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June 14, 2016
[comics] Providence Ghoul Photoshoot Interview with Susanna Peretz… Peretz is the creator of the Ghoul masks used in a photo in Providence #7 … ‘The products and materials alone came to around two thousand pounds [nearly $3,000 U.S.]. On top of that you have to consider two months work to produce the pieces, studio costs, assistant’s fees, actor’s fees, location hire, camera, lighting… It all adds up but it is this attention to detail and realism that sets Alan’s work apart.’
June 6, 2016
[comics] A New Theory on Providence’s Ending … where is Alan Moore heading with Providence? … ‘The monsters do not need to be made real. The monsters of Providence ARE real already. What they actually want is nearly the opposite. The Apocalypse sought by the monsters is similar to the one Moore initially seemed to be setting up in Promethea. The monsters are preparing to REMOVE themselves from reality, where they are (despite their best efforts) mortal and vulnerable, instead ascending to the immortal state of dreams and fictions.’
May 19, 2016
[books] H. P. Lovecraft in 1919 … What was H. P. Lovecraft up to in 1919? … ‘Much of what we know of Lovecraft for this year comes from his amateur publications and his few surviving letters—only a handful have survived from this period—but it was a quietly formative year in his life. The discovery of Lord Dunsany gave shape to his experiments in fiction, and he began to find his own voice and preferred style, while the hospitalization of his mother gave him an unexpected freedom, living alone for the first time.’
April 28, 2016
[comics] The 13 Most Interesting Time Travel Stories in Comics … a varied collection of comics to track down … ‘Three years before they would create 1986’s Watchmen, Alan Moore and Dave Gibbons were honing their comic-creating skills by producing short stories for 2000 A.D. magazine. In one of the magazine’s recurring features called Time Twisters, they published a five-page story called Chronocops! that is considered one of Moore’s best early works, and one that would hint at the complex narrative skills he would demonstrate later in his career…’
April 7, 2016
[moore] Other Moore’s Laws … What if Alan Moore, Roger Moore and Michael Moore had their own laws?

Other Moore's Laws

March 23, 2016
[moore] What Next For Providence? … Where is Alan Moore heading with Providence? … ‘Issues #5 and #6 are almost a two part story, where Black visits a city which is a major nexus of Lovecraft’s work, and intersects with several different stories, and many characters who act towards Black in an openly malevolent manner. I predict that #11 and #12 will be set in Providence, RI, and will feature Black’s inevitable doom after similarly intersecting with multiple stories and characters. “The Haunter of the Dark” has to appear. The Case of Charles Dexter Ward seems extremely likely’
March 9, 2016
[comics] From the Bayou to London: A Conversation with Artist John Totleben … interview with the legendary comic artist … ‘I think younger readers probably have already been exposed to those influences in other comics, so when they look at Miracleman it probably doesn’t seem like a bigger deal back in 1988 or whatever. They don’t get the full effect of that. It’s kind of similar to rock music where someone listens to Jimi Hendrix nowadays; they may not get the full effect of the intensity he really got across back then because all those influences have been absorbed into the culture of rock guitar techniques and so on. The full effect just can’t be felt. That’s what’s it’s like with Miracleman. You had to have been there.’
February 9, 2016
[comics] ‘Has The Human Centipede Taught Us Nothing?’ Alan Moore Answers Questions About Cinema Purgatorio For Bleeding Cool … a Q&A regarding the new black and white anthology comic Moore is launching on Kickstarter … ‘ I’m aware that a large majority of the current comic book audience are pathologically averse to anthologies, and you can certainly see their point. After all, when has anything memorable in the comic book medium ever emerged from an anthology? Except, obviously, Action Comics. Oh, and Detective Comics. And Sensation Comics and All Star and Adventure Comics. And Will Eisner’s work. And Jack Cole’s. And Mad and the entire E.C. line. And Amazing Adult Fantasy. And Tales of Suspense. And Strange Tales. And Journey into Mystery. And Creepy, and Eerie. And Zap. And the rest of the Undergrounds. And Comics Arcade. And 2000AD. And Warrior. And Viz. And almost all English and European comics. And almost all American comics, even single-character titles, until the 1960s. But other than that, what has the comic book anthology, or the Roman Empire for that matter, ever done for us?’
November 23, 2015
[moore] Alan Moore wrote his first Tweet… ‘This is Life Eternal, right here. Be fulfilled, be happy, be kind, be in love, and never do anything that you can’t live with forever.’

Alan Moore's First Tweet...

November 13, 2015
[alanmoore] Alan Moore donates £10,000 to help friend bring his African wife to the UK … File under: Greatest Living Englishman … ‘Since Moore’s donation was made public, Cousins’s case has spread across the web, with a series of small donations made to a crowdfunding page set up by his son. “If it’s a good enough argument for Alan Moore, it’s good enough for me,” wrote one anonymous donor on the page.’
October 22, 2015
[comics] Moorecraftian Timeline … a timeline for the H.P. Lovecraft inspired comics from Alan Moore and Jaycen Burrows … ‘1914-1918 – World War I, known to the Parish of Saint Jude in Salem, Massachusetts as “The Great Dry Cull.”’
September 22, 2015
[comics] Annotations for Providence #4 … annotations for Alan Moore and Jaycen Burrows Providence #4 comic.
August 17, 2015
[comics] Did Watchmen Steal From The Outer Limits, Or From Jack Kirby? … a look at the influences on the ending of Watchmen … ‘While I agree that the ending is one of Watchmen‘s weakest points, it’s not because I think it wasn’t original enough. We are, after all, talking about a story filled with thinly disguised reworkings of old Charlton characters (not to mention that Swamp Thing — the Len Wein-created character that he and Alan Moore first worked together on — is awfully similar to ’40s characters It and The Heap). The problem with the ending is how naive it is to think that a single large attack could result in lasting world peace…’
August 14, 2015
[moore] Alan Moore’s Speech at Austerity and Advice Conference in Hull … a bit of history, Northampton, politics and austerity from a recent speech by Alan Moore … ‘Imagine if Jeremy Corbyn looked liked this… I think we’d all be a little bit more anxious wouldn’t we?’
May 31, 2015
[comics] Annotations for Providence #1 … notes on Alan Moore and Jaycen Burrow’s latest comic … ‘Page 17, Panel 3: “The Repairer of Reputations” in The King in Yellow is set in an alternate future New York in the 1920s, which featured legalized suicide chambers and a concluded European war with an American victory; this further reinforces the layered fictionality of Providence, where the reality of the comic book is not our reality, nor even Lovecraft’s.’
May 10, 2015
[weirdscience] Radio 4 in Four: Robin Ince explores hollow earth… go listen to this clip of Robin Ince on Hollow Earth theory (guest-starring Alan Moore).
May 6, 2015
[comics] Facts in the Case of Alan Moore’s Providence … annotations for Alan Moore and Jaycen Burrows not yet released Providence comic.
May 3, 2015
[comics] Adrian Veidt’s “I Did It!” as a Watchmen Clock … by kiarasa on DeviantArt.

Watchmen Clock by kiarasa

April 18, 2015
[comics] Crossed+ 100 Annotations … work-in-progress collection of annotations for Alan Moore and Gabriel Andrade’s Crossed+ 100 series of comics.
April 10, 2015
[comics] Kieron Gillen Talks Watchmen

February 25, 2015
[moore] Huge Alan Moore interview from Mustard comedy magazine … Alan shares another theory on who Jack the Ripper might be: ‘In our local paper there was a report about a man called Mallard who believed that Jack the Ripper was a member of his family from the Doddridge Church area of Northampton. His somewhat slender grounds for this theory were that a father in the family had committed suicide and one of the sons then moved down to London and was working in a slaughterhouse in the Whitechapel area during the time of the murders. Not the most convincing theory, but I was quite taken with this story because my mother’s maiden name was Mallard and her family lived around the Doddridge Church area. So in answer to Matt’s question, I’d say that after all of my researches, it turns out that Jack the Ripper was probably my granddad. It’s funny how these things work out, but what can you do?’
February 6, 2015
[comics] The Quotable Alan Moore … a collection of Alan Moore quotes … ‘Eventually you’ll use everything. You usually put them in some kind of code unless you’re doing a straightforward biography. There’s things I did like ‘A Small Killing’. The central event in that was a boy burying some bugs in a bottle. I did that when I was 8 or 9 and it haunted me. In ‘Big Numbers’ the writer was me, not exactly, but there was enough experience. I borrowed voraciously from my friends lives, sometimes that can feel a bit dodgy. These people, they’re your friends and they’ll pour out details of their lives and part of your brain is this cold vampiric thing writing it all down to use later. I can’t help it I’m a writer.’
January 23, 2015
[moore] Twenty-two comic books Alan Moore was looking forward to in 1988 Part 1 | Part 2
January 17, 2015
[moore] Poet has first book published thanks to old school pal Alan Moore‘The book includes a seven page foreword by Alan in which he says Dominic’s “words speak of an almost-gone emotional reality, a since subsided proletarian warmth, an honesty entirely unafraid of sentiment, a great clarity of the heart.” In Spring Lane School there is a noticeboard displaying laminated pictures of Alan and Dominic to encourage the pupils which they are both very proud to feature on.’
January 1, 2015
[comics] Happy New Year … 2000AD Prog 451 cover for The Ballard Of Halo Jones by Ian Gibson …

Happy New Year!

November 26, 2014
[comics] Alan Moore’s Southern Comfort … Pádraig Ó Méalóid post scans of an obscure early Alan Moore comic for 2000AD and explores if it was rewritten … ‘So, decide for yourself: is this the work of the greatest comics writer of our time? Or is it only partially his, or has the art been changed so much from his original script that it has got lost under there?’
November 20, 2014
[moore] Alan Moore’s Brought To Light On YouTube … Alan Moore performs Brought to Light, his history of the CIA. … ‘This is not a dream.’
October 24, 2014
[comics] The Secret History of John Constantine … a look at the past and future of John Constantine‘Bissette claims he asked Moore to let him create a character that looked like Sting. The series’ editor, Karen Berger, told me it was Totleben, who had been wowed by Sting’s portrayal of a possibly demonic con-man in the 1982 film Brimstone and Treacle. Moore told The Comics Journal that he granted the artists’ wishes just for the hell of it. And so a nameless Sting-esque character popped up in a crowd shot in Swamp Thing No. 25. That could’ve been the end of it. But Moore saw the potential for “something more than that.” Moore had been mentally toying with the traditions of English mysticism (though he was still a few years away from identifying as a practitioner of magic). But he was also fascinated by cartoonist Eddie Campbell’s character Dapper John, an archetypal English “wide boy” — a man who takes unreasonable chances and gets by through resourcefulness and smooth talk. He decided to do something previously undone: craft a wide-boy mage.’
October 14, 2014
[comics] Alan Moore Talks About His Influence Upon Comics‘I mean, I’d like to think that if I’ve shown anything, it’s that comics are the medium of almost inexhaustible possibilities, that there have been…there are great comics yet to be written. There are things to be done with this medium that have not been done, that people maybe haven’t even dreamed about trying. And, if I’ve had any benign influence upon comics, I would hope that it would be along those lines; that anything is possible if you approach the material in the right way. You can do some extraordinary things with a mixture of words and pictures. It’s just a matter of being diligent enough and perceptive enough and working hard enough, continually honing your talent until it’s sharp enough to do the job that you require. I hope that if I had any sort of benign legacy at all, that that would be it, but I don’t know, I think that my legacy, some days, like I say, I think that my legacy is more likely to be a lot of humourless snarling, sarcastic psychopaths, but that’s just on my black days, pay me no mind.’
September 29, 2014
[comics] Trash! … an early, little-remembered Alan Moore fumetti comic from 1982.
September 2, 2014
[books] All About Alienation… Alan Moore discusses H. P. Lovecraft … ‘What Lovecraft seems to be doing in works like The Case of Charles Dexter Ward is attempting to embed the cosmic in the regional. He was doing his writing where he loved the New England landscape around him, he loved its history, he loved the way it looked, he loved everything about it. In that sense he was a very provincial person. He found his stay in New York unendurably horrific. But at the same time he was keeping up with the science of the day. And he understood the implications of that science; he understood the implications of relativity; he understood the implications of the quantum physicists; perhaps only dimly, but he understood how this decentralised our view of ourselves; it was no longer a view of the universe where we had some kind of special importance. It was this vast, unimaginably vast expanse of randomly scattered stars, in which we are the tiniest speck, in a remote corner of a relatively unimportant galaxy; one amongst hundreds of thousands, and it was that alienation that he was trying to embody in his Nyarlathoteps and his Yog-Sothoths.’
June 26, 2014
[comics] Alan Moore Early Career Timeline … … ‘Swamp Thing 24 – Roots (February 1984) … Monster (Scream #1 – March 1984) Boy buries his father, then goes to investigate the mysterious locked door upstairs which his father was killed going up to. Story ends with a to-be-continued, and was picked up by John Wagner – was about a deformed man living in the attic who was gentle but usually homicidal, apparently.’
June 18, 2014
[comics] Alan Moore’s Lost Comic Miracleman Has Returned‘A Dream of Flying is lovely, but the truly jaw-dropping stuff is just a few months away. You’ll get to see “Scenes From the Nativity,” in which Moran’s wife gives birth to a superpowered infant in an infamously (and, in its way, beautifully) graphic manner. You’ll experience the astounding conclusion of Moore’s run: a city-demolishing fight between Miracleman and Johnny Bates that will turn your stomach and expand your mind, followed by an issue in which Miracleman assumes his rightful role as a god and creates a worldwide quasi-socialist utopia. You’ll delight in Gaiman’s series of short stories about life in that utopia — one of which is a gorgeous little tale narrated by an undead Andy Warhol. You’ll read about modern myths and see better worlds. And soon, God (Miracleman?) willing, you’ll find out how it was all supposed to conclude. ‘
June 10, 2014
[comics] “A Funny Kind Of Relationship” … Alan Moore On Iain Sinclair … ‘So Iain had a profound effect upon my writing style, it’s probably more evident to me than to other people. It was more the fact that after reading Iain’s work I felt that I had to man up, I had to shift things up a gear, because knowing that prose of that quality was possible, unless you tried to address that, any other response is like, cowardice, or defeat, surrender… It was like when I read Burroughs as a teenager. It made me realise that prose was capable of doing certain other things than things that I had previously attributed to it. Later on I found that Iain’s kind of literary genealogy is not a million miles away from my own, its just that his has got a much finer eye attached to it and a much greater body of knowledge, but I think we were both inspired by the energy of the Beat writers and the culture that spread out from them.’
May 15, 2014
[comics] Alan Moore’s unpublished scripts for Youngblood … contains scripts for Youngblood #2 to #7, notes on characters and an overview of Moore’s plan for two years of comics.
May 11, 2014
[comics] Nemo and All Things “League of Extraordinary Gentlemen,” with Kevin O’Neill … great interview with one of British comics finest artists … ‘I think with the original League series, it just started with a small Charles Dickens reference, and some older Victorian comic characters. I remember talking about it and we felt, well, if we have a newstand scene, it would be great if all the publications are fictional publications from all over the place — and therein lies the path to complete and total madness, really.’
May 10, 2014
[moore] 2048: The Alan Moore Edition … a special version of the 2048 game for fans of Alan Moore.
April 3, 2014
[comics] Twenty-two comic books Alan Moore was looking forward to reading in 1988… Part 1 | Part 2
March 26, 2014
[comics] Watch Alan Moore Do Magic…‘But yes, I can definitely, definitely do like, real magic…’
March 23, 2014
[comics] Script Robot Moore and Art Droid Gibson Celebrate Their Eagle Award For Halo Jones‘The celebration’s over! Back to work’
March 16, 2014
[comics] It’s Affable Alan Moore… His Stories Never Bore! … Lew Stringer on Alan Moore … ‘Behold! He’s breathing new life into the genre!’
March 7, 2014
[comics] League of Extraordinary Gentlemen: Nemo: Roses of Berlin annotations … more LOEG annotations from Jess Nevins‘Panel 2. “Heil, Hynkel.” As shown in the previous issues of League, there is no Adolph Hitler in the world of the League of Extraordinary Gentlemen, just as there is no Mussolini and various other major world figures. What we have instead are literary or filmic analogues for these characters. In this case, Hitler is replaced by Adenoid Hynkel, the Hitler analogue from Charlie Chaplin’s The Great Dictator (1940).’
February 2, 2014
[moore] Moment Of Moore: Alan Moore. 60 Years. 60 Images … by Flavio Pessanha.
January 16, 2014
[comics] Last Alan Moore Interview? … Pádraig Ó Méalóid posts an epic Alan Moore interview – Alan covers criticisms about rape and racism in his comics and provides what is likely to be his final word on Grant Morrison … ‘As for the use of ‘problematic’ figures in the pages of The League, a great number of the literary figures which we’ve appropriated or re-imagined in the course of the book, have been to my mind every bit as problematic as the Galley-Wag. They just haven’t been black. As an example I remain somewhat unsure, in light of these current issues, as to why our use of Sax Rohmer’s Fu Manchu in volume one seemed to have passed by without a murmur, given that here we have a character who was actually intended by his original author as a crude racial caricature of the most negative and xenophobic strain, and for whom our only act of rehabilitation was to suggest that Rohmer’s ‘Devil Doctor’ may have been motivated by a hatred of the British justifiably inculcated during his childhood in the years of the bestial and shameful Opium Wars. And yet, hardly a word said, as I recall.’
January 12, 2014
[moore] Lego Alan Moore‘Your Argument Is Invalid.’
January 6, 2014
[moore] Epic Small Talk Fail

Epic Supper Small Talk Fail

January 4, 2014
[moore] A Moment Of Moore: My name’s Alan Moore. I write comics.‘Goodnight Children, and sweet dreams, wereever you are.’
December 11, 2013
[comics] Eddie Campbell on From Hell and The From Hell Companion … interviewed by Pádraig Ó Méalóid … ‘From Hell is like a huge big machine with a nice clean orderly front panel. And when you unscrew it and take that off, beneath it you see a complex of wires and cogs and moving parts caked with lubricant. That’s the Companion. After only seeing the front panel for years, this new version of the machine makes the whole thing interesting in ways you never thought of before.’
August 19, 2013
[batman] The Killing Joke Ending Revealed? … Grant Morrison has an interesting theory about the conclusion of The Killing Joke … ‘That’s what I love about it- Batman kills the Joker…that’s why it’s called The Killing Joke…The Joker tells the ‘killing joke’ at the end and Batman reaches out and breaks his neck… and that’s why the laughter stops…the light goes out because that was the last chance of crossing that bridge. Alan wrote the ultimate Batman Joker story… because he finished it… the laughter stops, it abruptly stops, it’s quite obvious.’
August 7, 2013
[watchmen] Five More Notes About Before Watchmen … more from Tom Spurgeon on Before Watchmen … ‘I doubt I’ll ever be convinced that Before Watchmen was an awesome project. I don’t think it was evil; I think it was sad. That was a lot of talent aimed at books whose nature allowed only the tiniest chance that remarkable art would result; talent that probably could have gone to bolstering the new superhero comics line or that could have been pushed in the direction of their own, similar achievement. So much of it smacked of parody — they really did a Dollar Bill comic book! With Steve Rude art! — that the whole thing was hard to fathom.’

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