious, poignant, piercingly insightful and formally dazzling, American Splendor warrants comparison with Woody Allen at the height of his powers.’
2 November 2015
[comics] Robert Crumb Hates You … odd interview with Robert Crumb … ‘I recently took a look through my collection of underground comics from the late 60’s – early ‘70s. Very few of them were coherent or readable, a surprisingly small number. Most of the artists were so fucked up on drugs they couldn’t make anything readable. Who was buying and trying to read this crazy shit? But Wilson and Green stood out, they were at the top, outstanding. My work reached a mass audience because I used a very traditional way of drawing to say something more personal and wacko. I used the traditional, standard newspaper comic strip style to say something crazy, some personal things that somehow reached people. Also, I was always very aware of orienting my work for an audience, what to do and not to do to make it readable, to keep it entertaining.’
22 October 2015
[comics] Moorecraftian Timeline … a timeline for the H.P. Lovecraft inspired comics from Alan Moore and Jaycen Burrows … ‘1914-1918 – World War I, known to the Parish of Saint Jude in Salem, Massachusetts as “The Great Dry Cull.”’
14 October 2015
[comics] Wertham was right: Batman decided it was time to teach Robin about the facts of life…
22 September 2015
[comics] Annotations for Providence #4 … annotations for Alan Moore and Jaycen Burrows Providence #4 comic.
17 September 2015
16 September 2015
[comics] 25 Years of Judge Dredd: The Megazine … ‘The Megazine might have been all Dredd and his world all the time to start with, but there was plenty of breakthroughs behind the scenes. The first issue sold more than 50,000 copies, triggering a royalty payment to all the creators featured in it – that had never happened before on a Fleetway title. There was a satirical magazine inside the issue, the Mega-City Times, created via desktop publishing – a first back when titles were still put together with glue and scalpels.’
11 September 2015
[comics] The Best Loved Man In Comics: A Tribute To Archie Goodwin … Chris Sims remember Archie Goodwin … ‘In an industry where editors are often in conflict with creators just as a natural consequence of the creative process, Goodwin’s geniality was legendary. He literally won awards for it — specifically the Bob Clampett Humanitarian Award at the 1992 Eisners — and was credited even after his death as a “Guiding Light” in Starman, one of his final projects.’
27 August 2015
[comics] Doom Conquers All! The 14 Best Doctor Doom Stories … ‘Anyway, Luke Cage was hired to find and take down some robots around Harlem when he discovered his employer was Doctor Doom. Doom stiffed Cage out of the cash because, as we established, Doom=dick, so Cage stole a high tech plane from the Fantastic Four and flew to Latveria. There, Cage confronted Doom over the cash but Doom was dealing with an uprising from a villain known as the Faceless One. Not wanting the cat that owes him two bills to be taken down, Cage helped Doom. Doom was so impressed with Cage’s prowess he paid him the money. So, Doom may be a dick but he is a dick with honor.’
24 August 2015
[comics] Gallery of Frank Miller Covers to Daredevil … the cover below is Miller inked by Wally Wood. This was Wood’s last work on Daredevil.
20 August 2015
[comics] A promise is a promise! … a letter from Stan Lee to an young comic artist keeping a deal he made 25 years earlier … ‘Your anatomy is still weak– practice it, study it, work on it. Don’t worry too much about inking yet. That can come later. The pencilling is the important thing to begin with. Your layouts are good. You seem to have the ability to tell a story pictorially– which is important in comics, obviously. But, if you really wanna become a pro, you’re kidding around too much. Nobody’s impressed with “Souperman” takeoffs now.’
18 August 2015
[movies] Dressing The Future … fascinating look at Moebius’ influence on the costume design of Alien … ‘The film reunited the Dune creative team, the other artists did not meet Moebius personally this time around – however, even though he was somewhat more removed from the project than Cobb, Foss, Giger, and O’Bannon (who all either worked on the project from its inception, or from the time it was greenlit) Moebius still turned in work that his co-artists found exemplary. “I was in contact with Moebius indirectly,” said Giger, “as he was designing the costumes for Alien. Those astronauts’ clothes and helmets were just like Ridley Scott wanted them. They looked like ancient divers. He did a fantastic job.” “Moebius did the designs for the astronauts,” Giger told Cinefantastique in ’79. “They wear a kind of Japanese armour and helmets which could belong to just about any period of time.”’
17 August 2015
[comics] Did Watchmen Steal From The Outer Limits, Or From Jack Kirby? … a look at the influences on the ending of Watchmen … ‘While I agree that the ending is one of Watchmen‘s weakest points, it’s not because I think it wasn’t original enough. We are, after all, talking about a story filled with thinly disguised reworkings of old Charlton characters (not to mention that Swamp Thing — the Len Wein-created character that he and Alan Moore first worked together on — is awfully similar to ’40s characters It and The Heap). The problem with the ending is how naive it is to think that a single large attack could result in lasting world peace…’
13 August 2015
[comics] “It was an ugly birth of an ugly book”: Evan Dorkin on the Disgusting Fan Archetypes in The Eltingville Club … ‘It’s always been a bleak strip. It’s never been a happy strip. It’s an ugly mirror. Some of it’s based on my life. A lot of it’s based on things I’ve seen, and a lot of it’s exaggeration. It’s satire. It’s scary when I do something that I think is really horrible and then I read about something that’s even worse. Every day, there’s somebody doing something awful in fandom. And a lot of the times, it’s somebody from one of the companies or it’s a creator saying some dumb shit about women or transgender people. This is the audience, and the bizarre opinions that some people have… This attitude that comics or movies or gaming is just for them-it’s so myopic. It’s tunnel vision. The idea that you can’t even put yourself in another person’s place and understand the rampant misogyny of the world. Not just this. And how angry and hateful so many people are. People getting doxxed, people getting death threats.’
10 August 2015
[comics] Neil Gaiman on His Return to Miracleman … ‘I think the last issue to have been published was in 1993. Now we’re 22 years on, but I always felt like one day it would happen! The weirdest bit was [recently] pulling out a bunch of pages from the next issue that I’d written and looking at them and going, This is great! I’d completely forgotten this entire sequence of scenes! I wonder what happens next? And now I’m going, Can Mark Buckingham and I at least fake this well enough so that nobody reading it is going to go, “This word balloon is a 1993 word balloon, and the next word balloon on the top of the next page is a 2015 word balloon?”’
31 July 2015
[stories] Neil Gaiman on How Stories Last … edited transcripts of a Neil Gaiman talk on stories. The full version can be found here … ‘We will do an awful lot for stories — we will endure an awful lot for stories. And stories, in their turn — like some kind of symbiote — help us endure and make sense of our lives. A lot of stories do appear to begin as intrinsic to religions and belief systems — a lot of the ones we have have gods or goddesses in them; they teach us how the world exists; they teach us the rules of living in the world. But they also have to come in an attractive enough package that we take pleasure from them and we want to help them propagate.’
27 July 2015
[comics] The Secret History of Ultimate Marvel, the Experiment That Changed Superheroes Forever … a look back at the reboot that saved Marvel comics … ‘The history of Ultimate Marvel is, in a way, a story about warring approaches to a reboot: Bendis’s and Millar’s. Bendis wanted to polish the old archetypes; Millar wanted to aggressively critique them. Bendis sought timeless stories; Millar craved biting contemporary political critique. Bendis was looking to inspire; Millar aimed to disquiet. As Bendis put it: “I’m writing about hope and he’s writing about nihilism, and I know he doesn’t always think he is, but he is. Constantly.”’
23 July 2015
[comics] 6 Reasons Why Matt Fraction’s Hawkeye Is One of Marvel’s Greatest Comics … ‘Marvel loves itself an everyman hero—just look at the enduring success of Spider-Man to see reader falling in love with relatable, ordinary people. Fraction and Aja channelled that everyman persona into Clint Barton for Hawkeye, and it highlighted what made the character so important at a time when, thanks to The Avengers movie, many were just mocking him for being “the guy with the bow.” Hawkeye uncovered the man behind the bow, and showed us how interesting he could be.’
22 July 2015
[comics] Farewell, Bro: How Matt Fraction’s ‘Hawkeye’ changed Marvel Comics … a look back at Matt Fraction’s run on Hawkeye … ‘The character never quite made a splash in the same way that other, more popular superheroes did. That all changed in the wake of 2012’s The Avengers, when Fraction—then best known for his work on The Invincible Iron Man—pitched to Marvel an idea that seemed insane and brilliant all at once: Let’s show the world what Hawkeye does when he’s not being an Avenger. Let’s show the world what happens when he saves a stray dog and spills his coffee and oversleeps and misses his divorce anniversary. It was, pun intended, a shot in the dark…and to everyone’s surprise, it worked.’
14 July 2015
[comics] Bizarro Back Issues: ‘RoboCop vs. The Terminator’ … Chris Sims wonders if RoboCop vs. The Terminator was Frank Miller’s last great comic … ‘All of which is to say that this comic end up blowing up into a scene where an army of RoboCops fights an army of Terminators, and not only is it so awesome, it’s also completely justified by the story being told. Assuming, of course, that you’re the kind of person who requires justification to see Walt Simonson drawing an army of Terminators fighting an army of RoboCops.’
6 July 2015
[comics] An 8-year-old fan wrote Steve Ditko a letter, and here’s how Ditko responded … ‘Carl wanted to know whether any of Ditko’s teachers made him want to get into comics, and also what he had the most fun drawing. He capped it off by thanking the artist for inventing Spider-Man. It was a fan letter anyone might’ve have written at one point or another in their lives, but Carl’s actually received a response…’ [via Neilalien]
7 June 2015
[comics] 36 Things That Will Always Happen At A Comic Convention … ’14. Someone will ask a question at a Q&A that’s actually just a long story about themselves and the answer will be silence.’
3 June 2015
[comics] How Vincent D’Onofrio Became the Best New Villain on TV … D’Onofrio discusses playing Kingpin in Netflix’s Daredevil … ‘Vincent D’Onofrio had a ritual he went through every time he needed to get into the mindset of Wilson Fisk, the all-powerful, ultra-evil mobster he plays on Netflix’s hit series Daredevil. The 55-year-old actor would go someplace quiet, pull out his smartphone and stare at paintings of the character from Marvel’s latter-day Daredevil comics. “The way they drew him . . . it wasn’t just that he was this imposing, kind of massive guy,” says D’Onofrio. “He looked broken. That was the key.”‘
2 June 2015
[comics] Daniel Clowes Hasn’t Forgiven Shia LaBeouf … a recent interview with Dan Clowes … ‘Q: With the superhero-movie explosion in full force, what do you think Dan Pussey would be up to today? A: You know, it’s funny, ’cause in that one story I did, “The Death of Dan Pussey,” it takes him into the future, where comic books are completely forgotten. But you know what? He’d be king of the world right now. This is his era.’
31 May 2015
[comics] Annotations for Providence #1 … notes on Alan Moore and Jaycen Burrow’s latest comic … ‘Page 17, Panel 3: “The Repairer of Reputations” in The King in Yellow is set in an alternate future New York in the 1920s, which featured legalized suicide chambers and a concluded European war with an American victory; this further reinforces the layered fictionality of Providence, where the reality of the comic book is not our reality, nor even Lovecraft’s.’
27 May 2015
[comics] Does Wally Wood Deserve a Creator Credit on Netflix’s “Daredevil”? … I’m no expert on early Daredevil but it sounds like he does deserve credit … ‘No one is more important to Daredevil than Wallace “Wally” Wood! After leaving his historic 12-year hit run on MAD Magazine, in 1964, Wood took over the then foundering, near-cancellation fledgling Daredevil comic after issue #4. Wood created the RED Daredevil character design, the interlocking double-D logo (which inspired the nickname “DD”), developed the visualization of the Radar Sense, created the grappling-hook cane/Billy-club cable, technological enhancements to DD’s senses, themes used through the Frank Miller run, and beyond. Lee and Everett are acknowledged at the opening of the Netflix-Marvel series and many more comic-book talents are thanked in the Netflix Daredevil show but not “Kid Daredevil Himself, Wally Wood” as Marvel sometimes called him!’
21 May 2015
[batman] The True Creator of Batman Never Got Credit, and Now His Granddaughter Fights to Correct History … the story of Batman’s co-creator Bill Finger and his grand-daughter Athena … ‘In part, it was the character’s global reach that inspired Marc Tyler Nobleman to research the creator who’d been sidelined. “I saw that he never had a book to himself, and it just seemed like a gross cultural injustice,” says Nobleman, who began his work in the early 2000s. Nobleman, who had previously written a book on Superman’s creators, dug through high school yearbooks, fanzines, and death certificates. He had assumed Finger had no living heir. Then one day in 2007, Nobleman spoke to a nephew of Bill’s who suggested he talk to the writer’s granddaughter. “I said, ‘He doesn’t have a granddaughter. His son Fred was gay and died in ’92 without children,’ as if I’d know better than the family,” Nobleman recalls. The nephew didn’t recall Fred’s daughter’s name but passed Nobleman off to other kin. Eventually, Nobleman learned her name was Athena Finger. He then landed on her MySpace page. “The first thing I saw was a picture of a dog whose name was Bruce Wayne,” Nobleman says.’
17 May 2015
[funny] Nick Clegg to become masked vigilante ‘the Liberal Democrat’ … senses-shattering news from News Thump …
When asked how he intended to fund the expensive life of a costumed avenger, it was pointed out that Parliamentary expenses are ‘surprisingly flexible’.
“You had your chance,” said Clegg in a recorded message left pinned to the chest of an unconscious Green Party councillor.
“You could have chosen to follow good men, like Gladstone and Vince Cable.”
“In five years time you’ll look up from your Conservative government and factional left/ right squabbles and shout save us!” he added.
“And I’ll look down and whisper; No.”
14 May 2015
[comics] Jon Hamm as Superman by Phil Noto …
6 May 2015
[comics] Facts in the Case of Alan Moore’s Providence … annotations for Alan Moore and Jaycen Burrows not yet released Providence comic.
4 May 2015
[comics] ‘Beano’ reveals Dennis The Menace’s father is actually 1980s Dennis … ‘In the most recent issue of The Beano, it is confirmed for the first time that Dennis’s dad is a grown-up version of the 1980s-era Dennis The Menace. While you may remember Dennis The Menace’s dad in his older, balder, Hitler moustache-sporting incarnation, the comic made a historic shift on 25 August 2012 by introducing a spikey-haired new ‘dad’. The comic also shifted the father-son relationship from its painfully old-fashioned combative (even abusive) tone, to one that was sometimes adversarial, but also friendlier.’
3 May 2015
1 May 2015
[comics] The Best Superman Stories Not Actually About Superman … interesting list of Superman-alike comics to watch out for … ‘Alan Moore’s Supreme was the Silver Age Superman thrown into a blender and it was awesome. I’m listing all of the issues because all of the issues are good: the opening issues, “The Supreme Story of the Year,” all about Supreme being ‘rebooted’ and finding the Supremacy, the place outside time where all previous Supremes live, to the issues where Supreme’s villains escape from the “Hell of Mirrors” and the Televillain kills Monica from Friends (literally), to the issue near the end that is a complete homage to all things Jack Kirby. It’s Alan Moore making Silver Age goodness.’
25 April 2015
[comics] Review of the Batman v Superman: Dawn of Justice Trailer … from Andrew Rilstone … ‘Dark Batman is more interesting than the silly Batman (who never quite existed outside of the KAPOW television series). Dark Batman is more in keeping with the basic premise of a character built of rage. But just because Dark Batman is cool is does not follow that Dark Superman and Dark Spider-Man and Dark Paddington Bear would be equally cool. The darker the dark character is the more he needs a bright character character to stand next to. And the brighter the bright characters the darker and cooler the dark, cool one will look. (This is the point of Robin.)’
18 April 2015
[comics] Crossed+ 100 Annotations … work-in-progress collection of annotations for Alan Moore and Gabriel Andrade’s Crossed+ 100 series of comics.
17 April 2015
[comics] Sketches of Naxos & Iraklia, Greece … go look at these amazing sketches of Greece by Simon Gane …
16 April 2015
[comics] The Masterpiece That Helped Transform Comics and Culture – Books … Dan Clowes talks about Eightball At 25… ‘The funny thing about reading all my comics, but especially those old comics—which I usually avoid like the plague, but when I was putting this collection together, I went back and read every single issue—is that it’s really like a record of your life. Almost everything in the comic is based on something, a joke I had with one of my friends or a real-life experience, and all the characters are based vaguely on people I know… It all feels like reading a diary almost, even though it’s entirely fictional.’
10 April 2015
[comics] Kieron Gillen Talks Watchmen …
31 March 2015
[comics] 37 Things You Learn From Working In A Comic Shop … what Hayley Campbell learned from working in Gosh Comics in London … ‘Anyone who buys Tarot: Witch of the Black Rose is a total wrong’un, yet on a Tarot week you will absolutely read it on your lunchbreak.’
30 March 2015
[comics] Astonishing comics that ‘save your game’ when you turn the page … a profile of Jason Shiga’s Comics … ‘Over time, his interactive comics grew more even more complex, including stacks of panels that you read by locking and unlocking different sections with pegs, and others where moveable parts shifted images around in troughs. Although these comics were incredibly clever and unique, each had to be created by hand, turning them into boutique items that were impossible to digitize and difficult to mass-produce. Shiga sometimes created less than a hundred copies of each, limiting their audience to the several dozen readers lucky enough to stumble across his table at a comic book convention. His experiments reached their apex with a comic called Theater Eroika, which involved a series of five overlapping wheels that would spin together to reveal different sequential images. “That one was so crazy that I only made one copy of it,” says Shiga. “I was like, I’ve reached the pinnacle of complexity. This is just insane. This is too nuts.”‘
27 March 2015
20 March 2015
[comics] R.I.P. The Eltingville Comic Book, Science-Fiction, Fantasy, Horror & Role-Playing Club (1994-2015) … Evan Dorkin completes his Eltingville Club series of comics after 21 years … ‘I have a tremedous urge to burn the pages as soon as they’re all scanned. Dressed as a Universal Studios villager, pitchfork and torch. I hope the actual reading experience won’t be as messy as the book itself. There’s a bunch of good gags and some crazy crowd scenes, and some hopefully good shots at comic book behavior. It’s not exactly the ending I’d wanted, I think the first issue works ends the series well enough on its own, but I always wanted to do a “ten years later” story, so, whatever. I can’t wait until it’s all really over and done with, oh boy, oh boy, oh boy.’
19 March 2015
[comics] Art For Art’s Sake: Blade Runner special… the Forbidden Planet blog posts a great gallery of art inspired by Blade Runner. Below: Blade Runner Rachel by KR0NPR1NZ …
18 March 2015
[comics] Dave Sim Checks Himself Into Grand River Hospital … the creator of Cerebus has been taken seriously ill and hospitalized … ‘Sim checked himself into Emergency at Grand River Hospital in Kitchener this afternoon. He’d been having severe, painful stomach cramps all weekend. He arrived about 2 pm. I checked in on him around 8 pm. He was dressed in a frock, laying on a bed, hooked up to a saline drip. I asked if he’d ever been in Emergency before. He said no, never. Perhaps unsurprisingly, he refused the painkillers they offered him.’