You smile at him, your face opening the way every single face in the entire world opens when it encounters him. Because he is: Buzz Aldrin. And we are: mankind.

He takes note of your smile, and just as quickly looks past you. It’s the same way with everybody. It’s your pregnant anticipation: I can’t wait to hear the amazing synthesis of moon wisdom you are about to bestow upon me.

He has no idea what to do with that. None. He’s turning 85 this month. He went to the moon when he was 39. Mankind has been coming at him with your same smile ever since. What do you expect him to do with that?

It wasn’t until last year that things took a dramatic turn.

On 11 August 2015, the popular gonzo news site VICE published a story about a conspiracy theory surrounding the children’s storybook characters the Berenstain Bears. The theory went like this: many people remember that the bears’ name was spelt “Berenstein” – with an “e” – but pictures and old copies proved it was always spelt with an “a”. The fact that so many people had the same false memory was seen as concrete proof of the supernatural.

“Berenstein” truthers believe in something called the “Mandela Effect”: a theory that a large group of people with the same false memory used to live in a parallel universe (the name comes from those who fervently believe that Nelson Mandela died while in prison). VICE’s article about the theory was shared widely, leading thousands of people to r/MandelaEffect, a subreddit for those with false memories to share their experiences.

So much of the news this year has been hopeless, depressing, and above all, confusing. To which the only response is to say, “oh dear.” What this film is going to suggest is that that defeatist response has become a central part of a new system of political control. And to understand how this is happening, you have to look to Russia, to a man called Vladislav Surkov, who is a hero of our time.

Surkov is one of President Putin’s advisers, and has helped him maintain his power for 15 years, but he has done it in a very new way.

He came originally from the avant-garde art world, and those who have studied his career, say that what Surkov has done, is to import ideas from conceptual art into the very heart of politics.

His aim is to undermine peoples’ perceptions of the world, so they never know what is really happening.

Surkov turned Russian politics into a bewildering, constantly changing piece of theater. He sponsored all kinds of groups, from neo-Nazi skinheads to liberal human rights groups. He even backed parties that were opposed to President Putin.

But the key thing was, that Surkov then let it be known that this was what he was doing, which meant that no one was sure what was real or fake. As one journalist put it: “It is a strategy of power that keeps any opposition constantly confused.”

I’ve been ill for as long as I can remember, and probably always will be. I have plenty of good days, when life seems delicious and my tasks seem surmountable, but over and over again, I have the bad days, ones where the voices in my head — my own supervillains — tell me to give in to chaos. There’s the baddie who says I’m insignificant, the one who says I’m unable to love, the one who says I’m lazy, the one who says I’m defined by my failures, the one who says I’ll never be successful, and so on. They’re recurring characters. Sometimes, I’m fighting one; other times, a few of them team up. I push back as much as I can: I go to therapy, I meditate, I medicate. The antagonists go away for a while. But they never permanently disappear.

On a very literal level, Batman has been facing the same fight for the 77 years since his creation. His challenges, too, are chronic: He throws his enemies in Arkham, but they’re never there for long. Wins don’t last. There will always be new stories in which an individual force of evil or a team of villains will concoct a plan to take him down. Other superheroes have their own lineups of baddies, but Batman’s is easily the deepest bench, filled with vivid — and archetypal — characters who come back again and again. What made that scene with Alfred in Dark Knight so compelling was the manifest exhaustion of Bruce Wayne that any Batman reader or viewer always assumed: How can he possibly withstand the demoralizing truth of knowing all of his victories are provisional?

>scream into the well about Trump moving forward with building a wall between Mexico

You scream. The well echoes back that Mexico will never reimburse the cost and wonders why Republicans are so willing to pay for an ineffectual wall but not a social safety net.

Yes, this is the best you’ve felt since election night! The well is your friend.

Unfortunately all this screaming is making your head flush and hot. If you want to continue screaming, you’ll have to find a way to cool off.

The air inside the well feels nice.

>lean further into the well

The story itself, which has become more familiar than Hubbard or any of his disciples ever intended, revolves around the figure of Xenu, the tyrannical dictator of the Galactic Confederation. Millions of years ago, Xenu, faced with an overpopulation crisis, threw hordes of his own people into volcanoes on the planet Earth—then known as Teegeeack—and blew them up with atomic bombs. Their spirits, called thetans, survive to the present day, clinging to unsuspecting humans, and they can only be removed through dianetic auditing, a form of talk therapy that clears the subject of its unwanted passengers.

One of the church members who read this account was screenwriter and director Paul Haggis, who was a devoted Scientologist for over three decades before resigning in an ugly public split. Haggis told Lawrence Wright, the author of the seminal New Yorker piece that became the exposé Going Clear, that after finishing the story, he got the wild idea that it was some sort of insanity test—if you believed it, you were kicked out. When he asked his supervisor for clarification, he was informed: “It is what it is.” Haggis read it again, but the same thought continued to resound in his brain: “This is madness.”

Hubbard himself had another term for it. In an insertion to the original manuscript, squeezed between two lines, the author left his own description of what he had written: “Very space opera.”

Back when IPC execs were tossing around ideas for the title of the new comic, Pat Mills vividly remembers the then publisher John Sanders coming up with the futuristic name. “I said to John: ‘What happens when we reach the year 2000? What will we call it then?’” Mills laughs. “He said to me, ‘Don’t worry, Pat. If it lasts three or four years we’ll count ourselves lucky.’”

The next great rupture in Britain’s national life has, in fact, been planned to the minute. It involves matters of major public importance, will be paid for by us, and is definitely going to happen. According to the Office of National Statistics, a British woman who reaches the age of 91 – as the Queen will in April – has an average life expectancy of four years and three months. The Queen is approaching the end of her reign at a time of maximum disquiet about Britain’s place in the world, at a moment when internal political tensions are close to breaking her kingdom apart. Her death will also release its own destabilising forces: in the accession of Queen Camilla; in the optics of a new king who is already an old man; and in the future of the Commonwealth, an invention largely of her making. (The Queen’s title of “Head of the Commonwealth” is not hereditary.) Australia’s prime minister and leader of the opposition both want the country to become a republic.

Coping with the way these events fall is the next great challenge of the House of Windsor, the last European royal family to practise coronations and to persist – with the complicity of a willing public – in the magic of the whole enterprise. That is why the planning for the Queen’s death and its ceremonial aftermath is so extensive. Succession is part of the job. It is an opportunity for order to be affirmed. Queen Victoria had written down the contents of her coffin by 1875. The Queen Mother’s funeral was rehearsed for 22 years. Louis Mountbatten, the last Viceroy of India, prepared a winter and a summer menu for his funeral lunch. London Bridge is the Queen’s exit plan. “It’s history,” as one of her courtiers said. It will be 10 days of sorrow and spectacle in which, rather like the dazzling mirror of the monarchy itself, we will revel in who we were and avoid the question of what we have become.

These stories were written years ago, but Stillson and Rennie bear enough of a resemblance to the current resident of the White House for me to flatter myself I have a country-fair understanding of how such men rise: first as a joke, then as a viable alternative to the status quo, and finally as elected officials who are headstrong, self-centered and inexperienced. Such men do not succeed to high office often, but when they do, the times are always troubled, the candidates in question charismatic, their proposed solutions to complex problems simple, straightforward and impractical. The baggage that should weigh these hucksters down becomes magically light, lifting them over the competition like Carl Fredricksen in the Pixar film Up. Trump’s negatives didn’t drag him down; on the contrary, they helped get him elected.

It’s possible for a surgeon to get distracted by the wrong wound. The most dangerous wounds don’t always look the worst. People can get shot in the head and they’re leaking bits of brain from a hole in the skull and that’s not the fatal wound; the fatal wound is from another bullet that ripped through the chest. One patient a few years ago was shot in the face with a shotgun at close range over some money owed. He pulled his coat up over his mangled face and walked to the ER of one of Temple’s sister hospitals, approaching a nurse. She looked at him. He lowered the coat. The nurse thought to herself what you might expect a person to think in such a situation: “Daaaaaamn.” He was stabilized, then transferred to Temple. He lived. The price of survival is often lasting disability. Some patients, often young guys, wind up carrying around colostomy bags for the rest of their lives because they can’t poop normally anymore. They poop through a “stoma,” a hole in the abdomen. “They’re so angry,” Goldberg said. “They should be angry.” Some are paralyzed by bullets that sever the spinal column. Some lose limbs entirely…

All the newest technologies have been thrown at Zapruder. The limitation, ultimately, isn’t the resolution of the 8mm film stock, but the quality of the lens. A rash of theories about JFK continue to revolve around the film, which, despite being such a landmark testament to what happened, hasn’t brought questions about the assassination to rest. “It’s one of the great ironies that, despite the existence of the film, we don’t know what happened,” says Begley.

“We’re still in the dark. What we finally have are patches and shadows. It’s still a mystery. There’s still an element of dream-terror. And one of the terrible dreams is that our most photogenic president is murdered on film. But there’s something inevitable about the Zapruder film. It had to happen this way. The moment belongs to the twentieth century, which means it had to be captured on film.”

Theresa May is a classic phony Brexiter. She didn’t support it in last year’s referendum and there is no reason to think that, in private, she has ever changed her mind. But she saw that the path to power led toward the cliff edge, from which Britain will take its leap into an unknown future entirely outside the European Union. Her strategy was one of appeasement—of the nationalist zealots in her own party, of the voters who had backed the hard-right UK Independence Party (UKIP), and of the hysterically jingoistic Tory press, especially The Daily Mail.

The actual result of the referendum last year was narrow and ambiguous. Fifty-two percent of voters backed Brexit but we know that many of them did so because they were reassured by Boris Johnson’s promise that, when it came to Europe, Britain could “have its cake and eat it.” It could both leave the EU and continue to enjoy all the benefits of membership. Britons could still trade freely with the EU and would be free to live, work, and study in any EU country just as before. This is, of course, a childish fantasy, and it is unlikely that Johnson himself really believed a word of it. It was just part of the game, a smart line that might win a debate at the Oxford Union.

But what do you do when your crowd-pleasing applause lines have to become public policy? The twenty-seven remaining member states of the EU have to try to extract a rational outcome from an essentially irrational process. They have to ask the simple question: What do you Brits actually want?

Frigax The Vile, a leading demonic presence, is one of the most vocal supporters of the new circle.

“In the past, the underworld was ill-equipped to handle the new breed of sinners flooding our gates–downsizing CEOs, focus-group coordinators, telemarketing sales representatives, and vast hordes of pony-tailed entertainment-industry executives rollerblading and talking on miniaturized cell-phones at the same time. But now, we’ve finally got the sort of top-notch Pits of Doom necessary to give such repellent abominations the quality boilings they deserve.”