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July 3, 2014
[movies] Dressing The Future … a fascinating look at the costume design process on the movie Alien … ‘When Sigourney Weaver turned up for dress rehearsal, she found something other than grimy space-wear. “When they first dressed me up as Ripley it was in one of those pink and blue uniforms,” she said. “Ridley Scott came in and said, ‘You look like fucking Jackie O’NASA.’” Luckily, Scott decided to improvise…’
October 29, 2012
[movies] Behind the Scenes of Alien … some more movie production photographs from Retronaut [via Ian Bettridge].
September 30, 2012
[movies] Ridley Scott’s Storyboards … a look at the sketches Scott uses as storyboards for his movies. It’s interesting to see the Moebius-influenced Alien sketches – Moebius did concept-art for Alien and seems to have inspired Scott.
January 13, 2011
[alien] Ripley and Jones The Cat

Ripley and Jones the Cat

November 2, 2010
[movies] Sigourney Weaver’s Screentest For Alien … [via girlonetrack]


November 11, 2009
[movies] In Praise Of The Sci-Fi Corridor … On the corridors in Alien: ‘Ridley Scott knows that corridors matter in a horror (or ‘haunted house’) movie, but these marvellous sets are also being showcased to sell the gritty and grimy, commercial and industrial reality of the Nostromo as well. The upper sections related to the command deck were dirtied down with gold and black paint after a reshuffle of sections in order to convey the grittier world inhabited and Parker and Brett on the engineering level.’ [via Metafilter]
October 19, 2009
[movies] Roger Ebert Reviews Alien

As the sequels (“Aliens,” “Alien 3,” “Alien Resurrection”) will make all too abundantly clear, the alien is capable of being just about any monster the story requires. Because it doesn’t play by any rules of appearance or behavior, it becomes an amorphous menace, haunting the ship with the specter of shape-shifting evil. Ash (Ian Holm), the science officer, calls it a “perfect organism. Its structural perfection is matched only by its hostility,” and admits: “I admire its purity, its sense of survival; unclouded by conscience, remorse, or delusions of morality.”

March 30, 2005
[film] Aliens at the Abbey Road Film Festival in London (31/3) — fancy a free ticket? Sashinka’s got some up for grabs … ‘I say we take off and nuke the entire site from orbit. It’s the only way to be sure.’
November 1, 2003
[fim] Alien: the Director’s Cut — a review of the re-released sci-fi horror film …

‘It is a genuinely frightening movie which makes splatterfests like The Texas Chainsaw Massacre look juvenile. With style and intelligence, Scott absorbs the influences of Kubrick and Spielberg, together with movies like Westworld and The Stepford Wives, but makes a movie quite distinct from any of these. He puts together a white-knuckle intergalactic ride of tension and fear, which is also an essay on the hell of other people, the vulnerability of our bodies, and the idea of space as a limitless new extension of human paranoia. Alien also functions as a nightmare-parody of the Apollo 11 moon-landing, which had happened just 10 years previously, with all its earnest optimism about human endeavour. And perhaps most stunningly of all, this new version of the movie reveals how it works as a conspiracy satire about state-corporate complicity in manufacturing biological weapons of mass destruction.’