[tags: Comics][permalink][Comments Off on Bill Griffith’s Top 40 List On Creating Comics]
13 April 2010
[comics] Alan Moore – The Spanish Impersonation … ‘When I was young I travelled to Andorra and bought a radio cassette player. However, I usually travel to fourth dimension.’
[tags: Comics][permalink][Comments Off on Comic Book Cartography – Comic Maps And Cutaways]
8 April 2010
[comics] Brendan McCarthy discusses Spiderman: Fever … ‘When you write and draw it yourself, you can keep changing or finessing right up to the last moment. You can radically alter what you’ve written or drawn. You can spontaneously do what the moment dictates. It’s exciting and I really like it, but it’s a very intense way of working. Finding the story and making sure it doesn’t follow obvious routes was the challenge. All writers know about that glorious moment when the characters start to ‘talk back’ to you. That’s the point when you absolutely know what they would or wouldn’t say or do.’
[tags: Comics][permalink][Comments Off on John Hicklenton: ‘MS, you have a week to live…’]
14 March 2010
[comics] Wally Wood Should Have Beaten Them All … overview of the comics career of artist Wally Wood … ‘Wood was a tremendously ambitious journeyman. He had a genius and a love for a medium that, until recently, ground down its abundant geniuses, celebrating creation while pointedly not rewarding the creator.’
[tags: Comics][permalink][Comments Off on Career Overview Of Wally Wood]
He was the existential loner outcast from society who sought solace by riding the waves (the Silver Surfer). He was the military industrial complex (Nick Fury). He was the hippies who rejected the Cold War consensus, and wanted to create their own counterculture (the Forever People). He was the artist who tried to escape his degrading background (Mister Miracle). He was feminism (Big Barda). He was Nixon and the religious right (Darkseid and Glorious Godfrey).
[tags: Comics][permalink][Comments Off on Jack Kirby Was The 20th Century]
[tags: Batman, Comics, Funny][permalink][Comments Off on “Max, what do you want for dinner?” “JUSTICE!”]
8 March 2010
[comics] Wilson … Tom Spurgeon produces the first review of Wilson – Dan Clowes latest comic … ‘It’s Clowes being Clowes, and Wilson all by itself makes 2010 a pretty good year for comics no matter what happens from here on out.’
[comics] The 6 Most Realistic Moments In “Kick-Ass” … ‘Completing the Hit Girl Realisim Trifecta, there’s the scene where she–again, a tiny child–accurately shoots a pistol in each hand, scoring headshots on a roomful of bad guys. Issues of recoil are, of course, negated by the littlegirlium factor…’
[tags: Comics][permalink][Comments Off on The 6 Most Realistic Moments In “Kick-Ass”]
25 February 2010
[comics] Happy 10th Blogiversary Neilalien! … as far as I know Neilalien’s blog and Doctor Strange / Steve Ditko fan site was the first comic blog. Amazingly, after ten years he still seems to handroll his own blog pages, which proves he’s either old school or an alien – I can’t make up my mind which… Congratulations Neil!
[comics] Jack Kirby’s Visual Interpretations of God … ‘I always found it interesting that of the very few pieces of his own work that Jack Kirby displayed in his home, three of them were his visual interpretations of God.’
[comics] Kevin O’Neill Interview [Part One | Part Two | Part Three | Part Four | Part Five] … huge interview covering O’Neill’s 40 year career in comics … ‘What Robocop did by beating Judge Dredd to the screen was it stole the best of Judge Dredd, and when they made the Dredd movie, they were then worried about being compared with Robocop! So they took out all the black humor and all the satire, and their emasculated movie was almost a Judge Dredd movie, but not quite. Robocop was a more energetic movie. We did hear there were piles of 2000 ADs in the production offices. That does kind of show, doesn’t it?’ [via Metafilter]
[comics] Paradax: the TV show … according to internet rumours Brendan McCarthy is in Hollywood pitching Paradax as a animated TV Show … ‘Bad Boy Superhero: Smallville meets Entourage’
Grant Morrison on Brave and the Bold #102: One of my all-time favourite Batman panels was written by Haney and drawn by Jim Aparo and shows Batman strolling down the sunlit streets of Gotham, checking out the mini-skirted girls and accompanied by the line to end all lines: ‘Yes, Batman digs this day!’
[moore] A YouTuber Sums Up Alan Moore: ‘Sheesh. I keep trying to read his stuff, but I swear Moore is like the messiah of all who would get beat up in middle school. Thus he is against confident sexy women who flirt, confident athletic men who are badass and don’t need permission to kiss a woman, anyone who can fight or kill, anyone who knows they look good…. He is for anyone who can play the tuba, is gay, has bad hair, has a bad complexion, has frizzy hair, is socialist… it gets old.’
[comics] High Fever: An interview with Brendan McCarthy … ‘Having done Shade and now Spider-Man and Dr. Strange — all that I’d like to do next is The Creeper! (I have to admit, Hawk and Dove never really did it for me.)’
[tags: Comics][permalink][Comments Off on The Ultimate Graphic Novel]
30 January 2010
[comics] V for Vendetta in Kinetic Typography … ‘Verily, this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honor to meet you and you may call me V.’ (more…)
[comics[ Walking Dead gets TV Pilot … ‘[Robert Kirkman and Charlie Adlard] follow in the footsteps of the master, George Romero, to do something horror often does very well, comment on human nature and society by pushing both to the edge, while also drawing you in to a fascinating, often terrifying tale of survival.’
[tags: Comics, TV][permalink][Comments Off on Walking Dead gets TV pilot]
22 January 2010
[comics] CR Holiday Interview Series Wrap-Up … great selection of interviews on comics from the Comics Reporter … ‘It was my great pleasure the last three weeks to interview some but certainly not all of my most valued writing-about-comics colleagues about some but certainly not all of the great books, series and single issues of the last 10 years…’
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9 January 2010
[comics] Load Runner #3 … scans of the Galaxy’s greatest British computer comic from 1983. Containing such gems as the adventures of Andy Royd and the specifications for the Mattel Aquarius.
[comics] Grant Goggans On 2000 AD … ‘Andy Diggle famously described 2000 AD, at its best, as delivering you shot glasses of rocket fuel. You may not like every episode of every tale, but all five episodes each week should try and knock you on your backside with excellent characters in fast-moving, over-the-top stories. Nothing else in comics can give you that thrill, and it’s the highwire, anything-goes weekly nature that makes reading 2000 AD so fun.’
[moore] Comics Won’t Save You, but Dodgem Logic Might … an Alan Moore interview in Wired … ‘I think the comics medium could play a big part in addressing our problems. It’s such a wonderful medium. You can talk about anything, and talk about it in a very powerful and informative way. I’d like to see comics become a medium in which new ideas could be expressed in new, compelling forms, but I don’t really see that coming from the industry’
[tags: Comics, Funny][permalink][Comments Off on Spiderman Missed His Train At Kings Cross]
22 December 2009
[comics] Mike Sterling On Watchmen: ‘…there’s a part of me that wishes the Watchmen film had been an enormous hit, enough so that a sequel would have been inevitable, and that even possibly new comic book follow-ups and tie-ins would have been published. Because really, the fanguish that would have caused would have been epically awesome.’
[comics] Dave Sim Goes Partially Print On Demand; Industry To Follow? … this makes a lot of sense for Sim – and it fits in with his past as a champion of self-publishing … ‘The important thing to take away from this is that POD is now being used for comics as a way to keep backlist available, without having to print thousands and thousands of comics at a time that may take years to sell through. That’s about the best use of POD I can think of, actually, following up a high-quality print run with digital copies for latecomers.’
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[comics] The Comics Reporter’s Holiday Shopping Guide ’09 … great selection of comic gifts to buy this year … On A Drifting Life: ‘Very few if any reviews of this massive autobiographical work from the great Yoshihiro Tatsumi note how completely mad it is on a certain level to follow a young man around as he reads and draws comics over the space of several decades. This book more than has the courage of that particular conviction, and I’ve never seen any artist invoke the relationship-warping monomania of creativity as well as Tatsumi does here.’
[tags: Comics, Xmas][permalink][Comments Off on The Comics Reporter’s Holiday Shopping Guide ’09]
[comics] The Best Comics Of The ’00s … from The A.V. Club. On Morrison and Quitely’s All Star Superman: ‘…Morrison puts a fresh spin on old Superman ideas—Bizarro, Jimmy Olsen’s monstrous transformations—and introduces some of his own, including a story in which Superman is secretly responsible for the world you’re living in right now. It’s enough to send even the most jaded comics fan outside to look up in the sky.’
[comics] Counterculture Comics Hero Grant Morrison Gets a Biopic … Wired cover a new documantary about Grant Morrison … ‘Morrison has lived a very full life, from playing in rock bands to experimenting as a transvestite to becoming, like Alan Moore, a chaos magician. There’s a lot of fertile ground in his personality alone, to say nothing of his sometimes autobiographical comics. In the process, Morrison has become a counterculture icon primed for mainstream crossover.’
[tags: Comics, TV][permalink][Comments Off on Bill Sienkiewicz Art For The Dungeons and Dragons Cartoon]
27 November 2009
[comics] Skin … The Forbidden Planet blog remembers Skin the long out-of-print comic from Peter Milligan and Brendan McCarthy … ‘McCarthy’s art is astonishing, from the brutal leer on Martin’s face in one scene to the psychedelic, drug-fuelled sex scene with the young skinhead and some hippies (aided in no small part by Carol Swain’s brilliant colouring) which is a great example of how bloody amazing McCarthy’s art often is. Both art and story combine perfectly to tell a powerful tale of a disturbing subject and do so while denying the reader the normal emotional crutch of having a loveable but put-down hero to root for…’